Pencil Reminiscing, Part Four

After my booming (in my own little mind) success with the original set of notecards for Tulare County, Mineral King, and Visalia landmarks, I moved on. My memory is fuzzy about which card sets came next, and at what point I quit my job in the print shop. I worked from our little house in Lemon Cove and supplemented my income with a summer job baking at the Silver City Store, helping out at a friend’s Exeter gift shop for Christmas, and filling in at the printer when they had need. 

The ideas continued to flow. Now it was time for Tulare County Landmarks II, which moved into other towns of the county.

 Since this set included Lindsay, Tulare, Porterville, and Exeter, I found stores in all those little towns to sell the cards. I may have spent as much in gas expenses to drive around calling on the stores as my profits.

(The little circles are holes; these cards were samples for customers to see what was in the variety packages.)

To be continued. . .

Pencil Reminiscing, Part One

This could also be called “Notecard Reminiscing” or even “Back in the Olden Days”. 

Back in the olden days, I worked in a print shop and drew in pencil. Pencil drawings of Tulare County landmarks printed on notecards were my “side hustle”, now the cool way to refer to a second job. It was a hobby to make money, a business that I hoped would outpace my real job. 

Because I have always been a note and letter writer, finding stationery and cards with local art was what I looked for any time I traveled. It came to my attention that there weren’t any for Tulare County in spite of the fact that we have Sequoia National Park, and that we feed the world. From my viewpoint in Ivanhoe, then Visalia, and eventually Lemon Cove, it seemed that we had subjects that were good enough to be proud of and drawn. At that time I was only capable of drawing architectural subjects, so that is all I thought of. (Looking back at my work, I’d now say I was barely capable of such things, but growth is good, unless you are a tumor.)

 

In the past year or so, I pulled the original drawing of the Lemon Cove Women’s Club out of its frame to touch it up. It isn’t too embarrassing, but it did benefit from some tightening up. This was a drawing I just didn’t want to let go of, so it hangs in my dining room.
The original of the Silver City Store also hangs in my dining room.
This one I now use as an example for my drawing students so they can feel better about their own beginning work.

This was back in 1987, and I knew nothing about branding oneself (yikes, as if we are cattle?) or marketing. I loved to draw, and felt lucky to be able to work in a print shop and know people who helped me figure out how to make my idea happen, along with people who owned shops that wanted to sell my merchandise.

There was a distant foggy hope that someday I could be self-employed as an artist, but that was far off in the future, along with having a real studio, owning a home, and being old like a real grown up.

To be continued. . .

Extra Post Today

Today I am here! Will you join me?

If you read this flyer, you will see there is a $3 entry fee. If you buy something from me at the craft fair, I will reimburse your $3.

Building a Store

As we last saw it.

Until I began this painting, I never noticed that the sign above the door is not centered.

Now there are chairs on the porch and geraniums in the window boxes.

And now, it is finished! Next, I’ll sign it, paint the edges, wait for it to dry, scan or photograph it, varnish it, wait for it to dry again, and then mail it.

Getting Started

The commissioned oil painting combining two Tulare County scenes feels like a mini-mural. 18×24″ is HUGE when I am accustomed to 8×10″ or 6×18″.

Often I have pondered why it is that a mural feels sort of easy because of its large size when a large oil painting feels daunting. Is it the number of layers? the level of detail? An oil painting certainly takes longer.

My customer approved of sketch #2.

Sketch #2

She is gracious and told me there is no rush. However, I am a bit of a “precrastinator”, a made-up word that is the opposite of “procrastinator”. It is much better to begin, to act as if there is a deadline, to be ready for contingencies, interruption, opportunities, and other emergencies than to just lollygag along, figuring it will get done when I FEEL like it. And losing momentum is a real risk – a customer can change his mind, or it could get too hot to paint. Besides, the sooner I finish a commissioned job, the sooner I get paid.

(There was a sign in a print shop where I used to work that said, “I work for money, not for fun; I want my money when my work is done.” I work for both.)

First, a little fun with Scout. She is sitting on Samson’s shelf. (He doesn’t need it any more. Sigh.)

Now it is time to get to work.

Such a basic beginning. I just draw the general stuff with my paintbrush.

To be sure of the shapes, sizes, proportions, and angles, it is easier to be objective when everything is upside down. The goal is to get a first layer on the canvas, something that I can correct with each successive layer. 

That’s enough for the first second third fourth step of this commissioned oil painting. (The first was a conversation, the second was an exchange of photos and a sketch, the third was the second sketch with the approval to begin painting).

Further Figuring Out

This is Chapter Two in the story of figuring out how to design one commissioned oil painting of two different Tulare County landmarks. As a Tulare County artist, I am pleased to have been chosen for the task.

The customer requested a different view of Homer’s Nose, and I have 5 photos from that point of view. This is the one we selected:

Homer’s Nose, from the Yokohl curve on Highway 198

She also requested a view of the Oak Grove bridge with more visible rocks (i.e. less water). If you have followed this blog or my art for very long, you know that the Oak Grove bridge is my favorite thing to draw and paint, even when it is a little bit too hard. So, I have plenty of photos to choose from for this very specific request:

Oak Grove Bridge photo by me from the same point of view, lower water so rocks more visible.

I know Spice Bush, but never heard of Mock Orange. Good thing I have friends with great photos who know far more than I do about many things.

Mock Orange, from a friend’s photo, flipped.

And a photo I have of Spice Bush, but will probably take more because it is in bloom right now and is beautiful.

Spice bush bloom

With all these visual aids, I drew this:

Sketch #2

What will my customer say in response to this second sketch? More will be revealed in the fullness of time. . . Tune in tomorrow, same Bat Time, same Bat Channel.

And here are today’s paintings, both commissioned pieces of Homer’s Nose, painted in 2014, each one 6×6″.

Homer’s Nose, oil on canvas, 6×6″, private collection

Homer’s Nose, oil on canvas, 6×6″, private collection

Figuring Things Out

Isn’t “figuring things out” a strange grouping of words? But we all know what that means. . . puzzling over something, trial and error, plan A and plan B, lots of conversation. . .

A long time friend asked me to do an oil painting of two significant Tulare County landmarks in her life. This is not two oil paintings; it is one painting with 2 separate scenes, a true piece of Tulare County art. I am a Tulare County artist, so why not?

I’ve been doing collage type pencil drawings for many years, but have never thought about this for oil paintings. This friend has challenged me before with other unusual ideas, and I’ve learned from her. So, here we go.

This is what she sent me first:

Homer’s Nose, a granite formation, from an unidentified magazine cover 

Homer’s Nose, a granite formation as viewed from another angle (from a book called To Find the Biggest Tree by Wendell D. Flint)

The Oak Grove Bridge with a significant pickup crossing it.

This is what I drew for her, using colored pencils so she could get an idea of how the two subjects would blend together into one painting.

Sketch #1

Her response was that she likes the view of Homer’s Nose from another place, likes to see lots of rocks under the bridge, and would like to see some wildflowers, preferably Mock Orange or Spice Bush.

Good thing I know what she is referring to on all these subjects and have 29,000 photos on my laptop that include most of what she is wanting.

To be continued. . . meanwhile, here is today’s painting. It no longer exists, but is the first oil painting I ever did of Homer’s Nose from that other place.

Homer’s Nose from Yokohl Curve, 12×16″, oil on canvas, gone.

Random Roundup

  1. We got rain and snow and clear bright days.

    Three Rivers, as it looks in my neighborhood.

  2. I painted 3 poppies, thinking they would be quick and easy. Fall down laughing. I have had to reshape and reshape and relayer and wait and relayer yet again and on and on and on. . . this is just one of the three poppies that will not cooperate.
  3. I started painting a bear. During our Bear Autumn of 2015, I got a few photos. This is probably the dude who tore battens off the side of my studio while seeking acorns.
  4. After much calculation, I figured out how many more Mineral King paintings are needed, which subjects and which sizes. This is based on numbers sold in previous summers, popularity of subjects, and women’s intuition. Time will tell if I have chosen correctly. (I can always paint roosters over the tops of the ones that don’t sell.)I chose the sizes, paired the canvases with the photos, assigned inventory numbers, titled the pieces, attached the hanging hardware to the backs, and primed the canvases. 
  5. The web designer said there is progress being made. Sounds as if I have hours and hours of computer work ahead as I load up all my art (NOT paying someone else to do this!)
  6. March First Saturday in Three Rivers at Anne Lang’s was better than both January and February combined. Some fine folks were waiting for me to arrive (Hi D & B & R & A!!), a friend bought my lunch (T/U, GE!!), and a friend stopped by for a long overdue visit (Hi CHO!). Of course, sales made the day particularly happy, and I did more coloring in the Heart of Ag coloring book, along with lots of explaining to people how to layer with a minimalist box of Black Wing Colors.

And thus we conclude a random roundup of the business of art, as defined by me. I wonder how other artists go about their business? On artists blogs, they all sound so professionally successful, discussing plein air outings (oh shut up, that is so hard and I don’t know how and I am a studio artist and if I am outside it will be to hike, walk, prune or pull weeds), or packaging up things to deliver to galleries (galleries, schmalleries – this is Tulare County), or showing off big deal sales to a local hospital or courthouse or university (Hunh? those places spend money on art, big money on originals?? Not in Tulare County), or fancy commissions (I paint wooden geese and or draw barns), or shows in nice places (I do them in Art Centers without plumbing, the local Remorial Building, or in people’s stores or backyards).

HaHa. I live in Tulare County and they don’t. 

Oops. Sold two more Mineral King paintings recently so I may need to recalculate! Customers keep depleting my inventory. . . what’s an artist to do except keep painting??

Testing a Coloring Book

Designing coloring books involves drawing, my favorite thing. Coloring the pages is for other people to do.

But, I got curious. So, I gave it a try in the ag coloring book, Heart of Agriculture: Celebrating Tulare County Farm Bureau’s First 100 years.

This is as far as I got on the title page. I filled the letters in with blues, because there is very little blue in agriculture unless you drive a New Holland Tractor. (Cats are yellow, Massey-Ferguson are red, John Deere are green: I don’t know about Kubota or Mahindra or International Harvesters.) Couldn’t decide on the cow – dairy? beef? Reddish? Black Angus?

And this is the beginning of the citrus page, one of my favorite designs in the book. I don’t know why I started at the bottom of the page. Look – more blue! It makes the yellows and oranges look brighter.

This stuff is time-consuming. I think it is probably the most fun for people who don’t draw or paint (or knit). It would be a fun group activity – a bunch of friends sharing conversation, ideas and colored pencils or markers. A bowl of M&Ms would be appropriate too. . . dark chocolate, if I’m there.

You can get the Heart of Ag coloring book at the Three Rivers Mercantile, Rosemary & Thyme or the Mural Gallery in Exeter, or on my website here. And, of course, if you see me around somewhere, I almost always have some in the trunk of my car, along with many of the other books I’ve published. (coloring books and The Cabins of Wilsonia)

Heart of Agriculture

That is an apt title for today – a nod to both Valentine’s Day and the World Ag Expo’s opening day in the title of my latest coloring book.

This coloring book was published in partnership with the Tulare County Farm Bureau, a delightful group of people to work with (in spite of their rejection of pomegranates).



There is a tiny heart hidden in every picture, even this one:

This is my favorite:

 

And this might be the most fun to color:

The coloring book for grownups has 20 colorable pages and is $15 including sales tax. (If the Paypal button charges you tax, I will send you a refund.) If you prefer to pay with a check, I accept those in the mail to Cabinart, PO Box 311, Three Rivers, CA 93271. If you like to cheat a little, you might be able to print these pages from the blog, but I don’t know how and am not going to instruct you in this.

The For Sale pages work now, unless you are using Firefox for your browser. (I think that is the only one that doesn’t work with my site.) Here is a link to the Heart of Agriculture page. Tap or click here, depending on your device.