Not Too Much

And that is the answer to “Hey Central California Artist, what are you working on these days?”

The side view of my studio isn’t nearly as cute as the front view.

Odd Job

My friend G explained that he just needs an outline of what might pass for the tops of the Sierra Nevada Mountains, stretched across a single 12 foot panel. Jimmy delivered four for some unknown reason.

First, we flipped the panel around so that the rustiest part was showing. While G was explaining, I got out some chalk and started drawing. G had a few comments, and I finished drawing before he finished talking. Easy peasy.

I suggested that he have Jimmy cut along my line with his plasma cutter, then see how it looks in place and see if his customer is happy. If not, either cut a bit more, or have me draw it again on another panel.

After G left, I went spelunking in my flat files. (That’s how I found the colored pencil drawing of my sister’s neighbor’s car.)

Old Job

I found this project, from 2000 when I was learning colored pencil and portraiture at the same time. It wasn’t a success. The girl on the right was actually drawn using a different photo, and neither one looked quite like herself.

I thought about what I would tell me drawing students: turn it upside down, study every shape and evaluate EXACTLY how it looks. After an hour or two, I decided that it was good enough.

The color is dreadful. It wasn’t worth fetching the laptop and going through all the steps to scan. So I photographed it one more time and sent it to the girls’ mom. She was my first friend in Three Rivers and has encouraged and pushed me to try hard things for 27 years!

No difference in the photography. I might end up scanning it. Prolly give it to one of the girls. The one on the right still lives in town and I believe she is 35 years old now.

Holy guacamole.

P.S. The mom didn’t respond to my text and I no longer pretend that I can do portraiture or colored pencil well.

A Beary Odd Job

From time to time, I get asked to do an odd job, something that requires a bit of paint, a bit of skill*, and the willingness to try.

Remember this? A Welcome Bear

Or this one? Little Bucky 1, Little Bucky 2

Here is the latest one in my collection of unusual jobs. This bear’s job is to hold up a round glass table; mine was to paint him.

*Actually, I think it requires confidence working with paint and paint brushes, but probably not a lot of skill.

Five Assorted Christmas Adam Thoughts

“Christmas Adam”?

Yep. Adam came before Eve.

Today will be a peek into the variety of tasks required so far this week to maintain the business of self-employed artist.

  1. I expected to paint on the Ivanhoe Library mural twice this week, but they are closed. Until/unless they provide a key to the building, I will only be painting on the days they are open. (I wonder if they regret not providing a key?) Good thing Rep found out for me, and that Intern is flexible.

2. The host of my website and blog billed me an enormous sum of $$$, an upgrade to Professional Hosting. Because I use DuckDuckGo, I couldn’t go onto my account and see what was happening. It took awhile, but when I figured out that I needed to use Safari to log on, I called the company and reached a helpful human. She said I’ve been paying for 20 GB of storage and am currently up to 46 GB. (I know, no speakie.) We worked out a compromise, where I pay about $250 less than the billed amount, which includes another year. I will begin deleting old blog posts and the photos in order to not exceed 50 GB. (I know lbs. but am unsure of GB, except that it is greater than MB, which is greater than KB. Took a couple of decades to get that far in my understanding.)

3. Deleting old blog posts is in my immediate future. Because I post 5 days a week and have been since 2008, that is a lot of material. Frankly, no one cares. Sometimes when I look at old posts, related to current post in order to link to them and perhaps get discovered by more readers, I then see that the photos are missing, or the format is wonky. 2008 seems new to me in terms of vehicles we drive, but in terms of the interwebs, it is just plain historical.

Well, that was a lot and kind of boring. Let’s look at an odd job that recently came my way. I get these from time to time because A. I am the only artist that many people know; B. I return phone calls and emails and follow up; C. My prices don’t scare people. Most people, that is.

But I digress.

4. A friend has beautiful carved cupboard doors in his kitchen (I guess in his kitchen—I’ve not been inside his house). He had one extra, and decided it would look great as art on the wall. He asked me to enhance it.

We weren’t exactly sure if this would work, so I sent some samples, in which I applied a little bit of oil paint, seeking his approval, and then wiped it off if it wasn’t fitting his vision.

First, a touch of purple was approved.

This green was too light.

I wiped it off and replaced it with this one, which was approved.

This was really fun—very subtle, transparent so the wood color and grain still comes through, and very forgiving.

5. My printer kept saying it was jammed. I practiced some insanity of following the unjamming steps over and over despite it not having any paper jammed in it, and then it began working again. I only had to go through the steps about seven times.

Tomorrow, on Christmas Eve (which follows Christmas Adam), I will continue the assorted thoughts.

Thank you, and Blessed Christmas Adam, Dear Readers.

P.S. Calendars are still available. Look here for the info. Or email me here: cabinart [at] cabinart [dot] net. (Written that way because of internet gremlins.)

P.P.S. The Beginning Drawing Workshop is still open for registration. Look at this blog post from Monday for the details.

A Welcome Bear

We have bears in our neighborhood, and they are a nuisance. However, there was a welcome bear in my workshop recently. Literally a welcome bear.

This odd job came from the same man who had me repaint Little Bucky.

I started with the letters.

Next, I rotated him to experiment with brown fur colors. He’s not a “brown bear”, which is another name for a grizzly. Our bears are called “black bears”, without regard to their colors.

I mixed in some dark purple with the brown to give it variety; it makes the brown much darker. The whole idea was to have variation in the fur coloring.

The ears got a touch of pink—but less than appears in this photo.

Finally, I sent these two photos to Mr. Customer, and he was pleased, so I am too.

Bears around here tend to have lighter colored muzzles, so now this guy does too, regardless of whatever color it was when he was new. I also put a few splinters into his sign. The lettering is actually bright white, not light blue. The funniest part to me was that when he was wet, I turned his entire being by grabbing his nose. Don’t be trying that on a live one!

Odd Job Accident

Little Bucky was patiently waiting his next coat of paint in the painting workshop.

When he was dry enough, I flipped him upside down so I could paint the underneath parts. However, I forgot that one of his antlers was not attached to his head. It fell out.

I photographed it, texted Ignacio, and confessed.

Little Bucky was a little dismayed, but he appeared to be used to only having one antler.

Phooey. Why did I say yes to this job??

Ignacio suggested superglue, so that’s what I did. I also asked him if he still had the other piece from when it broke previously so I could glue it for him. He didn’t, and asked if I could make him a new one!

When I said, “From what?”, he replied, “Wood”. I reminded him that I am not a carver, but work in pencil, oil paint, and murals. 

Maybe I should have added superglue to the list.

 

Two Odd Jobs

By “odd jobs”, I mean unusual requests from people simply because I might be the only artist they know. I am also an artist who tells the truth (“Nope, can’t do that!”), doesn’t overcharge (“I’ll aim for 3 hours at $30/hour and if the job isn’t finished, I’ll call you for Plan B” —Reply: “Only $30 an hour??” — me in my head: “Phooey, the last time I quoted a job at that price, the person said I was too expensive!”), and returns phone calls (“Send me photos and I’ll let you know if I can do this”).

Odd Job #1

This was a request to paint a sign for the Baptist church on the backside of a church member’s own sign, a traveling sign to be used if the church sets up a booth or an exhibit at a community event, such as the upcoming bridge lighting

The job required a great deal of measuring, sketching on paper, taping, guessing, writing with blue chalk, then erasing and rewriting, all before painting. I am not a sign painter, so this will best be viewed from the back of a fast horse when completed. I didn’t set up the final version to photograph for you because I did NOT want the paint to run. (Besides, I didn’t want anyone else to ask me to paint a sign.)

Odd Job #2

Ignacio brought me his small resin deer to paint. It was really hard to guess an accurate price, so we decided that I’d paint the front, and if I hadn’t used up his budget, then I’d paint the back. If the budget was used up, then the back would simply be a solid brown color.

I scooted the deer to the edge of the workshop, opened the doors for better light on a cold and overcast day (we went from summer to winter in about a 2 day time period this year), and started messing with colors. He isn’t pinkish in real life; thank you for your concern for Little Bucky’s masculinity.

I wasn’t sure of the colors – where it is light, where is it dark, etc., so I turned around to see.

Yo. Could you please rotate for me so I can see your tail?

After tossing a few acorns to get this doe to rotate, I was able to see the colors on the backside.

Thanks. You can go now.

Then I worked on Little Bucky until my hands got too cold, my nose ran, and I couldn’t rotate him without smearing paint. The face will have to wait, as will the odd pieces of resin at his feet, along with his ears, tail tip and antlers.

Do artists in other places get asked to do these odd jobs? It might just be the privilege of being an artist in the small rural foothill town of Three Rivers in Tulare County.

Odd Job, Chapter 3

If you subscribe to the blog and read the email on your phone, the photos might not show up. (Some people get them, some do not; it isn’t a problem I know how to solve.) You can see them by going to the blog on the internet. It is called cabinart.net/blog, and the latest post is always on top.

Yesterday’s post about refreshing 2 signs left you hanging. I hope the anticipation of today’s continuation didn’t disrupt your sleep last night.

After applying 2 coats of the rim color, some confidence began developing. Time to tackle the narrow yellow line. You can see the old color in the middle; I put a bit of white on the left, and some brighter lightfast yellow on the right.

The yellow needed some red, along with a touch of white.

You might be able to tell that the upper yellow is now better, but since the lightfast yellow is transparent, it needed a primer coat beneath. No need to color fuss here because the goal is to make it look good.

As I painted the narrow line with white, I realized that the wood is quite splintery. This means that getting a smooth edge isn’t going to happen the entire distance on any of the sign. But, it is a sign, not a piece of fine art to be viewed closely.

With the warm weather, swamp cooler blowing, and big doors open, the paint dried quickly. I could paint one sign, turn and do the other, go back to sign #1 for the second coat, and then turn and second coat sign #2.

The white letters seemed like a good next step. These also soaked up the paint and required 2 coats. The rough edges bothered me at first. Then I remembered that this will be viewed from inside people’s cars, until they stop noticing at all. After 5 hours, I felt an unavoidable slide into Idiotland, where Sloppy, Stupid, and Careless all reside. Besides, my cheater-readers kept falling off when I leaned over the sign, and then I painted a blue streak on my face by accident.

So, that’s all on this Three Rivers custom art project for today. The quail and the narrow gray line surrounding the letters will require a strong focus (and a better fitting pair of cheater-reader glasses).

You’re an Artist, So Could You. . .? (Odd Job)

I recently bid on an odd job, one of those that comes to me like this: “You’re an artist, so could you. . .?”

This was a request to repaint 2 large redwood signs, originally sandblasted and painted in 1990.

The neighborhood’s budget didn’t match my bid, so I suggested that they do the scraping and sanding. They did, and then brought me the signs (there are 2 and this one gets the most sun so looks the worst).

Ready to work

Trail Guy set up 2 work tables using sawhorses in our painting workshop. (He doesn’t paint, but the workshop is also his place, so I can’t say “my painting workshop”.)

I set aside the unfinished Mineral King oil paintings that have no deadline in order to get this job done quickly for this Three Rivers neighborhood.

The subdivision asked me to seal the sign for sun damage protection. I know nothing about this. Mixing colors, refreshing tired paint, that’s what I know.

When you don’t know something, ask someone who does. Preferring someone with experience over someone with an opinion, I began thinking of people who might have knowledge to share.

My first contact was an old friend in Massachusetts with a sign business who referred me to someone in Mendocino who was kind enough to email me. I also found a sign company online in Charleston, South Carolina, filled out their contact form, expected and got nothing back. I called the man who sanded the signs to see if he knew who originally made them; he gave me the name and number of someone I worked for briefly back in 1986 (and have encountered several times since because that is the nature of Tulare County). That man gave me the name of a sign company that he thought might have made the signs, but they are going out of business. Their answering machine says to text with any questions, and so far, silence.

Next, I will show you my painting progress and process while I wait to see if Mendosign replies to my specific question about a sealant.

 

Odd Job

I’ve painted several Christmas ornaments in the past but continue to consider them to be odd jobs. 

These ornaments were sold specifically to be decorated. First they have to be primed. I use gesso, which might just be the same as flat white house paint but sold in art supply stores as if it is special. When I was experimenting with these new ornaments last year, I tried oil paint without the primer and it still scratches off the surface of the plastic.

By sticking them on the end of a paintbrush, I was able to paint all the way around in one session. It isn’t good for paintbrushes to rest on their bristles, so I was glad that the gesso dried quickly.

Next, I waited for the printed photos to arrive so I could start. This is a little bit too hard for me. Painting on a small sphere might be too hard for anyone with normal to large sized hands in addition to figuring out how to make things look normal on a sphere.

So, I started with the easiest parts – sky and water. This will need several coats of oil paint to get the color and the shapes right.

It was tricky to get them to rest with the wet paint side up. Next time I will need to rig up some sort of a hanging system.

This is going to take awhile. Good thing I started in June.

Odd Job Completed

As a working artist, I seem to attract odd art-related jobs. Each one is a challenge, usually quite fun to figure out. This odd job of painted stepping stones was completed for a vacation rental where I occasionally help with the yardening.

The colored stepping stones lead through the front yard around to the playset, absent in the photo above, present in the photo below.(Not magical – just unbuilt, and then built.)  And in case you are wondering, the purple blooming shrub is Germander. Looks fabulous now, looks scrappy in the summer. The shrubs in this front yard take turns looking good.