Hard House

After Christmas I will show you all the commissions that have to remain a secret until the gifts have been given from my customers to their people.

Having met the tight deadlines of all the custom art, I returned to the paintings without deadlines. Remember the house painting?

So hard. So very hard. The photos. Yikes. (Would I like some cheese with that whine? perhaps – what have you got?)

Okay, put on your big girl breeches and git ‘er dun.

I sent this photo to the customer to tell her this is the best I can dig out of the photos and when it dries a bit, I’ll tighten up some of the detail.

She said, “Perfect!” (really??) and sent me this photo:

Umm, what?

There is a basket of fuschias hanging behind the people. I told her that I can’t tell where this is, and she answered, “The porch”. I said where on the porch? She sent me this and said, “Where I put the white spots”. 

I enjoy communicating with my customers in a variety of creative ways. Really makes me smile!

When it dries, I’ll add the fuschia baskets and tighten up what detail I can see. I think the floor of the porch is brick rather than concrete, so that will need to be changed. There was a tree in the front lawn, but it would hide the gable end if I added it. I’ll make better leaves on the front shrub, brighten the grass, make the porch pillars better, and the window frames too.

I wish she had asked for a pencil drawing.

So, I worked on something fun in order to take the edge off. I’ll show you tomorrow.

New Cards Available

Now available in sets of 4 notecards, 4-1/4 x 5-1/2″, blank inside, with envelopes,$8

Just in case you want something new to add to your gift baskets, stockings, or to encourage yourself to write notes to people, here are some cards that you may have seen as original art, but not as cards. They are available from my website, by putting a check in the mail, by emailing me for further instructions, or perhaps if we run into each other at the Post Office (unless I can’t recognize or understand you because you are wearing a mask).

Clicking on the name beneath each card picture will take you to the appropriate page of my website.

Oak Grove Bridge #28

Pear Lake Ski Hut

Hockett Meadow Ranger Station

Yokohl Oak

Snowy Sequoias, finished!

The top edge needed paint.
The pair of trees in the middle needed detailing next.
See? not enough detail.
Then, instead of working on the trees themselves, I worked on the snow. White is the slowest color to dry in oil paint, so it needed a head start.

I skipped showing you all the in-between steps. They were this: snow on the ground, tree details, more snow on the trees, details on the few upper branches, more detailing on the trees, sign, and then. . .

. . . I flipped it upside down! Why?

Because the bottom needed painting. 

Then I moved it into the dining room to dry.

When it was dry, I carried it outside to photograph in the daylight.

Hi Tucker. Thanks for stopping by.

Wowsa. I feel mighty proud (and relieved).

Trail Guy and I spent an hour building a make-shift, patchworked, DBO box to protect it on its journey.

This is the fancy pick-em-up truck, not the Botmobile. 

Today I will deliver the giant commissioned oil painting of Sequoia trees in snow, and it will feel great to hand it over.

Math Accident

I couldn’t figure out why the giant oil painting of sequoias in snow was taking so long. The answer is that I had a math accident. 

The customer decided on 18×36″, and I agreed that I could finish it in the time needed, although it would be quite tight.

I painted and painted, each morning before heading to work on the mural in the afternoon, some mornings before teaching drawing lessons in Exeter, mornings before my business referral group Zoom meeting. It seemed that I wasn’t making much progress in each session. Although I got areas finished, they were a smaller percentage of the entire painting than I expected to cover.

One day, I was looking over my inventory list, adding and numbering new jobs (have I mentioned how much work I have?) and I noticed that the canvas of sunny sequoias, which I converted to the snowy sequoia painting, was listed as being 24×48″.

I got the tape measure out, and sure enough, instead of painting 18×36″, I am painting 24×48″.

24×48″?

Yeppers.

Ridiculous math accident.

And that is why I have to stand on a ladder to paint the top edge.

My customer was extraordinarily gracious and understanding.  We spent a fair amount of time laughing together on the phone about the situation, and then he told me to adjust my price to reflect the true value of the painting!

His company has plans to reproduce it in several formats, and it will still work because the proportions are the same as 18×36. Because it is larger, I am able to achieve tighter and better detail. So, it is all turning out better than planned or imagined.

More Snowy Sequoias

November is the busiest month in my business. This year is busier than ever, and there aren’t even any boutiques or festivals. It is so fun to have more projects than I can even show you. Here is the progress on the snowy sequoia oil painting commission. It is several days worth of painting.

The background will only need one more pass of detailing. There is still quite a bit of work left, which was puzzling to me. Why is this painting taking me so long? It feels as if I should be covering more territory in each painting session, but instead, I am inching along.

I’ll tell you why this is on Friday after a bit more time to process the ridiculousness of this situation.

Snowy Sequoias, continued

At the beginning of the painting session, it felt daunting. When this happens, I think about the basics. Start in the background. Since the white paint was still quite wet, this was good advice to myself.

Beginning of the day’s painting session
Upper left with detail started
Upper left, after
Between two trees, before
Between two trees, after
Jumping around, all over the sequoia grove. Maybe I’ll try the tree with moss on it.
End of the day’s painting session

When it was time to move to the mural project, I didn’t want to stop oil painting. It is hard to shift gears. At least the subject matter of the mural is the same, with the added bonus of the light coming at the trees from the same direction.

House on Canvas

The house painting looked like this at the beginning of this painting session.

This amount of specific detail without a lot of choices in reference photos requires that I resort to the dreaded “drawing with my paintbrush”. Why this is so despised in the Art World remains a mystery to me. In my little world, I want to provide what the customer wants, and if it requires drawing with my paintbrush, then so be it.

It’s getting there! I’ve got to figure out the details on the porch, do something with the landscaping, and then talk to my customer. She has some old home movies that she is converting to video, and then I will look through them to see if I can get to a better understanding of what she remembers.

Custom Oil Painting, continued

First, the sky, then the roof, and next, the details that I can see.

Greenery helps.

I’ll keep working at the details that I can see, then move to the parts that I have to make up, and finally, I’ll ask my Customer/Friend to help me understand the parts that she remembers.

Then, I’ll tighten up the details and correct the color and who knows? Whatever it takes to make it look the best I can make it. I can do this! (Like the Little Engine That Could – “I think I can, I think I can. . .”)

Ran out of daylight to paint during the last session. Hence, the darker photo.

Conversion to Winter

A friend from down south (that means Southern California or “Socal”) called to see if I could paint sequoias in snow for his company to use for their holiday card this year. (Companies aren’t allowed to send Christmas cards anymore.) We discussed sizes, timelines, and designs. After those preliminary decisions were made, I sent this sketch for approval.

The sketch vanished into the atmosphere, and another sketch of different proportions was requested. I sent this, but knew it wasn’t as good as the 18×36″ proportioned one, so I sent the first one again. (Did it vanish because I had the audacity to write the words “Merry Christmas”? Don’t be a conspiracist!!)Then the requested time frame to receive the finished painting shrunk. People who don’t paint don’t know how long it takes for oil to dry; people who do paint don’t really know either but realize it isn’t an overnight situation. People who live in cities don’t know how long it takes for giant blank canvases to get shipped; people who don’t live in cities don’t really know either, but understand that time must be built in for snafus.

So, I looked at the 18×36″ painting of sequoias on the easel that was set aside because I have commissions, which always take precedence over the paintings I do to build up my inventory.Necessity is the mother of invention and being innovative is part of living rurally. I decided that this unfinished summer scene could be converted to winter, because there isn’t enough time to wait for a new canvas to arrive.

White is the slowest drying oil paint color, so this will need a few days before the detail begins.

Yippee skippee, I can do this!! (Why didn’t I think to add on a rush charge? Does anyone out there want to be my business manager? secretary? coach?)