Sequoia, Big Tree, or Redwood?

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Sequoia, Big Tree, or Redwood? 

All three work. 

Redwood High School class of ’77 45th reunion is this weekend. So few people are attending that it was moved to a smaller location (no, not Goshen or Farmersville or Ivanhoe). I will be attending because many people travel great distances to go, and it would be quite rude if I couldn’t be bothered to go 35 miles to Visalia. Besides, maybe someone will show up who likes and then buys my work. “Networking”, I think it is called. Now, back to production.

Three paintings are now completed and ready for display and sale at Kaweah Arts in Three Rivers.

In the Big Trees, 8×10″, oil on wrapped canvas, $125 (plus Calif. sales tax)

Sequoia, 8×8″, oil on wrapped canvas, $100 (plus you know)

Big Tree, 6×6″, oil on wrapped canvas, $65 (plus. . . sigh.)

 

Finding titles for these pieces is quite the chore. Painting them is easy, because now I have enough experience that I can make them up, using a photo just to get a clue.

Big Tree, Sequoia, or Redwood?

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There are lots of big trees in the world, Redwood is the name of my high school, and the trees for which Sequoia National Park is named are sequoia gigantea. However, any of those names apply to the paintings in today’s blog post.

It is a little bit difficult to work at the cabin because there is no studio space, and everyone else is on vacation. Besides, when I am there, I’d rather be reading, knitting, splitting wood, or chasing wildflowers. But sometimes a grownup has to do what needs to be done. I know, this is difficult to accept, because didn’t we all think that being a grownup meant we got to do anything we wanted? It is true, but choices have consequences, and the consequence of not painting when inventory is low is that there will be nothing to sell.

That’s a good enough start. Think I’ll put down my paintbrushes and go pick up my ax.

Welcome to the World, New and Improved Oil Painting

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When paintings are slow to sell, it is a good art business practice to analyze them. This is best done with the help of someone who knows the customers. 

Recently I took a hard look at this painting, one that I had always liked, because I love seeing dogwood in bloom around redwood trees. But what if I am the only one who feels that way? I am here to earn a living, not to paint for myself. (Well, sometimes I do allow a painting to live in my house for awhile, but that isn’t the main point of all the easel time.)

I asked the proprietor of Kaweah Arts why she thought this hadn’t sold yet. She and I have been friends for many years, always honest with one another. I told her that I figured most of her customers don’t even know what dogwood is, because the bulk of them visit Sequoia National Park in the summer when the dogwood isn’t in bloom.

She very diplomatically replied that her customers are interested in the big trees alone. Of course they buy other items, but sequoia trees are what Sequoia National Park was formed around.

Together we evaluated the painting, and then I told her to remove it from the inventory list, because I was taking it back to the easels.

This is how it went.

Welcome to the world, new and improved

“Redwood, Dogwood”, oil on wrapped canvas, 12×16″, $325.

Back to the Easels, the Sawhorses, and the Big Chair

Oil paintings generally happen on an easel; acrylic mural paint goes onto panels of scrap wood resting on some sawhorses. What’s “the Big Chair”? Glad you asked. Keep reading.

Sawhorse Project

Kaweah Arts requested a panel with a single redwood where the entire tree is visible. I have 2 different sizes of these panels, and instead of waiting to hear which size the customer wants, I will paint them both. These sell steadily to people passing through while visiting Sequoia. Eventually, The Park will be reopened, and those customers will resume stopping by Kaweah Arts while on their way to The Park.

I don’t think this is quite finished but I was running out of daylight.

On the Easels

These were on the easels. The top one is a bit of a do-over and the others are just the first pass over the canvas. They will help resupply Kaweah Arts after I rob them of the large paintings to take to the Courthouse Gallery for the show Images of Home.

These are ready to be varnished.

The Big Chair

A friend makes these giant redwood Adirondack chairs; I painted an indoor mural to earn a few of these. This one was in the perfect position to hold 5 paintings while they dried in the sunshine after I varnished them. Can’t even see the chair, can you?

Okay, here comes the announcement. I hope it doesn’t become invisible to you from too much repetition.

Images of Home

Exeter Courthouse Gallery

November 14 – December 30, 2021

Opening Reception – Sunday, November 14, 1-4 p.m.

Better Sequoia

From 2012:

2012
Thought it was finished and changed my mind.
Best Sequoia painting, titled “Sandy’s Sequoia”.

Since everything looks measurably better in person, I am wondering if the differences are just due to camera variations. I don’t know where the original painting from 2012 is, nor can I find the photo that I used, so this is a mystery to be lived with. Not everything has an answer (Uncle Google may be omnipresent but he is not omniscient.)

This is custom art, Gentle Blog Reader. Custom art works like this:

Using pencils, oil paints, and murals, I make art that people can understand of places and things they love, for prices that won’t scare them.

P.S. My business manager made me put that in the blog. She is mean like that.

And One More Big Tree

Let’s count the recent Big Tree* paintings: 1. Big Tree Sold at Kaweah Arts 2. Second Big Tree painted and delivered to Kaweah Arts 3. Third Big Tree painted in anticipation of another sale 4. A fourth Big Tree begun as a commissioned oil painting.


Now Big Tree #3 looks too skinny.

*Remember, Big Tree refers to Sequoia Gigantea AKA Redwood

Growing a Big Tree

The Big Trees, AKA Redwoods, AKA Sequoia Gigantea, take centuries to achieve their height and girth. Nay, millennia! In my painting workshop, they take about 2 days to 2 months, depending on the size of the canvas. 

Orange groves were holding my interest more than Big Trees for awhile. But, this is an art BUSINESS, and it is prudent to paint what people want to buy. So, I returned to this painting. Here are the steps of growth.

The tree is unnamed, based on a photo of a named tree, but not followed exactly. Why not? Because the colors were a bit dull and the details were obscured either by poor light or branches. Exactness is required in architecture, portraiture, and some landscapture. 

I made that last word up so it would match.

Big Tree, 6×18″, oil on wrapped canvas, $165 plus the dreaded state sales tax (which most likely will be wasted but it is one of the prices we pay for living in the Golden State.)

Usual disclaimer that all my paintings look better in person.

P.S. It costs a fortune to have a transplant, and while insurance covers much, there is much more that it does not cover. If you feel generous and inclined to help my friend, Rachelle, this is the best way to do so: HelpHopeLive.Org

Really Big Tree for Kaweah Arts

Today is the grand opening of Kaweah Arts! 

Kaweah Arts, 41841 Sierra Drive, 10-6 today

So, I painted a really big tree for them to sell.

The really big Big Tree is about 5 feet high by 16″ wide. It isn’t quite finished in this photo, because I wrote this post before “drawing” a few more details, signing, and painting the edges.

It is $250. Why so inexpensive? Because mural paints cost less, the wood panel was free (thank you, Trail Guy), and it is painted ever so much quicker than an oil painting.

Also because I use pencils, oil paint, and murals to make art that people can understand of places and things they love FOR PRICES THAT WON’T SCARE THEM.

Come see it at Kaweah Arts in Three Rivers today!!

P.S. It costs a fortune to have a transplant, and while insurance covers much, there is much that it does not cover. If you feel generous and inclined to help my friend, Rachelle, this is the best way to do so: HelpHopeLive.Org

Better Idea

After adding the birch branches to the Hard House oil painting commission, I happened to look at an oil painting of a Sequoia in my studio. For some reason, I haven’t really liked this painting very well.

Since it hasn’t sold, maybe no one else likes it either. After working on the sequoia mural and the giant snowy sequoia oil painting, I had an idea of how to improve it.

It always feels weird to put a completed painting back on the easel. It is a blend of feeling good about knowing I can improve it, and feeling a little embarrassed that I didn’t figure it out sooner.

Okay, now look:

Maybe I can do better. It took awhile to recognize the photo I used for this painting because I have definitely used it as reference only rather than an exact recipe.

Maybe I’ll keep messing with it. The contrast could be heightened on the main tree, and maybe a foggy looking distant sequoia would look believable behind it to the left, as in the photo. All the distant trees could be made grayer or lighter or something that shoves them farther back.

Who am I to think I can improve on nature? The answer is this: I am someone who understands that real life is messy and artists get to clean it up. For example, look at the large amount of dead branches on the 2 trees to the left of the main tree in the photo. What purpose would they serve in this painting? Likewise with the young tree in front on the right side – it obstructs the view of the big tree.

So many decisions for just one painting – it is a wonder I can even decide what to wear in the morning. Aha! That explains why I often don whatever I left on The Chair the night before.

I make art that you can understand, of places and things you love (CUSTOM ART), for prices that won’t scare you.

Conversion to Winter

A friend from down south (that means Southern California or “Socal”) called to see if I could paint sequoias in snow for his company to use for their holiday card this year. (Companies aren’t allowed to send Christmas cards anymore.) We discussed sizes, timelines, and designs. After those preliminary decisions were made, I sent this sketch for approval.

The sketch vanished into the atmosphere, and another sketch of different proportions was requested. I sent this, but knew it wasn’t as good as the 18×36″ proportioned one, so I sent the first one again. (Did it vanish because I had the audacity to write the words “Merry Christmas”? Don’t be a conspiracist!!)Then the requested time frame to receive the finished painting shrunk. People who don’t paint don’t know how long it takes for oil to dry; people who do paint don’t really know either but realize it isn’t an overnight situation. People who live in cities don’t know how long it takes for giant blank canvases to get shipped; people who don’t live in cities don’t really know either, but understand that time must be built in for snafus.

So, I looked at the 18×36″ painting of sequoias on the easel that was set aside because I have commissions, which always take precedence over the paintings I do to build up my inventory.Necessity is the mother of invention and being innovative is part of living rurally. I decided that this unfinished summer scene could be converted to winter, because there isn’t enough time to wait for a new canvas to arrive.

White is the slowest drying oil paint color, so this will need a few days before the detail begins.

Yippee skippee, I can do this!! (Why didn’t I think to add on a rush charge? Does anyone out there want to be my business manager? secretary? coach?)