Coat of Arms, Again

The saga continues. You last saw Revisions #1-4, and I speculated that the customer and I would continue on to Revision #5 or #6.

We met at her cabin in Mineral King for a pleasant time of friendship and revision. There are two things I like to do best with friends: take a walk, or work on a project. 

A wet painting on the very rough Mineral King road? Yeppers. Transported it without incident in the trunk of Fernando.

In the interest of privacy, I didn’t photograph the process or our time at her cabin. I did photograph the wet revision with a first layer only in the trunk of my car. You can see that we agreed on dark green, and together we rearranged ribbons. This was a great exercise for a crocheter (my friend) and a Knitter (me). (Yes, I am a Knitter, instead of one who knits, or even a knitter).

I brought it home and began the relayering process.

Neither one of us was satisfied with this solution to keep her name visible.
Rotating the painting allowed me to see the exact tip of the brush because I did NOT want to mess up the parts that we saved.
The 2nd layer of dark green needs to dry. Next, the blue and yellow ribbons will get a second coat.

But what about her name?

Stay tuned.

Second New Commission (or The Green Tunnel)

There is a section of trail in the Mineral King valley that I think of as the Yellow Tunnel in the fall. It is also the Green Tunnel in the summer, and I showed a photo of it on my blog last month. Here, have another look:

A faithful blog reader asked if I would be willing to paint that for her, and of course I said yes. We chose 11×14″, and then while I was waiting for a printed version of the photo (and a deposit on the painting because I have learned the hard way that if a customer doesn’t make a monetary commitment, it is only a conversation, not a commission), where was I, oh yeah, while I was waiting, I looked at the Green Tunnel from another perspective.

Doesn’t really say Green Tunnel from this view, eh? But fun to consider, if you are a fairly simple person with plain tastes in what constitutes fun.

The check came, and I couldn’t wait for the printed photo but began painting from my laptop. This has benefits and disadvantages, but when one is eager to begin a job, one does what is necessary.

This is not my normal way of painting, but when something feels right and is working, I just go with it. I turned off the voices of all my previous instructors and said to my self, “Self,” I said, “I’ll be me and they can be them and it will all work out just fine.”

Tucker and Pippin were also fine with that, and I had to be very careful of where I stepped when standing back to view my progress. (Jackson was out working or something.)

Call me “Butter” – I’m on a roll!

Now it needs to dry before I continue or the sky will turn green.

 

Back to Work With Oranges and Lemons

Incoming work ceased. While drawing lessons resumed, I waited for several conversations to become custom art jobs. 

They have. There are more of these unfinished conversations, but for now this one is enough.

These are now on hold.

Did I show you this painting? It is in Lemon Cove, and was a thank you gift to the farmer who graciously let us glean in his orchards this spring.

While I was working on this, someone sent me this, wanting it painted on a 3′ diameter circle, but substituting lemons for the mandarins. These folks are in Orange Cove.

So, let’s think about this: I painted oranges for Lemon Cove, and next I will be painting lemons for Orange Cove.

Only in Central California, and I am happy to be your Central California artist, making art that people can understand about things and places they love at prices that won’t scare them.

Now, excuse me while I keep priming and sanding this giant circle.

 

Mulling it Over

That coat of arms requires much mulling, both by me and the customer. I have done 4 revisions using Photoshop Junior. (The current wonkiness of the blog is only allowing photos to appear as squares, so these pictures aren’t showing you the entire image on new photos.)

The original coat of arms
Revision #1 – Narrower and fewer ribbons, slightly enlarged shield.
Revision #2 – Some of the yellow ribbons converted to blue.
Revision #3 – Replaced the line drawing of Mineral King with a painting.
Revision #4 – removed the painting of Mineral King and removed the outlines around the ribbons.

We will continue to revise and discuss this. I have asked my customer if she has an idea to replace one of the fleur de lis (those silver symbols in the red sections) so there is more variety. She is probably still mulling that over. She is considering #2 and #4; I think when we get together, we will find a satisfactory solution in a #5 or #6.

This is one of the most unusual and difficult commissions I have ever tackled. Any ideas? input? advice? I will take it all “under advisement”, which means I reserve the rights to adapt, adopt, or ignore.

How Do You Handle Customer Requests?

A commissioned oil painting in which the customer gave me much free rein along with many requests, all good suggestions.

“Just curious–do you get annoyed, or do you appreciate it when someone makes a change/suggestion to an already completed painting?”

A friend and my most regular commenter asked me the question above.

Here is my reply:

“I am happy to do whatever the customer requests, as long as I have the ability and it doesn’t mess with the scene’s believability.”

She responded:

“That’s very kind (and flexible) of you. I can only speak for the audio arts, but I have seen situations where we took an arrangement and made a few cuts and lyric changes, and the arranger became incensed that we DARE change his precious arrangement.
I like your policy better!”

And I replied:

“I am very practical about the need for flexibility if I want to stay in business. I am here to serve the customer, not to serve my own art. If I was a hobbyist instead of a professional, I would probably have a different view. And I do put my foot down when it comes to logo design, because Design-By-Committee is how we got a camel when we needed a horse.”

A pencil commission from customer-supplied photos, with some free rein and lots of suggestions and requests, all good and manageable.

Here’s my guess about the difference between my approach and what my friend/commenter experienced:  I, the original artist, get to make the changes; my friend’s experience was that her music department was making changes on someone else’s piece. 

I recently heard an interview with an artist who said she likes commissions because she can charge more for them. Really? Should I be doing that?

Better commission me soon before I decide to raise my prices.

Another Think

Ever heard the saying, “He has another thing coming”? The correct version of this is actually, “. . .another THINK coming”. Really. I’m not making this up.

As I was working with my Friend/Customer on her coat of arms, we designed it together. I took the approach of “The Customer is Always Right”, and didn’t look at it critically through my own lens of opinion. 

There’s nothing wrong with that in commission work.

Or is there?

My Friend/Customer wasn’t as happy with the results as we had hoped. I showed her every step of the process, both the designing and the painting. We discussed shapes and colors and placements and sizes, but something didn’t mesh for her after she received the painting.

This troubles me, not in the sense of being annoyed with her, but in wondering where I went astray in the process. My job is to help the customer know and get what she wants, and I failed.

My conclusion is that if a customer thinks she knows her mind, don’t leave her out there in Design Land alone. Be critical (as in helpful and discerning), make suggestions, and help her see the best possibilities instead of letting her drive the process alone.

We are now rethinking the design. Here are the original, the painted version, and a sloppy photoshop revision. 

The shield is ever so slightly larger, some ribbons are narrower, and some ribbons are now gone.

She is a good friend, we communicate often, and together we will solve this!

 

 

Two Job Conclusions

Thing One: the A-frame is now in place. I stopped driving by the pump like some weird stalker, and just waited. Eventually, a neighbor left a nice message on the phone saying how good the sign looked, and was it my work?

So, I walked that direction the next morning.

Hey! What’s that??

The dry season is to the front.

Spring is to the rear. I wonder, will it get rotated next year?The A-frame is in place.

Thing Two: I mailed the Coat of Arms on a Monday and was told the expected arrival was Thursday. It was received on Tuesday!

Now what’s next??

Finished and Finished

The green looks a bit uneven because it is wet. Those tiny white letters were challenging, nay, CHALLENGING!

The two sided A-frame mural (sign? what is this thing?) needed a few touch-ups.

 

In case you are wondering, yes, I can name all the flowers. They are all foothill flowers, not in my wildflower book Wildflowers of Mineral King: Common Names.

 

Other than getting the quail as close to reality as possible, this side was just lots of scribbling in brownish yellows and yellowish browns. 

Now what am I going to work on??

Unacceptable Ugliness

While walking in my Three Rivers neighborhood one morning, I saw this bit of ugliness and got an idea. The neighbor, who has graciously allowed the water board to put this booster pump on his property, agreed with my idea.

What is this ugly thing in my neighborhood? Entirely unacceptable. However, it is fixable with the help of a very capable neighbor.
The very capable neighbor built and delivered this.

Side one.

It is fun to use all these colors. 

Side two and the final touch-up are ahead.

Odd Job, Day 5

Back to the coat of arms painting, an odd job of an oil painting commission.

I mixed and applied the correct green, along with a strong purple for the bottom ribbon. (It will need some detailing).

Then I mixed and applied a more golden yellow and a stronger blue.

The edges are a little weak, but the entire piece will get black outlines. This is a simple painting, but there is very little forgiveness with strong colors each abutting other strong clean colors. It requires a lot of drying time in between layers.