Painting While Waiting

The project manager for the mural job at the giant Catholic Church in Visalia called me. The mural portion is stalled until the niche project is completed. “Niche project”? I am not very conversant in Catholic, so she explained to me that there will be little compartments (niches) to put people’s ashes, about 2400 people’s ashes, in some granite thing called a columbarium. There are troubles with procuring both labor and materials, so I will just start some new oil paintings until further notice.

After choosing what subjects and canvas sizes, I assign an inventory number and put hanging hardware on the backs. I don’t know what other artists do; none have told me their particular systems, so I just made this up in March of 2006 when I started painting. It has served the customers and me quite well.

Seven of the eight canvases are ready to go; the eighth is in that unopened box from Blick art materials.That’s where I get most of my art supplies; in the beginning, many came from people whose mothers-in-laws used to paint.

After the hardware, I began with the base coat, just the skies first.

Next, I systematically did a very messy application of thin paint in approximately the right colors and places. This keeps little white spots of canvas from peeking through.

They all sort of look alike, and sometimes I got confused while following the photos with the odd titles on my laptop, along with the new inventory list. I’ve ordered printed photos for most of these, and when they arrive, I will secure each one behind its canvas in hopes of minimizing the confusion.

This is only five. Tomorrow, more on this topic of painting the best of Tulare County.

 

Favorite Subject, Favorite Month

With apologies to my long distance friends who live where there is real winter, I LOVE FEBRUARY! Along with this being one of my very favorite months (March and April rate very high), I love to paint orange groves with foothills and mountains in the distance. Two favorites, right here in Tulare County. (DON’T MOVE HERE because we are fat, undereducated, unemployed, and don’t have a Trader Joe’s).

I thought this one was showing great promise, wondering if perhaps it should be the scene I paint 18×36″ instead of this measly 6×18″.

Then I realized I used the wrong photo for this size canvas. They do all sort of look alike, and until I get them titled and more detailed, I am prone to making these mistakes.  So, I just smeared everything around to cover the canvas better.

Some of the wet paintings got hung on the board to dry.

Others got piled on the table so I could paint the edges a little bit, mostly just to use up the paint in the brushes and on the palette.

Still haven’t opened that big box. I’m waiting for all the photos to come, because I think that might lessen the chances of further mix-ups.

Next week, I’ll show you a few recent photos of why I love Tulare County so much at this time of year.

 

Planning Paintings, Part Two

When deciding what to paint, there are several factors to consider. What subjects will sell, which sizes will sell, what do I already have on hand, has anyone expressed an interest in a particular shape, size, or subject, and do I have good photos to work from?

After studying my stack of photos in the Citrus file, I chose eight to paint. You saw four yesterday, and here are the other four.

This will be 18×36″($1200) and I will raise the mountains in the distance, might make the hills more green, and grow those orange trees larger. And, I might hang it in my dining room, unless/until someone buys it.

 

6×12″ for this one, $125, maybe add some distant snow-covered peaks and grow the trees a bit, or crop off the dirt at the bottom so it fits the canvas.

 

This will be 10×20″ ($400), and it is almost perfect, except for needing more oranges on the trees.

 

6×12, ($125) more oranges on the trees, some cropping on the sides to make it fit the ratio of 1:2.

Next, I will wire the backs of the canvases, assign inventory numbers, think of good (or mediocre. . . this gets difficult after awhile) titles, and then start with base layers.

Which one would you like to reserve? Because sometimes your Central California artist needs to remind people that. . .

Using pencils, oil paint, and murals, I make art that you can understand of places and things you love for prices that won’t scare you.

Planning Paintings, Part One

There is a file on my computer named “In Progress”, with one inside of it called “Paint”. Inside that folder is yet another folder named “Citrus”.

“Citrus” isn’t entirely the right title. The right title would be too long: “My Current Favorite Subject to Paint” or perhaps “Orange Groves, Foothills, and Mountains” or we could call it “The Best Things About Living in Tulare County”.

The file has 30 photos, so it takes awhile to study, compare, name them (so that I can find the right ones again), and think about the best proportions and ways to crop.

After I choose a stack that I want to paint, then I inventory my canvases, finding a variety of sizes and shapes that will work best for each of the paintings.

Recently I chose eight new scenes, and then assigned various canvas sizes to them. I price according to size, rather than difficulty, which means the prices are consistent. (I’ve shown them with the sizes in case you want to reserve one or more of the paintings.)

Have a look at the first four photos and canvas sizes:

This one will be 6×18″ ($165), and I will make mountains appear behind the foothills; there will also be a bit of squishing and stretching of the scene so it will fit the chosen canvas ratio of 1:3.

 

This one will be 10×20″ ($400), and the oranges will be more visible on the trees; more trees will be added at the bottom to better match the proportions of the canvas, or some sky added; maybe some of the mountains will be condensed.

 

This one will be 12×16″ ($350), and the oranges will be more visible; I might take away the little avenue that appears in the lower left corner. (Now spoken for.)

 

This one will be 6×18″ ($165), so it will be more cropped than the photo, (which you might be able to tell is a couple of photos melted together with Photoshop in an attempt to widen the scene.)

Tomorrow I will show you the other four photos that I plan to paint.

 

Exciting Day on the Road

There is an art show coming, “Tulare County: Varied Impressions”. This is the juried show I entered 6 pieces in, in spite of there being a 3 pieces per artist rule. I couldn’t decide, so I let the curator do so. She chose these three paintings:

This meant I had to gather them from three different places where they were hanging for sale, and then drive them to Tulare on a blustery wet day.

It was beautiful out and I thoroughly enjoyed my errands. Tulare is west and south of Three Rivers, a dairy town out in the flatlands. There is lots of open farmland on the route I chose (and also along the ones I didn’t choose).

Valley oaks are a common sight in the Central Valley, quercus lobata, the largest of the American oaks.

Farming is a tough way to earn a living; my mom always said it was like living in a constant gamble. Someone has given up on this grove of walnuts. The price was too low for many growers to harvest this past fall.

Tulare is big dairy country; lots of Portugese immigrated here from the Azores and brought their knowledge with them. Haagen Dazs ice cream is made in Tulare! There is also a Land O’ Lakes production plant there, and probably lots of others I don’t know about. (My family was into citrus rather than cows.)

This is the Tulare Historical Museum, which also has the Heritage Art Gallery, where the show Tulare County: Varied Impressions will be (details below).

After a few more errands, I headed home. While at The Four-Way (the intersection of 198 and 65) where one can turn south toward Exeter, I heard an emergency alert on the radio. It advised people to not drive to Exeter, Lemon Cove, or Three Rivers, saying there were dangerous thunderstorms. 

Without regard to the warning, I drove home to Three Rivers, passing by Lemon Cove. There was a fabulous rainbow, and very heavy rains, but it was too exciting to take any photos.

That’s right—I promised you details about the art show.

TULARE COUNTY: Varied Impressions

JANUARY 12 – FEBRUARY 18, 2023

Artists’ Reception, Thursday, January 12, 5-7 p.m.

444 W. Tulare Ave., Tulare CA 93274, 559-686-2074

P.S. HAPPY BIRTHDAY, STACY!

 

Juried Show Coming Soon

After my post called “Juried Or Judged?”, one might have gotten the idea that I don’t participate in such shows. In general, I don’t. Lots of artists develop a following by entering shows all over the country, paying entry fees, shipping art, paying to have it boxed and shipped back, hoping for prizes, hoping for sales, and likely, ending up discouraged and poor.

I don’t enter shows that are far away. I am a Central California artist, specifically a Tulare County artist who takes great pleasure and pride in finding the best things of this place I’ve called home for 63 years. (We may not qualify for a Trader Joe’s or a university or even for litter-free pothole-patched roads, but we feed the world and don’t you forget it!)

When there are local shows with nominal or no entry fees, shows that aren’t too much trouble to enter, shows that will keep my work and name in the public eye (where old and new customers can find me, because I came here to earn a living), shows that seek the type of work that I do (realistic subjects based in Tulare County), then I might be interested.

Such a show is coming soon. Artists are allowed to enter 3 pieces. It is juried because they have both standards and limited space. 

The last time I entered this show, my work was small and placed in a dark corner, which did not do it any justice. Many years later, my work is larger, brightly colored, and I have 7 pieces that I want to enter. I don’t know how to decide which 3 to submit. 

Maybe some of these will sell before the show; that’ll help me decide.

What is your Central California artist going to do?? Stay tuned. . .

2023 Calendars Available Here, $20 inc. tax.

 

 

Mural News

The Visalia Times-Delta has an article in the Saturday edition about the Mooney Grove murals. This is the link.  Maybe it works without a subscription. You’ll have to try it. (Thank you, J.C. for letting me know!)

 

Many Happy Returns (and some not quite as happy)

If you can’t see the photos, go here: cabinart.net/blog. 

Three Returns

One advantage (and disadvantage) of being in the art business in the same county year after year after year, is that sometimes your art gets returned to you. Some are happy returns, some are hassley returns.

The circle is a sign, painted by me about 10 years ago. The customer was happy and now the disintegrating sign needs to be replaced, larger this time.

The citrus art was for sale at Farmer Bob’s World, and nothing sold. The customer wasn’t happy, apparently. (Who was the customer? No one.) I am happy that I can sell it in a place with greater visitation.

Many years ago when I began oil painting, a friend (because almost everyone in Tulare County is a friend, unless he is a friend of a friend) bought this painting. That friend has moved on to his reward, and the painting was given to the Mineral King Preservation Society. The MKPS brought it to me because it needed a little attention after all these years. This is not a happy return because my friend is gone, but it is a happy return because I can spruce it up.

Interruption: What is Pippin Doing?

If This Ever Gets Returned…

The customers presented this painting to the happy recipient, who got a little teary-eyed. He and I have many things in common, and we just chattered away about various aspects of this painting, such as how the idea was conceived, what exactly is in it, why I left some things out, and how much we love this view. He is sort of like anutter brutter from our utter mutter. (And if this painting gets returned, I’m hanging it in my house!)

No More Return

I returned to this colored pencil drawing. The original concept was to only use the 24 Prismacolor colored pencils in their limited set. Those stupid pencils kept breaking, so I started using lots of other colors too. It reminded me of one of the many reasons I quit using colored pencils.

I doubt if I will be returning to colored pencils any time soon.

Not Returning This Either

About a year ago after a whole lot of trouble, I finally bought a mini fridge for the painting workshop. The freezer is where I store my oil painting palette, a convenient luxury. The big box store was TERRIBLE to deal with. A few weeks ago when I retrieved my palette, it was HOT inside the fridge. Sigh. I unplugged it, pulled it off its pedestal, propped the door open, and now I have to figure out how to get rid of it. I am NOT going back to the extremely inept, incompetent, undertrained, understocked, understaffed, and apathetic big box store. Instead, I will consider it one year of luxury, now both a memory and a hassle. (Learned in June 2021, #10)

Are You Drawing With Your Paintbrush Again?

If you read this blog through an email subscription on your phone, the photos might not show up. (Some people get them, some do not.) You can see them by going to the blog on the internet. It is called cabinart.net/blog, and the latest post is always on top.

Yes, I am drawing with my paintbrush again. Paintbrushes, and the smallest I can find, treating them as if they are pencils. Wet flexible pencils are not as effective as graphite pencils, but I think this painting is getting better as a result of all this teensy work.

Remember this?

The first item of business was to complete the distant hills and grove.

Next, instead of painting around the children, I dove into the minutiae, “minutiae” in terms of size, not in terms of importance.

Boy first, because as a righthanded artist, working from left to right lessens the risk of smearing wet paint.

Since the photo of the children was taken in a parking lot, it will be tricky to manage the light in a believable manner, and tricky to make believable shadows. First, though, we need believable children.

These kids are just so cute, both in person and on canvas.

Much work remains, and it will be thoroughly enjoyable as I pursue art of Tulare County, combining my favorite subject of citrus and the mountains with the challenge of believable little people.

Familiarity Breeds Comfort

If you subscribe to the blog and read the email on your phone, the photos might not show up. (Some people get them, some do not; it isn’t a problem I know how to solve.) You can see them by going to the blog on the internet. It is called cabinart.net/blog, and the latest post is always on top.

“Familiarity breeds contempt” in some cases; in the context of my oil painting endeavors, familiarity breeds comfort. “Sawtooth Near Sunnypoint #8” is signed, sealed, and delivered, another commissioned oil painting in the archives.

This means I can move into another comforting subject, one that I love to paint, although this one has its own challenges. This oil painting commission came with much freedom. The customer didn’t care what orchard as long as it is oranges, wasn’t concerned about the foothills, and after much conversation (“Really, you must care about something specific here!”), he decided that Sawtooth and Homer’s Nose made the most sense for the visible peaks. His focus is the children, and he provided good photos.

If I were a loosey-goosey painter, this would be close to finished. Alas, I am a painter who loves detail and when this dries, I will begin drawing with my paintbrushes on this Tulare County classic view.