A New Oil Commission

If you subscribe to the blog and read the email on your phone, the photos might not show up. (Some people get them, some do not; it isn’t a problem I know how to solve.) You can see them by going to the blog on the internet. It is called cabinart.net/blog, and the latest post is always on top.

Custom art, or “commission” work might be the most satisfying piece of my business. I am painting something that someone really wants, painting with confidence that it will be loved, and confidence that it will be sold. 

Artists can be so insecure. We pour ourselves onto paper or canvas, creating something that really lights our fire, getting lost in the process, and then . . . what? Nothing happens.

So, when I get a commission, particularly one of something that I am familiar with (orange groves, sequoia trees, Sawtooth, cabins, or anything Mineral King), it is a real pleasure to paint.

Beginnings

The customers chose 16×20″. I primed the canvas, assigned an inventory number, and wired the back. Pippin hung around, but wasn’t interested in the details. (And the vase of lemon geranium may have repelled the mosquitos.)

It was near the end of the day, and I was in danger of falling into Idiotville, where Stupid, Sloppy, and Careless reside, so I set it aside for the day.

And this is how it looked after the next painting session:

That again? 

Yeppers, this time in oil paint instead of pencil. Not sisters this time—a brother and a sister, different grove. And no deadline, so I will spend oodles of time make this piece of Tulare County art perfect.

Oodles, I said.

Maybe, Maybe Not

When I look at a finished painting in person, it seems truly finished. This painting signifies the best of Tulare County to me, and I am not always objective.

However, when I look at a photograph of the painting on my screen, sometimes things appear that weren’t all that noticeable in person. 

Here is a progression of the untitled painting that is finished, or maybe not.

Tuesday morning overview.

Tuesday morning lower right corner, unfinished.

Wednesday morning lower right corner, finished (but in shade so hard to tell what is what).

May I be finished now? Better put it in the sunshine for a truer color photo.

Now may I sign it, and then paint the edges? 

Maybe, maybe not. Better let it mull a bit, study, scrutinize, put on my truth glasses (just a figure of speech) and try to be objective.

Or maybe I should show the customers and see if they think I am finished.

Maybe, maybe not. 

Mired in Detail

After spending a good chunk of an afternoon drawing with my paintbrush, perfecting the detail on the 50th Anniversary Floral Bouquet oil painting, I had a real hankering to return to the commissioned oil painting of my favorite subject. “Slamming out” some quick small paintings for the Redbud Festival just wasn’t lighting my candle.

This painting was calling my name.

I began texturing the distant hills. 

Then I built a few roads.

If this wasn’t a commissioned piece, it would go in my dining room. I can paint another for myself, but there is enough other (PAYING) work that it is not a priority. 

So, I will enjoy the process of being mired in detail for someone else’s happiness. Snow, GREEN, poppies, CITRUS. . . the very best that Tulare County has to offer. (But remember, we have bad air, high unemployment, diabetes, teen pregnancies, high welfare, no Trader Joe’s or Whole Paycheck grocery stores, and a severe lack of education. Just sayin’ in case you were thinking of bringing some big city values to our little piece of California’s flyover country.)

A Few More Orange Groves in Paint

Here is the rest of your tour through Tulare County’s finest scenery, as interpreted in oil paint.

This was a commission, the very first time I painted a citrus grove with hills in the background.

In the Orchard (sold)

Tulare County’s Best (24×24″, available, $1000)

This was a thank you gift so it didn’t need a name.

Citrus Sunset (sold)

 

This was a commission.

Another commission.

 

And the latest with the appropriate title of “Citrus and the Sierra”.

Citrus and the Sierra, 10×20″, oil on wrapped canvas, $350 (plus tax if you live in California)

P.S. I thought this piece was spoken for, but I didn’t put the size on it and the intended customer’s intended wall is not wide enough.

 

 

Orange Groves in Oil Paint

These are several oil paintings of my current favorite subject: orange groves with foothills and mountains in the background. Looking at these (and showing them off) helps me regain my confidence as an artist after the tiny face show-down.

Citrus Cove (sold)

Looking East (sold)

Lemon Cove (sold)

Picking Time (10×10″, available, $150)

In the Orchard (sold)

If you have a hankering for a painting of this type of scene, I am available for commissions. Just tell me the size, which mountains you want visible in the background, and anything else you’d like in the painting. Then, I will put your project in the queue.

There. Seeing all those “sold” signs, and knowing there is a queue all helped repair the ding to my confidence after the face trouble.

 

 

 

Searching for a Bridge

Three Rivers has one river, the Kaweah, pronounced “kuh-WEE-uh”. Four forks come together into the Middle Fork, but apparently only three mattered when it was time to name the town. (No, I don’t know which three.) Middle, Marble, East, South, and North are the names of the various branches.

A week or two ago, I learned that the brother of two of my former drawing students took on something called a “bridge project”. He was commissioned to create four 2×2′ tile mosaics to decorate a new bridge somewhere in the county. I asked around and concluded it must be the bailey bridge at the upper end of South Fork Road. So, Trail Guy and I went exploring.

You can see evidence of the SQF Complex fire that burned a lot of South Fork, threatened Three Rivers, Case Mt. and Mineral King

Here is the bridge, going in just upstream of the old bailey bridge, and still just one lane wide:

You can watch Nate Norman talk about making these tiles on this YouTube video. (You might want to fast forward past the first few minutes of someone talking about Arts Consortium business and get right to Nate’s presentation.)

I did a screen shot from the video to show you one of his truly beautiful mosaics. As someone who has experimented with tile mosaic in the past, I can assure you that this was no small undertaking.

We drove up near the bridge, but it was being worked on so I just took a couple of photos. I am guessing the tiles will go on each of 4 main pillars, one of which I have circled the spot in red for you.

The bridge is about 11 miles up South Fork Road, and I think the campground is one mile farther. We didn’t cross the bridge, but headed back down. It was such a beautiful day that I almost forgot about August. And heat. And smoke. And smog.

There were poppies, but they were closed up due to the overcast day. However, I did get this poor photo of a few wildflowers by kneeling in the mud on the side of the road.

You are welcome.

I do what I can to find the beauty in Tulare County, but not so much that people will flock here. Remember, we are uneducated, poor, unemployed, fat, and diabetic. Oh, and there is that bad air filtering down through the Altamont Pass from the Bay Area for which we get penalized. Further, there is no Trader Joe’s and never will be.

Just keeping it real.

Fake Tucker and keeping it real Tucker

 

Decisions, decisions

My very wise dad used to say, “Life is a series of choices and decisions”. (My very wise friend still says, “Choices and consequences”.) 

In preparing larger paintings while hoping for a show at a local-ish gallery, I have to keep in mind my mission, which is to show off the best parts of Tulare County with my art. One would think that choosing the best scenes would automatically result in sales; one would be wrong. 

It is painting the scenes that people love, scenes that ring a bell, touch their hearts, resonate, remind them of good memories, and doing all this in the most excellent way possible that MIGHT result in sales. (Anyone have a crystal ball that I can borrow?)

There is a scene that draws me back, in any season with water in the creek, and I want to paint it on an 18×36″ canvas. It is Yokohl Creek.

This version isn’t quite it, and won’t fit on 18×36″ format. So, have a look at the cropped version:

Better, so I started on the canvas.

But wait! Spring is the most beautiful time of year!

Shall I try to convert the view I cropped to spring colors? First, let’s crop this view.

This still doesn’t have the same visual pizazz to me as the brown version. What’s a Central California artist to do?

More will be revealed. . . (and I bet you can complete that sentence.)

Mooney Museum Mural, Day 3A

First, the name of the museum is Tulare County Museum, and it is in Mooney Grove. This is a county park. Just wanted to clarify, because the title of my blog posts about this mural make it sound as if the museum is called the “Mooney Museum”. I just like alliteration.

This is how the mural looked when I arrived on Day #3.

The brighter orange is poppies, the lighter orange is fiddleneck, and the lightest yellow is mustard. (You’re welcome – I know you were wondering.)

There were a few details left to add to finish this one.Better.Best.

There is too much to show you on today’s post, so Day 3B will appear tomorrow.

Mooney Museum Mural, Day 2

The mural looked like this in the morning. If you ran past it, it looked finished, but it needed detail.

Those middle hills were a bit confounding, so I just hunkered down in the mud to plant an orange grove. Oh-oh, this is going to be S L O W. Some friends stopped by, and I decided to be like Tom Sawyer. If someone had let me paint on a public wall in a park when I was 8, I would have been paralyzed with doubt, but maybe have just gone for it anyway. I told Justin that it didn’t matter what he did, just make some marks to see what it felt like, and I’d paint over anything that turned out weird.

County Parks Director Neil suggested wildflowers, which OF COURSE I should have thought of myself, and OF COURSE I immediately added in.There are poppies, fiddleneck, and mustard. You might have to see them in person to fully appreciate them.

Next, I will finish the details above the grove – a barn, some non-grove-like trees, a couple of wind machines. Then, I’ll move to the panel on the far right.

Stay tuned!

Mural at Mooney Grove

If you grew up around here, you are probably accustomed to hearing about the county park on the south side of Visalia as “Mooney’s Grove”. When I painted a mural to go inside the Tulare County Historical Museum at Mooney Grove about 10 years ago, I learned that I had been saying the name wrong my entire life. 

I began my 4 part mural there this week on this building, listening to yacking Canada geese all day long. (They aren’t as bad as barking dogs in spite of being louder.)

First, the masking tape to protect the borders.

Getting the sky painted quiets the rude Voice of Incompetence and Insecurity in my head.

Next, I located the mountains, following my photos. (Of course I included Alta Peak with the elephant.)

Then, I got confused. Too many photos, too many viewpoints, too many options. So, I took a break to enjoy my surroundings at Mooney Grove, a park set aside for its Valley Oak trees.

The clock chimes every hour. It is pleasant, a nice alternative to the fire whistle in Exeter which almost knocked me off a scaffolding at noon until I learned to climb down and cover my ears at 11:59 each day while painting there.

The hills continued to confound me, so I just started covering things with paint to sort out later. 

Standing back helps me to see what needs to be adjusted.
Eventually I was able to find some hills and figure out the right colors. The wide band of green on the bottom will become an orange grove.

Not bad for one day’s work! So, I went for a walk around the park. When the mural is finished, I’ll show you a collection of photos of this lovely piece of somewhat cultivated nature on the outskirts of Visalia.