Exploring the End of North Fork Drive

Trail Guy, The Farmer, Hiking Buddy and I went on a bit of an adventure. We had all been here are various times in our lives, but never after a fire. The upper end of North Fork Drive had borate (pink fire retardant) sprayed on both sides of the road, the views were much wider than before with so much brush burned out, and it was much more apparent than before how very steep the drop-off is to the river.

After a tail-gate lunch, we headed across the creek and up a dirt road to see how things looked.

This road was widened by bulldozers to create a firebreak. The area definitely burned, but the October rains and the north-facing slopes together have allowed green to begin emerging.

Hey -what is that?

Just a couple of little underground rooms, one with a solid concrete door.

Look – we crossed a bridge to peek into the little rooms – I didn’t notice at the time.

This road is just going up and up and up and up. . . nothing looks different. Let’s go back and take the fork to the right. But what is this white stuff? Ash. A tree on the ground burned and we are looking at the branching pattern left behind.

This was probably covered in a variety of shrubs. I am loving the green here. We headed over to a big flat area, known as Grunigen’s Flat, a former homestead or cattle ranch or commune or something.

Because it all burned, this impressive rock wall shows up.

We followed the wall, which followed the creek. All this chiseled quarried stone, laid without mortar, for what end?

Ugh. Fire. I kept expecting to come to a granite slab with Indian grind-holes. Sure enough, we did, but I didn’t photograph it. I was too absorbed in the sycamores, stone wall, and the green.

The ground was weird like this all over – is this some sort of fire-heave effect?? I don’t think it was a gopher evacuation camp.

The Farmer did a bit of searching and learned that the wall was built in the ’30s by the Civilian Conservation Corps, specifically the Yucca CCC Camp. Not sure what purpose it served other than providing work. If I didn’t have other things going on, I might look it up. But sometimes, a wall is just a wall, and a stone wall this aesthetically pleasing is good enough for this Central California artist for now.

Oil Painting With Friends

Today I will be at Exeter’s Courthouse Gallery from 11-3, oil painting with friends. You are welcome to stop by!

Why will I be there when I could be painting at home? 

  1. My friends don’t have as much experience in oil painting as I do, so I can help them.
  2. Sometimes it is fun to paint with friends instead of painting alone at home.
  3. I HAVE A SHOW HANGING AT THE GALLERY WITH MY ART FOR SALE!

I might bring this trail painting or maybe a stack of Sawtooth paintings.


How I Designed a Logo, Chapter 6

I sent 3 rough-drawn logo options to my customers, and they chose this one for me to refine.

I downloaded the typeface that was closest to this, and then began manipulating it to fit around the circle. We began talking about what to do with “Orchards, Inc.”, whether or not to include it, how to make it look good.


Which one did they choose? Stay tuned. . .

How I Designed a Logo, Chapter 5

After looking at Western typestyles, sketching out some ideas, and turning a pencil drawing of a citrus scene into a circle, I began refining the five design ideas.

Time to mull it over, chose three, and show the customers. I sent the first three and scrapped the other two. They might have been workable, but enough already!

To be continued. . .

 

Department of Redundancy Dept.

I have become a (temporary) Sawtooth painting factory.

First, sky and clouds on all three.

Second, Sawtooth on all three.

Third, trees on distant ridges on all three.

Fourth, work on the distant trees that are somewhat distinct.

Fifth, scribble in some layers of green on all three, because it is getting too dark to see, there is green paint on the palette that can be used to add another layer to the canvases, and that’s all I can take today of the repetition of these custom Mineral King oil paintings. 

Next painting session: figure out the confusing rocks in the stream on one painting, and then use it as a guide for the other two. This will be more effective than repeating a rock three times and then realizing it is in the wrong place. Who cares if a rock is in the wrong place? If it makes the stream flow look unbelievable, all three customers might care.

What’s Happening Now

The first painting to sell at IMAGES OF HOME was Sawtooth Near Sunnypoint.

To clarify the title for you: Sunnypoint was the name of a campground in Mineral King, closed by the Forest Service some time before 1978. The Nature Trail runs through it, and this view is how I wished it actually looked. Instead, Black Wolf Falls isn’t fully visible in this exact position, and Sawtooth only shows as a little point. Nonetheless, this is what we remember when we think of those 2 places, along with a full and curving stream. “We”? That would be me, myself, I, and the 4 people who bought this painting.

How can 4 people buy the same painting??

I’m glad you asked. When Person #2 said, “Oh, wow, I would love that but it is sold!”, I replied with, “I can paint it again for you.” 

This happened 3 times after the first sale.

This is what is happening now:

The top one is 16×20″; the bottom two are 11×14″.

This is also happening now:

I’ll ‘splain these to you later.  Meanwhile, my show IMAGES OF HOME is also happening now at the Courthouse Gallery in Exeter.

How I Designed a Logo, Chapter 4

After evaluating the sketchy ideas, I worked on the idea for a drawing. Because I have been drawing orange groves and citrus for most of my career, there were several token drawings to use as a place holder. This one seemed appropriate, because I was able to turn it into a circle.

This is what is called a placeholder in design. It serves the purpose of showing what might be able to work before the actual piece has been designed.

Photoshop Junior (actually Photoshop Elements) provided the tools to circularize the drawing. That means I cropped it into a circle, but “circularize” sounded good.

 

SHOW up now:

Images of Home

Exeter Courthouse Gallery, 125 South B Street

November 14 – January ?, 2022

Hours – Saturday,Sunday, Noon-4 p.m.

A Word From Captain Obvious

The blog series “How I Designed a Logo” is temporarily postponed while I keep you updated about the show, “IMAGES OF HOME” at Exeter’s Courthouse Gallery. We will resume the story tomorrow (unless something show-related happens that cannot wait.)

I am painting as if I have a deadline because I do. One of the customers at Images of Home wanted to take his painting with him rather than wait for the show’s indeterminate ending. This left a blank space on the wall. 

Since it was a 12×12″ orange grove scene which sold, I wanted to replace it with something similar. (We didn’t just arbitrarily tack paintings and drawings to the wall, but instead, we grouped them somewhat by subject matter.)

This painting was already started:

I spent an afternoon refining it, doing the forbidden and frowned-upon (by The Art World) drawing with my paintbrush. (That is my preferred method of painting, and clearly, the attendees of the art show agree with me, so take that, Art World!)You can see that I ignored the eucalpytus trees in the background in the photo and substituted my favorite foothills and snow-covered Sierra.

The painting is too wet to scan (Captain Obvious speaking here), so I photographed it, carefully carried it into the somewhat warmer house (we’ve been having very mild weather this week) to get a bit drier, and then will deliver it still somewhat wet to the gallery. Since the gallery isn’t open again until Saturday, the degree of dryness doesn’t matter. I will put a “Wet Paint” sign near it.

The title is “Picking Time”, the size is 10×10″, the price is $150, and the medium is slow-to-dry oil paint.

Because I fully anticipate further sales in the next weeks building up to Christmas, I am working on these other 2 paintings to fill holes on the walls.

First, this one has been troubling me. I keep studying it to figure out how to make it better.

Okay, bye-bye stump. Yes, it tells me where I am on which trail, but it doesn’t enhance the painting. In case you are wondering, I like deer in Mineral King; I dislike them eating my plants in Three Rivers. 

This is better, but I am still not convinced that it is finished. These little adjustments are probably only discernible to me. 

Okay, enough of this painting that feels too hard for me. Time to work on something I know how to paint.

When this stage is dry, I will start the detailing that I so dearly love to do. This is the classic Mineral King scene; this time it is titled Mineral King Dusk, because it is dusk in Mineral King. (This is your captain speaking). It is 6×12″, and the price will be $125.

Do you think I should raise my prices? What would Captain Obvious say?

Never mind. Here is an updated flyer about Images of Home; both of the pieces shown have sold. (Sawtooth on the left sold four times, which I already told you, but again, this is your captain speaking).

 

Special Painting for a Special Person

Remember when I painted a Farewell Gap oil painting and wouldn’t tell you why? I said it had to be the very best painting I had ever done. The Best Version of the Classic Mineral King Scene

The painting was commissioned by the Mineral King Preservation Society and the Mineral King District Association to be a gift for Louise, someone who has been very instrumental in both preserving the history of Mineral King and developing a good relationship between the cabin owners and Sequoia National Park. 

She also happens to be one of my dearest friends, someone who coached me through my first murals, got me my first paid public mural, and has been more encouraging than anyone I have ever known. She is also an author, and I had the privilege of editing and publishing two books for her: Trail of Promises and The Visalia Electric Railroad. We work together like a well-oiled machine, one that laughs a lot while producing good results.

Here are some photos of the presentation of the painting.

I love this lady.

P.S. These came via email:

1. What a beautiful post, beautiful painting, and beautiful lady.  How is Louise doing?  She looks well. – Jon S.

2. Your “Louise gift” in this morning’s post brought tears. what a touching tribute to my very special cousin.
three cheers for a beautiful exhibit! – Bev