It affirms that I am not wasting my life making things that no one needs or wants.
It provides an income, because life costs money.
Now let’s look at the pieces that have sold in the last several months, at Kaweah Arts, Stem & Stone, Exeter’s Mural Gallery, the Silver City Store, and through my website and people I know.
Three disclaimers:
Had I owned the new scanner when many of these were completed, they would look better here on your screen.
All paintings look better in person.
You have seen some of these already, since I often show you them in progress.
Thank you for sharing in my happiness, and remember:
USING PENCILS, OIL PAINT, AND MURALS, I MAKE ART YOU CAN UNDERSTAND, OF PLACES AND THINGS YOU LOVE, FOR PRICES THAT WON’T SCARE YOU.
P.S. Excuse me for shouting. Sometimes I get a little over-excited.
I have a wise friend who is both diplomatic and honest. She told me that a few of my paintings didn’t reflect my usual care, or perhaps she said they weren’t up to my usual standards— “lacking in detail and clarity”. (There were a couple of paragraphs so I’m summarizing here.)
I blamed the old scanner, but then decided to retouch the paintings after studying them in person. I can always add more detail to a painting! The difficulty is in knowing when to stop. Most painters say that they don’t stop soon enough; I say most painters need to keep going.
Sawtooth #68
Here are the old scanner and new scanner versions, both before retouching.
The scan was poor, and the painting could use more detail. Some people paint blurry, but I’m not in that club. Not on purpose, anyway.
Here is the do-over and the scan on the new scanner. Still doesn’t look as good as it does in person. You’ll have to trust me on this.
Maybe it’s more evident if I put old and new side-by-side.
The color and detail still aren’t accurate, but it is better.
Sawtooth #69
It was definitely time to replace the old scanner.
Three progress photos for you.
Let’s do a side-by-side before-and-after of this one. And again, the color isn’t coming through very well, so trust on your part is required here.
Thank you, my honest, diplomatic, and wise friend!
With my new-to-me iPhone 14 in hand, I walked down the Mineral King Road to Cold Springs Campground (STILL CLOSED—CALL YOUR CONGRESSMAN OR SOMETHING!) and back up the Nature Trail. This is about 2-1/2 miles total.
Let’s look at the flowers I found along the road. I actually did this route on two consecutive days and was very surprised by how many flowers vanished and new ones appeared in just 24 hours.
From left to right: mariposa lily—a ruffled variety I’ve never seen before; angelica (not to be confused with cow parsnip because angelica has lacy leaves); buckthorn
This view at the top of Endurance Grade always grabs me. Endurance Hill. Coral Hill. Whatevs. It photographs much better with the phone than it ever did with the camera, as much as it pains me to admit.
Most people prefer the view of Sawtooth. Sawtooth isn’t my favorite, but I paint it over and over because most people like it—they haven’t been medivacked off it*.
I love penstemon, particularly this variety. The color just slays me. Maybe I should learn the actual variety name.
A little past the ranger station, we cross the neglected bridge into the closed (WHY?) Cold Springs Campground. (It’s kind of fun to flick off the flaking paint. No, I am NOT telling you to do that! Why would I tell you to do that? Do you think I’m immature or something?)
Here are some yellow flowers on the other side of the bridge: seepspring monkey flower and false lily of the valley.
At the upper end of the closed (WHY?) Cold Springs campground is where the trail begins. It used to have lots of interesting and helpful signs along the trail. The Park removed them all with the plan of upgrading them, but it has been about 10 years so I don’t think it is a priority. (The Park will say, “Hiring freezes! Understaffed!” to which I have many opinions which I will keep to myself in order to keep the tone of my blog elevated.)
At least the beginning of the trail has a nice sign.
This is a Jeffrey pine, which used to have a sign explaining how to tell the difference between Jeffrey and Ponderosa pines and inviting you to sniff the tree, because Jeffreys smell a tad like vanilla.
Aspens are thick along the trail.
Can you see the trail? It’s definitely overgrown. Last week we saw a trail crew guy and I asked if I could prune it for them. He actually said, “If you want to!”
Blog Reader and Top Commenter Sharon calls this “Iron Falls”.
I finally remembered to put a dime in my pocket so that you can see the scale of wildflowers. I didn’t take into account how: A. difficult it is to photograph the 2 side-by-side with only 2 hands; B. to keep my hideous thumbnail out of the photo (yea for cropping); C. to make the phone focus on the blossom instead of the leaves; D. to actually see the screen. Maybe you are supposed to tap the bloom on the screen, but already being shorthanded, this is beyond my capability.
The little footbridge got rebuilt last summer, or maybe the one before. It all runs together.
More Sawtooth
And just in case you are into Sawtooth (Hi, Kathy Wolfe!), here it is one more time, peeking around the ridge, before the phone battery died**.
OIL PAINTINGS OF SAWTOOTH
WAIT! THIS IS A BUSINESS WEBSITE! Here are some oil paintings of Sawtooth available this summer at the Silver City Store (unless they have sold already.)
Sawtooth #67, 8×10”, oil on wrapped canvas, $165
Sawtooth # 68, 6×6”, oil on wrapped canvas, $75
Sawtooth #69, 8×8”, oil on wrapped canvas, $145
*It was 50 years last week so you’d think I’d be over it. I am, but it still isn’t my favorite. So there.
**This is the biggest disadvantage of using a phone instead of a camera. I also bought a charger, but it only works when it feels like it. The frustrations of tech are endless.
I don’t think Jeff reads my blog. Marketing and sales people would tell me that I don’t push it hard enough, that I should be linking posts to my Instagram, LinkedIn, and Facebook accounts. That would be difficult, since I don’t participate in any of those. This may be why I only have tens of readers; the good news is that I know most of you IN REAL LIFE! Thank you for being here.
But I digress.
Jeff’s Garden, a commissioned oil painting, might be finished. After spending the bulk of another workday on the painting, trying to beat a predicted heat wave (the swamp cooler in the painting workshop can only do so much), I sent the last photo to Jeff to ask if it is finished.
If he says yes, then I’ll sign it, paint the edges, let it dry (a quick process in the heat), varnish it, and then begin figuring out the logistics of getting it to him. His zip code appears to be a Northern California town, so it may get shipped. However, I have another trick up my sleeve that might work for delivering it; more will be revealed in the fullness of time.
Here we go with the (hopefully) final in-progress photos. You can see that I began on the poppies, working my way from left to right. Then I added sweet peas to the upper right, and finally, detailed the bench on the left with a hint of a plaque and a branding iron sitting atop.
HE SAID YES, IT IS FINISHED!
Ahem. Excuse me for shouting. The design had me baffled for awhile, and I thought this would be really difficult. So, I stepped out of my mental blocks and chaos and coached myself the way I would do for a drawing student. It worked, and this was really quite enjoyable.
I thought this would be very difficult and take “forever”. Instead, I am thoroughly enjoying the process because now that the sizes and locations and base coat are down, I can simply begin drawing with my paintbrush.
Step by Step by Step. . .or Way Leads on to Way
Let’s just have a series of photos without excessive jibber-jabber.
Yes, I painted the hummingbird with both the canvas and the photo upsidedown.
Remaining Details
The bench (with a branding iron atop and the hint of a plaque), poppies, the foliage on the upper right, and a few of the transitional areas between the different images need to be finished. Oh, and the edges. This will all be easier when all of this day’s work has dried. Then it will need to just rest while I decide if I can make it better.
Final Steps
Jeff will need to see his garden in oil paint before I declare it finished. It will be signed, photographed, varnished, and then delivered.
Remember this colored pencil sketch for a commissioned oil painting of someone’s garden? (Let’s call him Jeff, because that is his name.)
Jeff approved of the design for his painting and chose 12×24” for the canvas size. Having realized the benefits of starting with a sketch on an earlier commissioned oil painting,I began a larger sketch in pencil on the canvas.
Then, with paint thinned not quite to dripping, I started filling in all the white, figuring out shapes and sizes of the various items.
That’ll do. I tried to begin some detailing, but it was too wet.
Thinking back to the last oil commission of the blueberry/avocado farm, I remember being very unsure of my abilities and nervous about a successful outcome. As is always the case, it was needless to fret. The success (happy customer) has given me confidence on this one and I am proceeding with an eagerness to get to the details.
Trail Guy has said to me for years, “Success leads to success”. Mike Rowe quotes Robert Frost thus: “Way leads on to way.”
The Silver City Store sold two Mineral King oil paintings on opening weekend; a few days later they sold a sequoia tree painted on a wood panel.
Luckily for a future customer, I had one more ready to go. So, on the way up the hill last week, we stopped by to deliver it. While there, I took a few more interior photos. The store is good to me*, and I happily advertise for them.
This year I have brought a few pencil reproduction prints of appropriate subjects. It’s been awhile since those were on public view.
Sawtooth on the sawblade is not for sale.
I designed this logo several decades ago and they are still using it. One of the original mugs (doesn’t say “Mountain Resort”) is on my drawing table with colored pencils in it.
Terrible light, but I wanted to show you the no-longer-functional gas pump and the snow outside.
There was quite a bit of snow in Mineral King when we arrived. Tomorrow’s post will be about that, accelerated to Thursday, because there are too many photos of Mineral King to just confine the topic to Friday’s post.
Custom art is an important piece of my art business. There are countless scenes and objects that I’d really enjoy painting or drawing, but in 33 years of earning a living with art, I have come to understand that people want what they want, not necessarily what I want.
Therefore, I make custom art, which is another way of saying that I accept commissions.
An acquaintance (friend of a friend) got in touch via my website to request an oil painting collage of many views of his garden.
I’ve done many pencil collages before, but never one in oil paint. This is going to stretch my design and painting abilities, for certain and for sure.
Here is a look at a pencil collage so you know what is meant by “collage”. It’s not actual cutting and gluing pieces together; instead it is combining multiple pictures into one larger piece.
CUSTOMER PHOTOS
The potential customer sent me these photos (actually more than this) of his garden. Although nothing stands out to me as a focal point, and I have no plan-view to understand how all the pieces work together, I do understand a person’s love of one’s own garden.
For once in my scattered approach to business, I had the presence of mind to ask for a deposit in order to begin the design phase. In custom art, it’s crucially important to communicate clearly with the customer. It takes several hours of emailing, thinking, studying the photos, and yes, even lying awake at night trying to figure it out. (Hmmm, do you get paid to lie awake at night?)
SKETCH | DESIGN
After the deposit check arrived, I procrastinated for half a day, trying to figure out how to begin. No need to show you all the mental wrangling. Instead, have a look at the sketch, which I started in pencil and then colored in with colored pencils. It looks like a scribbly mess, because it kind of is. However, it doesn’t make sense to perfect something when we are tiptoeing into new territory, unsure of the destination.
The actual sketch is 2-1/2 x 5”, a proportion of 1:2. This will translate into a 10 x 20” or 12 x 24” canvas. (Other sizes too, but I have canvases this size here on hand, ready to go.)
It may look like a mess to you, but I can assure you that the potential customer knows what each item is. He gave me a list of the things that matter to him. I hope this captures the feel and that I can execute this in oil paint.
P.S. The customer emailed yesterday to say he is pleased and to paint it 12×24”!
Having finished the oil painting commission, priced paintings and cards to sell at Silver City, all this while believing that I have finished enough paintings for the entire summer (possibly delusional about that), it was time to consider how to next spend my work time.
I pulled weeds at church (not work), oiled the siding on the front of the studio (sort of work), learned to use the new scanner at a minimal level (work requiring enormous patience), worked on art for the 2027 calendar (the best kind of work), and went to a county supervisor candidate meet-up where I had a conversation that led to a pencil commission (marketing work).
The requested subject, Reimer’s, to be redrawn in pencil, is here in Three Rivers. Iit will take a few photo sessions to find the right light without the parking lot full of scene-blocking cars. The customer has granted permission to show progress on the blog.
Too many generations of reproduction have severely compromised the quality of this drawing.
The original drawing is in a frame somewhere in someone’s home (I hope it isn’t stashed in a storage unit), the printshop that originally printed this on cards is out of business, and the store is under new ownership with some changes. Hence, it is time for a new drawing.
Preparing to Work
In addition, someone who hired me to edit a very long paper/potential book/article/essay something sent me photos of his garden at its peak and requested a collage type oil painting. I’ve only done collages with pencil, but I am willing to try this design approach in oil paint.
A collage in pencil, designed to combine scenes that seem disparate to the viewer unless you are the customer to whom all these places make sense.
After studying the 10 or so photos that he sent, it became apparent that my laptop screen isn’t up for the task—it’s just too small. So, I put them all on a document, turned it black and white (because my printer isn’t really capable of printing in color without cleaning the heads, running test patterns, and then replacing ink that got used up doing those tasks) and printed it out.
Next, I made a list of everything that is important to the customer. (He is very good at communicating—hence, the successful editing project.)
As I tiptoed ahead on this challenging project, I realized that this is my chance to not be stupidly unbusinesslike. Often I get so caught up in a challenge that I don’t charge for all the extra work, and I rarely remember to get a deposit. This time I let the customer know that the job is in the Think Tank and that I was attaching an invoice for $100 nonrefundable deposit for the design work. It will be applied to the painting, size to be determined.
After work I came home and cleaned up the tail and guts of a squirrel that Tucker caught, nibbled on, and left for Jackson and Pippin to finish. It was seriously disgusting, so instead of showing you that, let’s look at a pencil drawing of a completely intact squirrel.
Painting #38 of Tulare County’s best bridge (according by your Central California artist) is inching forward into excellence. Can you see the incremental improvements?
We can probably consider it all finished now, EXCEPT FOR THE BRIDGE ITSELF!
Ahem. Excuse me for shouting. It just surprises me that after I put an enormous amount of concentration and effort into the painting that the most important part remains to be detailed.
Maybe it would be fun if I did a series of posts with all the different versions I’ve painted of this bridge.
But first, this one needs to be finished.
Here is a photo taken with my real camera instead of the inferior phone camera; the colors aren’t as strong, but neither is it as pixelated, which doesn’t matter here on the interwebs.
We call this the Oak Grove Bridge; people who don’t know it very well might call it the Kaweah River Bridge or the Mineral King Road Bridge or the East Fork Bridge. Those names sort of work.
Not that bridge
There are folks who, when they see my paintings or drawings of the bridge, say, “I’ve eaten at that restaurant”. They are wrong—the only eatery at the Oak Grove bridge might be the tailgate of one’s pick-em-up truck. The Pumpkin Hollow (“Gateway”) bridge is at the confluence of the East and Middle Forks of the Kaweah River. It isn’t over a deep canyon, just one lane wide, and with a single arch.
See the difference?
Maybe it is time to draw the bridge again in pencil. I’ve lost track of how many times I’ve done that; there are only 2 versions in my computer, because so many drawings didn’t get scanned or reproduced or even photographed in my early days.
