Library Mural, Day Nine

You last saw the mural looking like this:

On the way to Ivanhoe on Friday morning, a clear, sunny, and cold morning, I pulled over for a few photos of oranges.

The mountains were very visible from the library’s address. (Just keep your eyes above the waste.)

Intern and I had a brief discussion about what needed to be done next, I let him choose the task he preferred, and we dove right in. I took no photos until I had worked on the lettering and begun the auditorium.

The oranges still weren’t bright enough on the right side. Intern worked on those.

I began with the auditorium inset and then moved to the label. What a thrill to use all those bright colors! Of course, sunshine made a huge difference.

This is the first time I’ve seen sunshine on the wall. I kept taking photos because it was so interesting and fun (easily amused here.)

It felt as if I was treading water, and the more I did, the more I saw that needed to be done. After standing back and running through a mental list, I sorted the tasks into ones that Intern can do and ones that I need to do. He had left for the day, so I had to decide what I might be able to finish in the remaining hours. If sections are left partially finished, I have less of a sense of forward motion.

I chose to work on the mountains, finally deciding that Sawtooth needed to move south (to the right, both in real life and on the wall) and needed to be smaller.

See? Castle Rocks!

See? The Kaweah drainage and repaired Alta Peak!

The daylight is lasting incrementally longer each week, and I was able to work until 4:30. The setting sun made for a different kind of lighting on the final photo. Check out the shadow cast by the fruitless mulberry, that is STILL holding onto some leaves.

Library Mural, Day Eight

In case you are wondering, all the previous days’ blog posts croaked with my website. So, here is the best I can do to recreate the most current day for you.

These orange trees have been “skirted”, which means pruned so nothing touches the ground.

I tried to fix the trees on the mural to appear this way. Tricky business. . .

Intern and I mixed a paint color for the inset of the Ivanhoe Elementary Auditorium.

My mom and her brother helped a little bit.

To work on the auditorium, I would have had to sit in the mud. Instead, I sat on the slimy log to work on the inset of Twin Buttes.

The mural looked like this at the end of day #8.

And thus we end the abbreviated version of Day Eight on the Ivanhoe Library Mural.

Now I’m going to either bang my head on the wall or try to learn to back up all my posts so this doesn’t continue to happen OR I’m going to look for an alternative to BlueHost.

Library Mural, Day Six

If you subscribe to my blog, you probably received an email last night about a new post. It is scheduled to publish on Friday, but I hit the wrong button. Then I immediately rescheduled it. So, you may have read Friday’s already (or you may have no idea at all what I am talking about here!)

Yesterday was a day of painting oranges. The challenge was to separate the trees from one another as they diminish toward the distance. It was a little boring to photograph each step, so let’s start with how it looked the day before yesterday.

Before

I got a little bogged down so moved to the label.

I could hear my internal coach saying, “HEY! Paint from back to front!” So I began working on the oranges on the right side. That side is noisier and colder (the wind comes around the corner) and darker with those peculiar fruitless mulberry trees that are still holding their leaves.

Thus we conclude Day Six. I won’t be back to paint until a week from tomorrow.

2026 CALENDARS, “AROUND HERE… and sometimes a little farther” available here, $25. All the drawings were new in 2025. You’ve only seen the one of the pier, which sold in the show of the same title.

Library Mural, Day Five

From solid blue sky to wispy clouds.

Sky and mountains are the farthest away, and I think they are finished. Next closest is the orange grove. Oy vey, those leaves!

Very very cold day. The garbage truck went up and down the street about 8 times. There were roosters crowing. The little pickup with the giant stereo pulled in across the street and this time he shut off the “music”. I saw the normal 2 or 3 cats, and the handful of little dogs that trot around with purpose. The county supervisor stopped by and I also talked to a group of women who were meeting in the library, a man named Ruben, and a neighbor, who reassured me that the recent murder was a family dispute and took place on the bad side of town, not where we are.

Good to know.

Today I might paint oranges on the trees. Or dirt on the ground. The ground on the painting, not the muddy ground I stand on to paint.

2026 CALENDARS, “AROUND HERE… and sometimes a little farther” available here, $25. All the drawings were new in 2025. You’ve only seen the one of the pier, which sold in the show of the same title.

Library Mural, Day One

I got to the library at 8:45 to survey the lay of the land. Muddy. Significant log. Big roots to NOT trip over. What’s that weird little box on a pole? Could it be a Little Free Library, right here at the library?

After I unloaded the ladders, I realized that the wall was full of spiderwebs and dust.

When I was almost finished wiping it down, the representative from the Arts Consortium showed up, along with my intern. There was a little bit of paperwork; I gave Intern some jazz about not being able to sign his name in cursive, and Rep had to tell him that his last name initial was needed. (“Kids these days. . . sigh”, thought the old artist.)

Intern was helpful. I was able to teach him a little about starting a mural, using various tools, deciding the order to proceed. He learned about measuring and translating the scale of 1/2” = 1’, along with using a plumb line and a square.

We started with measuring the wall, to be certain that the measurements and proportions matched the approved design. Next, we taped off the insets.

Intern wasn’t dressed for painting, but he was really careful, and we painted the skies.

Intern was a hungry cold boy, so he left for lunch and I began the green base coat.

When he returned after his lunch, we finished the green and I painted some dirt base coat.

What will I do today? I will be on my own, because Intern has end-of-term projects to complete. The library will be open some of the hours that I am working, so I will be able to store my equipment and supplies until Friday. But they don’t open until 10, so I will be starting later on Friday.

The logistics of this job are rather intricate and challenging. I’m not surprised, because it took 3 years from when the county supervisor asked me to paint this mural until I am actually on the job.

2026 Calendars available here

A New Mural

Three years ago, the county allowed elected supervisors to have a bit of free rein on things like murals in their districts. My supervisor asked me to paint a mural on the Ivanhoe library, the beloved library of my youth. You can read about it here, here, here, and here.

If you don’t want to go back and read those posts from 2 years ago, here is the short version. The county reined in the Wild West approach, a committee was formed, and a call to artists went out to submit designs and compete for MY MURAL!

Eventually I got chosen, but they forgot to find the money first. Another 2 years passed, until this summer I was given permission to begin. First I needed to wait for the heat to abate and then for my unbloggable situation to resolve.

Meanwhile, the committee gathered money, and decided to only have one mural on the West wall, probably because they didn’t have enough money to pay for two murals because the original payment offered wasn’t high enough to entice many muralists (only guessing this from a few conversations I had with some muralist colleagues).

They requested that I make a change on the orange packing label from “Venice Cove” to “Venice Hill”. I was willing to do this, but only with permission from Klink, the packing house. What a surprise—it has merged with 2 or 3 other packing houses and is now called California Citrus or something similar. Not “Klink” anymore?? This hurts my little Ivanhoe heart, but I’ll soldier on.

Today I thought I would be working on the mural. However, there is now red tape and bureaucracy to navigate, with many opinions, an anonymous committee, and a college student who wants to intern with me. My hope is to be given access to the building on days when the library is closed. Otherwise, I will only be painting on Fridays, and this could take a very long time to complete.

I am REALLY REALLY REALLY looking forward to finally painting this mural!

Meanwhile, I continue to work on a couple of commissions, one of which I have been showing to you and one which is still in the design and decision phase.

(And I’ve actually begun working on the 2027 calendar. The 2026 is available here or anywhere you run into me if I remembered to put some in Mom’s Car* or whichever pick-‘em-up I happen to be driving.)

*It is a really nice car, and I really miss Fernando. Really. Sigh.

2026 Calendar

(SHARON, I moved the picture of the calendar back to lower on this post so you can skip it.)

Around Here—and Sometimes a Little Farther, 2026 is a collection of new pencil drawings by your Central California artist.

The drawings are mostly rural scenes, mostly from this often overlooked location in the heart of California. As a life-long resident of Tulare County, I continually seek out what it is that keeps me here. Pencil remains my favorite medium.

The price of $25 includes tax in California (unless Paypal goes rogue and adds it in, something over which I have no control and some angst). Cabinart will also pay for postage within the USA, because I know you could easily skip buying a calendar, and I wish to express my gratitude to you for liking my art.

I also wish to let you know that I only have 100 for sale this year, and when they are gone, it’s hasta la vista, baby!

All the drawings with the exception of the pier are for sale.

P.S. The calendar is printed in the USA.

Available on my website here: 2026 CALENDAR

Thinking Aloud About Old Notecards

I’ve been getting my art printed on notecards since 1987. In the olden days, a package consisted of 2 each of 5 designs. In the olden days, people communicated on cards and mailed them with a stamp rather than talking into a little machine and tapping something. This meant that I had 1000s of cards printed at a time. Some of those pressruns produced uneven amounts of cards in a set, which meant leftovers.

What if I make packages of those old designs and sell them at a discount? There are six different designs, all in random amounts in a box, collecting dust on a shelf.

The ones circled in red are what is available. (For the curious reader*, the sets from left to right are Kings Canyon, Sequoia, and Tulare County Landmarks.)

These were printed a long time ago. If someone had told me back then that I would become a blogger (a what??), an oil painter, a painter of murals, a knitter, a resident of Three Rivers, and that I would drive an automatic transmission car, I would have laughed out loud in disbelief. (And if someone would have said “LOL”, I would have looked at them with puzzlement. It used to mean “Little Old Lady”.)

Okay, decision made, packages compiled. Each package contains 4 different cards (and envelopes), mostly chosen at random with the exception of the first one on the upper left below. I have more of that drawing than any other, so every package contains one of those. They will be $5 a package, as opposed to my current cards. (The current ones are $10 a package and are all the same design within a single package.) These will be potluck.

It will cost too much to mail them, so they will only be available in person at the upcoming Holiday Bazaar.

*For the Very Curious Reader, the drawings from left to right, top to bottom: Kings Canyon overlook, General Sherman Tree, Four Guardsmen, Clover Creek Bridge, Exeter Woman’s Club (yeppers, that is the correct spelling), the Hilliard House (burned down in 1983 but never forgotten around here.)

New Notecards Coming Soon

Notecards have been a mainstay of my art business since 1987 (maybe you weren’t born yet). There used to be many stores throughout Tulare County that sold these steadily, and I spent copious amounts of time packaging cards, sometimes with the help of my parents or my friend Gnat.

The packages had two each of five designs and retailed for $5.00. It was possible to make a profit because I worked at a print shop and received a discount, but had to order large quantities to make this work. “Large” means 1000 or more of each design, instead of the 100 or so I now order. Since this was before email, most of polite society used cards. (Impolite society didn’t send thank you notes.)

Now notecards can be ordered online, and if I wait for a discount sale from the company who prints the cards, I can make a small profit selling four cards (all same design in a package) for $10.

Have you picked yourself back up off the floor? Okey dokey, let’s see the new designs coming soon. These were chosen to please my higher selling stores’ customers, many of whom are visitors to the area in the summer. The pencil drawings aren’t new; the paintings were completed recently (within the last year).

Kaweah River
Generals Highway
General Sherman Tree
Lake Kaweah
Sawtooth #65 (such an elegant title!)

These are all scenes drawn or painted from my* photos, sometimes embellished and made up from several photos and my memory, all specific to eastern Tulare County: Three Rivers, Sequoia National Park, and Mineral King.

The notecards will be available at Kaweah Arts in Three Rivers and on this page of my website.

*Except Lake Kaweah, generously supplied by my friend Rachel.

A Little Painting Session

Recently, I had to leave Three Rivers at 10 a.m. This presented two choices: A. waste time until 10, or B. paint for an hour or two before leaving. Being the responsible mature adult that I am (oh hush, you!), I wisely chose B. Creating Tulare County-based paintings is what I do; wasting time is normally not what I do (or want to admit to doing here on the world wide web.)

After viewing this on my screen while it was still wet, I decided it needed some leaves.

It looks better in this photo because the previous photo was taken at the end of the day. Morning light makes better photography conditions in the painting workshop.

That’s better. When it is dry, I’ll scan it and maybe remember to show you.

There was paint left on my palette and time left on the clock. It is prudent to always have a 6×18” sequoia painting ready for Kaweah Arts to sell to the thousands of visitors who pass through our town on their way to see Sequoia National Park’s sequoia trees AKA redwoods AKA the Big Trees. (These are sequoia gigantea, not to be confused with sequoia sempervirens, which are coastal redwoods.)

Yeppers, I worked from a black and white photo and began the painting upside down. I can fake these trees, so I can certainly guess how this snowy scene might look in summertime.

I started this one differently than usual. I “drew” it on the canvas rather than completely covering the canvas with thin sloppy paint.

It’s a little sloppy, but this was as far as it got when my internal chronometer said to make like a tree and leaf. Or was that to make like a cowpie and hit the trail. . . such colorful images and language from that internal chronometer.