Two Outings

Private collection, 12×36″

In 2023, I participated in exactly one art boutique/fair/bazaar. ONE. It was in Exeter on a Saturday at the history museum/art gallery, CACHE. This was the inaugural event, the reviews are mixed, and I am guessing it won’t become an annual event.

However, I had a good day! One painting sold (Citrus Row) and many smaller items too, all adding up to YES IT WAS WORTH IT.

Being sort of accidentally semi-retired this year*, I decided that a good day of work deserved a good day of hanging out with friends. Because I still live in the same area where I was reared (children are reared, vegetables are raised), when long-time friends return to the area, they often request a get-together. This isn’t always practical, but it is usually a real treat.

I left the house at 10:30 AM and got home at 5:30 PM, just to “go have lunch”. This is why I often turn down such requests, unless I have recently had a good day of work and don’t have any looming deadlines.

The drive was interesting (I actually left Tulare County!), the company stellar, and lunch was delicious.

Our post-lunch walk was exactly up my alley.

The dead tree was interesting, but I won’t paint it.
I will probably paint this. If I really squint, I can see the mountains. We were too far north to be looking at Alta Peak.
I will paint this, minus the white spots (whitewash against thrip?) and pokey little twigs. I’ll probably fake in a navel.
My friend had to help me with these: pistachios! She said that the crop was left to fall on the ground this year. What a terrible waste.
Of course I will be painting a version of this. Shall I make the hill green?

Two outings: one work, one semi-work related, both social, one closer but more taxing (talking to people all day makes me tired), the other far but entirely up my alley with 2 close and long-time friends in the country surrounded by foothills and oranges.

“The Best View”, 10×20″, $400, currently my favorite subject matter

*Because I had no work this summer I may have forgotten how to work.

Orange Oil Paintings, WHAT SHALL WE CALL THEM?

Liking this one, because it is oranges and a cobalt blue bowl
The bowl is more detailed here. If I hold it on a tilt, the wet shine doesn’t show.
Untilted, with a shine from being wet and more detail on the left-out orange.
The oranges in the bowl are improved here.
And I think it is finished, but of course it is shiny and wet. I’ll sign it after it is dry, then scan it. BUT WHAT SHALL WE CALL IT??
This is close to finished, but lacking contrast.
Much better, but WHAT SHALL WE CALL IT??

Obviously, I could use a little help with titles here.

“Oranges in a Blue Bowl” is too obvious; maybe I can think of a title that has to do with the fact that orange and blue are complementary colors. This means they are opposite one another on the color wheel—”complementary”, not “complimentary” such as “Oh my goodness, you are looking gorgeous today!”

Normally we think of ducks being in a row (WHY??), but I could call this “Citrus in a Row”. Nope, too obvious. “Citrus Variety” is boring.

Any ideas for me??

Four Finished Fruits

I know these aren’t just generic fruits, but the alliteration was too big of a temptation to resist.

“Half”, 6×6″, oil on wrapped canvas, $65
“Whole”, 6×6″, oil on wrapped canvas, $65
“Front & Back”, 4×6″, oil on wrapped canvas, $55
“Navel”, 4×6″, oil on wrapped canvas, $55

All these orange oil paintings are for sale at the Mural Gallery in Exeter, whose address might be 121 South E Street, and hours might begin at 11 a.m. but not on Tuesday, possibly not on Wednesday. Maybe you’d better call 559-592-3160 before just showing up, because clearly, I do not have solid information other than the fact that there is a boatload of great art in that tiny building.

Phew. Take a breath, Central California Artist.

More Orange Paintings, A Progression

These have more detail and are larger than the 4 small orange paintings I showed you last Friday.

That one is almost finished. It could be considered finished, but I don’t think it is as good as it could be. I’ll need to contemplate it for awhile.

This one will require quite a bit of drawing with my paintbrushes. I like to draw with pencils, and I like to draw with my paintbrushes when they cooperate.

It helps to see the shapes more accurately when things are upside down. This is not an option when painting from real life. Thank goodness I am a studio painter.

The blue bowl and its reflection will be a good challenge. I am really liking this one so far.

Three Pears and Two Orange Groves

Three Pears

As a full time artist, it is automatic to notice subjects that might make good paintings. Experience helps me recognize these subjects, and it also helps me to recognize potential.

A friend gave me three pears, and before I took a bite or put them in the fridge, I recognized their potential as a painting subject. So, I set them up in various ways on 2 different surfaces and took a few photos. The variation in color is more noticeable now than in person, and it was that variation that first caught my eye. (Why do we say “caught my eye”? I have 2 eyes and am fairly certain that you do too.)

Since I have stopped doing boutiques, fairs, and festivals, there hasn’t been much call for “kitchen art”. But, I still gather reference material because one just never knows what might be coming next.

Two Orchards

After photographing the three pears, I returned to the two orange groves. (Orchard, grove, same thing.)

(E, is the ground looking rough enough for you yet? Fear not – the painting will keep getting better!)

I am using quite a bit of artistic license here, making this painting into something I would want to hang in my dining room because I want to hang it in my dining room. But I am going to put it in the Courthouse Gallery show in November and December with a reasonable, non-scary price-tag of $1200 instead of $10,000.

It is a little hard to tell the difference between the second 2 photos of this painting. For the curious reader, I don’t remember how long I worked on this before taking photo #2; there is 1/2 hour between #2 and #3, and another 1-1/2 hour before #3.

Then my neck tied itself into a pretzel, so I put plastic film on the palette, moved it to the freezer of the little fridge that we bought from that horrible big box store (the freezer isn’t freezing anymore, but why would it? The fridge is 3 months old already. . .), and headed back to the house to wash my brushes.

P.S. I also went to the bank and Post Office today, lest you think all I do is photography and painting. It’s all part of the business of art.

Disproportionately Influenced by California Citrus

 

In conclusion, this is a California artist, disproportionately influenced (inspired, perhaps?) by citrus. Today I am probably out in an orange grove with my cousins, looking for Washington navels that may still be hanging in the center of the trees. Or perhaps we are inhaling the remaining scent of orange blossoms.