Did you think all I do is run away to Mineral King? Close, but I finally had time to paint again.
This time I decided to risk the messy business of oil painting in the air-conditioned studio, instead of the swamp-cooler “cooled” workshop.
They got moved out to the workshop for quicker drying.
Of course I painted Mineral King – isn’t it my main source of inspiration?
Have a closer look. They need more detailing and a signature, but this is a good solid start to good solid subjects.
And what was that picture at the top?
It is the Generals Highway, the road that leads into Sequoia National Park. When it is drier, I’ll add yucca in bloom. It wants more detail and a signature. I almost always think paintings need more detail. I am a pencil artist who is prone to drawing with my paintbrushes. So what? I like love to draw!
Customer? Client? How about a long time friend who commissioned me to paint for her? Commissioner?
Never mind.
I delivered “Spring In Three Rivers” to my friend and hung it on the wall where she had planned for it to go. We looked at the pictures around it and knew it wasn’t the best combination.
Being slightly self-focused, I suggested that we place one of my pencil drawings on either side of the painting. Now, lest you think I am more than slightly self-serving, she already owned these two drawings, and they truly looked right together. Lighter, a touch of pink in one, and all places around here. Please forgive me for not taking my camera and documenting the wall.
You know how it is if you move a thing or two. . . it means you have to move another and yet another. We had a great time placing pictures around the room, and the results made us both very satisfied.
“Spring in Three Rivers”, commissioned oil painting, 24×18″ on wrapped canvas
Spring in Three Rivers just might be an appropriate title, although there is little evidence of any river, much less three of them in this picture. But, we are in a canyon that follows the North Fork of the Kaweah, and the presence of sycamore trees indicates a source of water near by. (Can you tell which trees are becoming sycamores?)
Spring in Three Rivers, 24×18″ oil painting commission
Getting that fence the right size and in the right place really was difficult. I kept painting out the rails and repainting them, all in a very rough and messy fashion. Oil painting can stay rough and messy for a long time, with each successive layer showing signs of improvement. Of course, in art “improvement” can mean different things to different viewers. Many painters in recent history have a huge following and reputation while making a ton of money with paintings that I’d call rough and messy!
Meanwhile, I choose to refine my own work with each successive layer. When the background of the photo just seemed too rough and messy for me to sort out and then enlarge, I just detailed the closer parts. Normally I work back to front, top to bottom, left to right and dark to light. For this painting, I just do what I am able to do, when I am able to do it.
With those messy types of sections where the detail in the photo isn’t helpful, I paint what I can see and hope it trains me to fake (i.e. make up) the parts that I can’t.
Spring in Three Rivers now has a few redbud blooms
I think the fence placement is almost correct, but with all that painting in and painting out and painting over, it is too wet to continue.
This means I get to use a new color! It is some sort of magenta, and I’ve veered from my primary colors only palette because I know from experience that I cannot get to the color of those redbud blooms from those primaries.
If you’ve known me for awhile, you may have heard me say that it is all my friends and relatives who buy my work because they feel sorry for me.
Another friend used to tell me this: “If your friends and family won’t do business with you, who will?”
A long time friend asked me to paint something for her home. She lost her husband about 2 years ago, and now she is slowly changing things to fit her tastes rather than their joint tastes.
She borrowed a book of my photos called “Spring in Three Rivers” (sometimes I just amaze myself with cleverness), and found a photo that rang her bell.
I took paintings to her house so we could determine the most appropriate size and orientation (that means vertical or horizontal).
She decided, and I began:
Now that just gets you all excited, doesn’t it?
How about this view? Painting upside down usually means I have the photo also turned upside down, but I reversed it so you could see what the goal is.
I think this is going to be beautiful! “Spring in Three Rivers” might even become the title, because of that cleverness I mentioned earlier.
On Wednesday, I left you with this cliff hanger of a picture:
This is the next view:
And this is how it looked when it was getting a little too dark to see out in the painting workshop.
Now it is time to show the customer before I do any more detail work. That large tree on the right needs more work, and I’m a little fuzzy about the foreground. The photos don’t offer much help. I also want to add lines to indicate shingles on the roof.
More will be revealed in the fullness of time. . .
This is how it looked the last time we discussed the back country cabin in Kings Canyon National Park.
“We discussed”? Who is this we? Um, well, me. I thought it looked sort of fakey with just 2 thunderheads.
No worries. The sky dried enough that I could add more. And notice the added detail to the face of the cabin. This is so fun to paint!
See the corner detail? Log cabins have very busy and intricate corners. This little part took a long time to figure out what I was seeing, and how to make the light be correct. In the photos, there are people in the way and they cast shadows. I have to figure out which shadows are from them, and then eliminate those shadows, along with figuring out what should be showing behind the people.
That’s why I get paid the big bucks.
Hahaha, heheheh. . . hooey, that was a good one! 😎
This painting is called “Mineral King Morning”. I remember the light, the sound of the wind, the feel of the air. I thought this painting said it. It hasn’t sold, and people don’t really notice it.
I paint better now. I hope I paint better now. I hope I paint better every time I’m at the easels.
So, I retouched it, changed some colors a little, added a bit more detail.
I can’t tell any difference on the screen here. Maybe I’ll scan it again.
Who knew it would be this hard to paint?? I probably had an inkling, but usually enjoy a challenge and knew it was a good decision. Maybe. It may be the computer end of things that is the real challenge.
I began oil painting on March 8, 2006. Sometimes it is hard, sometimes it is really hard, once in awhile it is fun. Sometimes I even like a painting or two.
Oak Grove Bridge, 6×6″, private collection, 2013
2 classes at Michael’s (the craft store, NOT my husband!), 1/2 semester at the local junior college, reading books, watching videos, reading websites, following artists’ blogs, looking at paintings, asking friends lots of questions, painting and painting some more. . . what am I trying to accomplish here? Just trying to “find my voice”.
Paint looser. Paint tighter. Hold your brush like this. Stand to paint. Use only flat brushes. Use only the primary colors. Use every color you can afford. Never use sap green. Sap green is the best thing that ever happened to a palette. Never use black. Of course you need black! Paint on location. Forget about painting on location until you are further along. Just get the impressions down. Decide which edges need to be sharp. Paint in layers. Finish a painting with thick paint all in one session. Copy the masters. Work from your own photos. (“All realistic artists either work from photos or they lie about it”. –Jack White) Working from photos is horrible – no real artist would ever do that!
The conflicting noises are confusing me tremendously. Secretly (well, not any more now that it is on the blog), I’ve just wanted to return to the quiet of my studio and draw with my beloved pencils. Black, white, shades of gray, detail to my heart’s content, straight edges, measuring tools, magnifying glasses – PRECISION.
Meanwhile, I’ve been listening to a book called Start, by Jon Acuff. He delves into the stages that used to accompany a person’s decades: 20s – Learning, 30s – Editing, 40s – Mastering, 50s – Harvesting, and 60s – Guiding. (Sorry, those of you in your 70s and 80s – Jon ignores you, but I’m guessing that Guiding or perhaps Super Guiding might be the role then.)
No longer are people doing these steps in these particular decades. Instead, people are starting new careers and learning new skills at all ages. (I was 45 when I started oil painting, in case you are wondering.)
So, I’ve re-entered my 20s when it comes to oil painting, struggling through the Land of Learning.
A week or two ago, I decided I must have entered the Land of Editing. Why? Glad you asked! (All interviews either say that or “Great question!” It is better than saying “you know” twelve times a minute.)
I have decided that I WANT to paint detail and precision, using lots of layers, following similar principles that I apply in pencil drawing. I am editing out the noise that does not move me closer toward this goal. If I have to raise my prices, so be it. The paintings will be worth it.
Denis Millhomme is one of my painting heros. When I asked him to teach me, he said he didn’t know how, and that if he drew, he’d draw just like me. I’ve wanted to paint like Denis from the beginning of this journey into oil, and I know I never will (he has a huge head start!), but I can stop trying to be like all those painters who slam them out quickly. Denis doesn’t have to, and neither do I. So there, all you noise-making folks. I get to choose how I want to paint, and I believe I have now chosen.
Worth It!
This is one of the paintings I did where I took all the time I wanted, striving for perfection. I like it a ton, and so do the wonderful people who bought it. (Try not to lick your screen, ‘k?)
This will be a long post. I hope you will savor it, instead of filing it in the category of TLDR*.
The series, My Amazing Friends, began this week with Bob. Let’s continue with Barbara, also of Three Rivers, a gardener extraordinaire.
Barbara grows many plants, knows them all and is best known for her lavender. She is so passionate about her gardens (not just a yard, not just a garden, but GARDENS, plural!) that she works under floodlights at night in order to keep them in order.
Two years ago her lovely grounds were featured in the very first Hidden Gardens Tour of Three Rivers, to benefit the Three Rivers Union School, which is always in peril of closing or being absorbed into the Woodlake School District.
I had the honor and privilege of seeing the place on the official pre-tour, a return visit or two with my camera, and being present with my easel and paints during the official tour.
This year Barbara’s garden will be on the tour again. Tickets are still available, and you will get to see 4 places, including Angelica Huston’s place. Barbara’s will be the best on the tour, in my completely unbiased (harharhar) opinion!
Okay, getting too long, to be continued tomorrow. . .
