Is That All You Did Today??

Why, yes, indeed it is.

Wait, nope, I spent yet another hour on the phone with someone whose main phrase was, “Yes Ma’am”, as she tried to figure out AGAIN why my new phone won’t work. Or wait, is it the new SIM card? Perhaps it is the new provider?

See a pattern here? It is the word “new”.

STOP WITH THE CHANGES AND UPGRADES AND UPDATES ALREADY!!

Okay, where were we. . . oh yes, in the day’s accomplishments and forward progress at the easels.

Neither of these paintings are finished, but they are both much closer than the last time you saw them.

The base of the tree was beginning to look good.
Not good enough yet, but much closer.

That Sequoia is called the Sentinel Tree and it is in front of the building formerly known as the Giant Forest Market. Now it is the Giant Forest Museum.

The difficult thing about this commission wildflower piece is keeping the edges of the poppies slightly blurry so that the brodiaea AKA Blue Dick really jumps out.

I love this kind of detailed realism, even if it does take (almost) all day. And both of these subjects are exactly what one would expect from a Central California artist. All that is missing is some oranges.

Hmmm, I am sort of like country music with my three subjects: redwood trees, poppies, and citrus. (Country music’s three subjects are cheatin’, drinkin’, and storytellin’.)

Wait, I also paint Mineral King, cabins, single oranges, entire groves, the foothills with mountains in the background, various views of the Sierra Nevada, Three Rivers, and whatever else people are interested in hiring me to paint.

Phew. Thought for a moment I was gittin’ real simple-like.

See? I did more than just be on hold and paint. . . I did me some thinkin’. Real high-quality thought.

Redwood, Sequoia, Big Tree?

If you can’t see the photos, go here: cabinart.net/blog.

 

Hi Pippin! I hate it when you have a campout, but at least you are camouflaged pretty well in the non-spring months.

Couldn’t think of anything to say about today’s paintings except that I might have enough sequoia/redwood/big tree paintings for a little while. Might have had a bit too much fun at the class reunion (Redwood High School, Visalia, Class of ’77) to be very articulate. (No, I don’t drink, but lack of sleep has similar outcomes of stupidity and dull-wittedness).

Sequoia, Big Tree, or Redwood?

If you can’t see the photos, go here: cabinart.net/blog.

Sequoia, Big Tree, or Redwood? 

All three work. 

Redwood High School class of ’77 45th reunion is this weekend. So few people are attending that it was moved to a smaller location (no, not Goshen or Farmersville or Ivanhoe). I will be attending because many people travel great distances to go, and it would be quite rude if I couldn’t be bothered to go 35 miles to Visalia. Besides, maybe someone will show up who likes and then buys my work. “Networking”, I think it is called. Now, back to production.

Three paintings are now completed and ready for display and sale at Kaweah Arts in Three Rivers.

In the Big Trees, 8×10″, oil on wrapped canvas, $125 (plus Calif. sales tax)

Sequoia, 8×8″, oil on wrapped canvas, $100 (plus you know)

Big Tree, 6×6″, oil on wrapped canvas, $65 (plus. . . sigh.)

 

Finding titles for these pieces is quite the chore. Painting them is easy, because now I have enough experience that I can make them up, using a photo just to get a clue.

On A Clear Day

First, something has gone wonky with my blog so the blog post title either doesn’t show at all or it is a little bit messed up.

“On a clear day” what? It certainly isn’t “you can see forever”. Last Wednesday, this is how things looked.

No, really, look! You can see the hills across the canyon, and the helicopters resumed flying to the fires.

This doesn’t qualify as a clear day in the olden days before wildfires ruled our corner of the world, but it qualifies as light enough to paint, and not smoky either, so I could paint with the doors opened up.

Remember this painting? I can’t even remember what I titled it anymore, but I do remember it is my favorite type of scene to paint, and that it was lacking wind machines, oranges, and a signature. We last saw it here on September 13.

Now it is completed.

Even with the doors open and a clear(ish) day, it doesn’t photograph all that well. How about if I prop it up on the ladder so you can further appreciate the completion?

Okay, standard disclaimer: it looks much better in person.

Next!Remember this? Of course not. Why would you? You last saw it on August 19.

Here I have begun adding sky, a color blue that I had almost forgotten to associate with looking up.

It now needs another coat, and then the detailing, my favorite part of drawing with my paintbrushes.

I wonder how Alta Peak and Moro Rock–wait! Moro Rock doesn’t really show in this painting because it doesn’t really show in the photograph I’m using, so I might have to revisit this.

Where was I? 

Oh. I was wondering how this view will look after (when? if?) this horrible fire ever ceases. It will have to run out of fuel eventually. Will this affect how sunsets look in the winter? Will we have winter?

Never mind. Let’s all just sing a happy little version of “It’s a Small World After All”, because the colors on my painting bring that song to mind.

You’re welcome.

P.S. 35 years ago today my life changed forever, for which I am very thankful.

7 New Oil Paintings, 6 of Sequoia

In one day! That’s because only the fun “gravy work” was remaining on 6 of them, you know, the part where I get to draw with my paintbrushes, which were behaving well that day.

The 2 on the easel just needed the edges painted and my signature. The 2 little Sequoias needed better colors, more detail, edges, and signatures.

Being a frugal person, I didn’t want to waste the remaining oil paint on my palette, so I made the impulsive decision to paint this meadow. There is a large painting of Crescent Meadow that is garnering much attention at Kaweah Arts but the price is scaring customers. So, maybe this little one will satisfy that itch.

Here are all the completed paintings, drying in the painting workshop, which won’t take long in the 100 degree days of July, here in Central California. Top to bottom: 2 sequoia paintings (6×6″ each), Crescent Meadow (maybe) (6×18″), Moro Rock (8×10″), Tunnel Log (ditto), Kaweah Post Office (ditto), Giant Sequoia (6×18″).

Better Sequoia

From 2012:

2012
Thought it was finished and changed my mind.
Best Sequoia painting, titled “Sandy’s Sequoia”.

Since everything looks measurably better in person, I am wondering if the differences are just due to camera variations. I don’t know where the original painting from 2012 is, nor can I find the photo that I used, so this is a mystery to be lived with. Not everything has an answer (Uncle Google may be omnipresent but he is not omniscient.)

This is custom art, Gentle Blog Reader. Custom art works like this:

Using pencils, oil paints, and murals, I make art that people can understand of places and things they love, for prices that won’t scare them.

P.S. My business manager made me put that in the blog. She is mean like that.

New Big Tree

The first painting that I sold at Kaweah Arts was a 6×18″ oil of a Sequoia tree. Immediately I painted another.

My mama didn’t raise a dummy. This time when the big tree sells, I will have another one ready for delivery to Kaweah Arts. Call me “Butter” because I am on a roll!

Don’t be scared. It will turn out just fine. They always do, except when they don’t, and then I repaint them into something else.

Big Tree, Again

The 6×18″ oil painting of a giant Sequoia, AKA Big Tree, sold at Kaweah Arts, an art consignment shop. When Nancy, the proprietor, let me know, I asked if it was bought by a friend or relative who felt sorry for me. She said that it went home to Wisconsin with a woman who always buys art to commemorate her travels. 

Alrightythen! Looks like a winner of a subject for this store, so I’d better get cracking on another one.

I chose the photo with a more extreme angle of peering upward into the tree, but then just started making up things. After painting too many redwood trees to count, I feel fairly confident just winging it.*

It isn’t finished. More sky should be showing among the upper foliage, the ground is not right, the grasses along the bottom are too even, and the tree itself needs more detail and contrast.

*Apparently this rogue knitter and rogue baker is becoming a rogue oil painter too.

Big Trees in Order

After posting about Seven Big Tree Oil Paintings, it seemed like a good idea to figure out when I painted which one so I could see them in order and decide if I am improving or going the other direction. So, here they are in order.

2012
2012, a little later
2013
2013, a little later 
2017 (a gap of 4 years?!)
2018
2021 (a 3 year gap?!)

Interesting – I think the 2 best are the first and the last. So much depends on the quality of the photo, and I don’t have very many to choose from that show the entire tree. But there is also the color variance from photo to photo and tree to tree. As I gain confidence, which happens with experience, I am able to just figure out what colors please me rather than feeling bound to the photo.

If you want a tree like this, the size is 6×18″, the price $165 (plus tax if you live in California). Of course there are larger canvas sizes available (smaller too, but those are for younger eyes and fingers more agile than mine at manipulating paintbrushes). Remember, 

I make art you can understand, of places and things you love, for prices that won’t scare you.

(I hope $165 isn’t scary).

Seven Big Tree Oil Paintings

Sequoias, Big Trees, Redwoods. Since discovering the 6×18″ canvas size, I have painted redwoods on them seven times.

You can see that sometimes I used the same photo. I don’t know if these are shown here in the order painted, but I know for sure the last one is the most recent (and still quite wet at the time of this writing). I happen to like it best, which is a good sign that my skills have improved.

P.S. These trees are in Tulare County, right here in California’s flyover country. They are something about which we can feel good. There are many things about which we can feel good here, but if you know someone who wants to move here, go ahead and remind them that we are fat, uneducated, and poor. Oh, and there is high unemployment, bad air, and no Trader Joe’s either.

P.S. It costs a fortune to have a transplant, and while insurance covers much, there is much more that it does not cover. If you feel generous and inclined to help my friend, Rachelle, this is the best way to do so: HelpHopeLive.Org