Tall narrow canvases with oil paintings of Sequoia trees sell steadily, so I paint them steadily.
Sentinel Tree, 6×18″, $165
This one is modeled after the Sentinel Tree, in front of the Giant Forest Market, now a museum. I say “modeled after”, because I no longer feel the need to duplicate every branch as it appears in the photos. I don’t charge enough to paint that slowly, and frankly, no one cares. This painting is destined for Kaweah Arts, which sells sequoia tree paintings very steadily for me.
When Kaweah Arts closed in early January for a couple of months, I retrieved all my paintings. Kaweah Arts sold well for me in its three year span despite serious hardships: a plague, a fire, another fire, and a flood, each one leading to the closure of Sequoia National Park, which meant the flow of visitors to Three Rivers ceased. I went through my records of sales, and came up with a list of sizes and subjects that sold the best.
The average price was $145, and the most popular subject was sequoia trees, Sequoia gigantea, AKA redwoods (the common name) or “big trees” (local vernacular). Two other popular subjects were mountain range views and poppies.
I gathered seven blank canvases from 8×8″ ($100) up to 6×18″ ($165) and then went to my oh-so-lovely newly organized photo files. The efficiency. . .!
After pairing the photos with the right canvases, I then did some preliminary sketching. This isn’t something I normally do, but in the interest of painting quickly, this seemed like a prudent move. (Remember, I also need to produce 20-30 larger paintings for the solo show in October AND paint for the Silver City Store, which sells well for me in the summers when Mineral King is open to the public.)
Next, I did the boring tasks of assigning inventory numbers, and putting the hanging hardware on the back. (This is the sort of task that makes me wish I had an apprentice or an intern.)
All-righty, then! Let’s start with the assembly line style painting of the first layer to establish where colors will go and to cover the canvas.
Painting back to front means starting with the sky. The order of colors and placements doesn’t really matter at this stage, but it is wise to practice good habits whenever possible.
Green next, just using whatever is on the palette, but occasionally making dark/light adjustments.
Browns and oranges, same color family, plus yellow.
Looks like seven little messes that vaguely suggest what they will become, but with almost 18 years of oil painting, this is no longer alarming to me.
I hope you are not alarmed either. This is the most efficient way I know to paint, and these seven paintings will be finished, signed, dry, varnished, and scanned by the time Kaweah Arts reopens in March.
It’s all part of the business of art. (Just in case the Art World is checking in and judging my use of photos, let me explain that I took great care in composing those photos and have taken great care in cropping, blending, adjusting, and arranging the parts of each one of these paintings. So There, because working from photos is not wrong.)
Practice Painting? Painting Practice? Paint Practicing?
Never mind. Doctors practice medicine, attorneys practice law, and this artist practices painting. Some days I feel as if I am brand new, with no idea how to tackle a subject. Some days I think I’m figuring it out. Only once in awhile does the process feel easy.
I have a solo show coming up a year from now, and I want to be ready. No last-minute panic painting, just a well-planned body of work that is cohesive, looks good together, represents my best efforts, and most of all, represents the best parts of Central California, specifically Tulare County. Or perhaps is the best representation of Tulare County, a place of superlatives, both great and terrible.
Hey Central California, stop your bloviations and show us some work.
Ahem. Would you like to see what I was practicing on?
About time.
I started with more detailing on the trees.
Then it was time to work on the background. All those vague and messy branches and clumps of needles were a bit confounding, but that’s okay, because I was just practicing. It helped to put in the sunlit strips of ground.
I had to turn the canvas sideways in order to place the tip of my brush WHICH I WAS DRAWING WITH, SO THERE, in the right place to get accuracy. In order to paint those ferns in detail, I DRAW WITH MY PAINTBRUSH.
Finally, I hung it on the wall to dry, and that’s when I realized I had begun the scene upside down but hadn’t actually reversed the canvas. Oh well. A wire is easy to move.
After a chunk of time away from the easels, I was very happy to return.
First I got to finish the fruit painting that will be a gift. (I will be GIVING it, not “gifting” it.)
This is wet, photographed here in the box I used to carry it into the house to dry.
I started this quite awhile ago, working from a photo shared with me by one of my drawing students. The ferns had been nipped by frost, turning them golden.
Although I am working from a photo, I am rearranging the trees. Here is a photo of the photo, which I am looking at on my laptop while painting.
My hope is to make those ferns perfect. Just perfect. But there is lots to be painted before I get there.
The new paintings won’t be at the Gift Fair but there will be plenty of merchandise to choose from.
Wait, nope, I spent yet another hour on the phone with someone whose main phrase was, “Yes Ma’am”, as she tried to figure out AGAIN why my new phone won’t work. Or wait, is it the new SIM card? Perhaps it is the new provider?
See a pattern here? It is the word “new”.
STOP WITH THE CHANGES AND UPGRADES AND UPDATES ALREADY!!
Okay, where were we. . . oh yes, in the day’s accomplishments and forward progress at the easels.
Neither of these paintings are finished, but they are both much closer than the last time you saw them.
The base of the tree was beginning to look good.
Not good enough yet, but much closer.
That Sequoia is called the Sentinel Tree and it is in front of the building formerly known as the Giant Forest Market. Now it is the Giant Forest Museum.
The difficult thing about this commission wildflower piece is keeping the edges of the poppies slightly blurry so that the brodiaea AKA Blue Dick really jumps out.
I love this kind of detailed realism, even if it does take (almost) all day. And both of these subjects are exactly what one would expect from a Central California artist. All that is missing is some oranges.
Hmmm, I am sort of like country music with my three subjects: redwood trees, poppies, and citrus. (Country music’s three subjects are cheatin’, drinkin’, and storytellin’.)
Wait, I also paint Mineral King, cabins, single oranges, entire groves, the foothills with mountains in the background, various views of the Sierra Nevada, Three Rivers, and whatever else people are interested in hiring me to paint.
Phew. Thought for a moment I was gittin’ real simple-like.
See? I did more than just be on hold and paint. . . I did me some thinkin’. Real high-quality thought.
This painting needed some improvement on the arrangement. That’s called the “composition” in ArtSpeak.
This next painting is a commission. I am combining multiple photos, trying to somewhat match a looser painting that the customer admired, but wanted in my detailed style. Because it is of wildflowers, I have lots of reference photos to work from. It is fun to use bright colors, in this and in the fruit painting above.
The next one is a 6×12″ of part of the Great Western Divide, as seen from Moro Rock. I sketched it with a paintbrush while the canvas was upside down. When I flipped it over, I decided there needed to be less sky, so I scooted everything a bit higher, while improving accuracy of the shapes.
Kaweah Arts requested some Sequoia trees, so here we go again. . . This is the pair of redwood trees at Redwood Canyon, or simply “Redwood” on the Mineral King road. Some former cabin neighbors referred to them as “Aunt Tilly and Uncle Pete”. I can’t tell which is which. Must have been married so long that they started looking alike.
This last one is 6×18″ and is the Sentinel Tree, in front of the Giant Forest Market. I mean the museum. My cousin worked there one summer (or more), and used to get a kick out of customers who would ask, “Where can I see the big trees?” She would simply point out the door.
All of these need to be relayered, then detailed, my favorite part. After they are dry, I will either scan or photograph them. Next, I will post them on the blog and tell you that they look better in person.
It is time to do a few small paintings to sell at Kaweah Arts. The proprietor requested Sequoia trees and mountain ranges. I looked through my canvas sizes, looked through my photos and made some decisions. Inventory number, title, wire on the back, add to the inventory lists, crop and enhance the photos—all needs to happen before paint lands on the canvas.
Wait! This isn’t a Sequoia tree or a mountain range. What is it?
It is a scene I have wanted to paint for many years, but felt it was a bit too hard. This will be one of my long slow paintings, with many many layers. There is no deadline, and I want it to be Most Totally Excellent.
Okay, this is a standard 6×18″ painting of a big tree, AKA redwood, AKA Sequoia, formally known as Sequoia gigantea, not to be confused with the redwoods of northern California, called Sequoia sempervirens.
WHAT IS THIS???
This is a work in progress, a housewarming present for someone Very Important in my life. She showed me the pieces she has in her kitchen, and I was inspired to ask her what I could paint to add to the collection. (These might not be the actual pieces that she has, but hers are very similar to these.)
The sequoias and mountain range paintings can just hold their camels* for a little bit. I have some designing, improving, polishing, rearranging, composing ahead.
*Learned to say this while in Israel back in 2016 and decided it is more fun than horses.
Yesterday I showed you some oil paintings of Sequoia, the non-Mineral King part of the park. Today here are some pencil drawings (I LOVE to draw—did you know that??)
These don’t have sizes and prices. Some are sold, some might be framed, and most are probably just in a flat file in my studio. (If you want to buy any, email me at cabinart AT cabinart DOT NET—written this way so robots won’t bother me any more than they already are—and I will see if I can find the original for you.)
One or two might be available as a reproduction print. (Since I am old now, according to The Beatles, I can’t remember.)
Four Guardsmen (minus the smaller foreground trees that block these giants
Clover Creek Bridge, a fabulous structure NOT built by the Civilian Conservation Corps, one of about 3 pretty bridges in Tulare County. YOU CAN LEARN MORE HERE: Tulare County Treasures
Yesterday I mentioned several things that I have painted from Sequoia National Park. Want to see? Some have sold, and some are currently available. (Every once in awhile, I show items for sale because I am supposed to be running an art business here, not just chit-chatting to my friends.)
Crescent Meadow, sold
Tunnel Log, sold
Sunny Sequoias, oil on wrapped canvas 18×36″, $1200
Moro Rock, sold
sold
Sequoias in Winter, 16×20″, oil on wrapped canvas, $650
