Tag: Mineral King oil paintings

Department of Redundancy Dept.

I have become a (temporary) Sawtooth painting factory.

First, sky and clouds on all three.

Second, Sawtooth on all three.

Third, trees on distant ridges on all three.

Fourth, work on the distant trees that are somewhat distinct.

Fifth, scribble in some layers of green on all three, because it is getting too dark to see, there is green paint on the palette that can be used to add another layer to the canvases, and that’s all I can take today of the repetition of these custom Mineral King oil paintings.

Next painting session: figure out the confusing rocks in the stream on one painting, and then use it as a guide for the other two. This will be more effective than repeating a rock three times and then realizing it is in the wrong place. Who cares if a rock is in the wrong place? If it makes the stream flow look unbelievable, all three customers might care.

What’s Happening Now

The first painting to sell at IMAGES OF HOME was Sawtooth Near Sunnypoint.

To clarify the title for you: Sunnypoint was the name of a campground in Mineral King, closed by the Forest Service some time before 1978. The Nature Trail runs through it, and this view is how I wished it actually looked. Instead, Black Wolf Falls isn’t fully visible in this exact position, and Sawtooth only shows as a little point. Nonetheless, this is what we remember when we think of those 2 places, along with a full and curving stream. “We”? That would be me, myself, I, and the 4 people who bought this painting.

How can 4 people buy the same painting??

I’m glad you asked. When Person #2 said, “Oh, wow, I would love that but it is sold!”, I replied with, “I can paint it again for you.”

This happened 3 times after the first sale.

This is what is happening now:

The top one is 16×20″; the bottom two are 11×14″.

This is also happening now:

I’ll ‘splain these to you later. Meanwhile, my show IMAGES OF HOME is also happening now at the Courthouse Gallery in Exeter.

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A Word From Captain Obvious

The blog series “How I Designed a Logo” is temporarily postponed while I keep you updated about the show, “IMAGES OF HOME” at Exeter’s Courthouse Gallery. We will resume the story tomorrow (unless something show-related happens that cannot wait.)

I am painting as if I have a deadline because I do. One of the customers at Images of Home wanted to take his painting with him rather than wait for the show’s indeterminate ending. This left a blank space on the wall.

Since it was a 12×12″ orange grove scene which sold, I wanted to replace it with something similar. (We didn’t just arbitrarily tack paintings and drawings to the wall, but instead, we grouped them somewhat by subject matter.)

This painting was already started:

I spent an afternoon refining it, doing the forbidden and frowned-upon (by The Art World) drawing with my paintbrush. (That is my preferred method of painting, and clearly, the attendees of the art show agree with me, so take that, Art World!)You can see that I ignored the eucalpytus trees in the background in the photo and substituted my favorite foothills and snow-covered Sierra.

The painting is too wet to scan (Captain Obvious speaking here), so I photographed it, carefully carried it into the somewhat warmer house (we’ve been having very mild weather this week) to get a bit drier, and then will deliver it still somewhat wet to the gallery. Since the gallery isn’t open again until Saturday, the degree of dryness doesn’t matter. I will put a “Wet Paint” sign near it.

The title is “Picking Time”, the size is 10×10″, the price is $150, and the medium is slow-to-dry oil paint.

Because I fully anticipate further sales in the next weeks building up to Christmas, I am working on these other 2 paintings to fill holes on the walls.

First, this one has been troubling me. I keep studying it to figure out how to make it better.

Okay, bye-bye stump. Yes, it tells me where I am on which trail, but it doesn’t enhance the painting. In case you are wondering, I like deer in Mineral King; I dislike them eating my plants in Three Rivers.

This is better, but I am still not convinced that it is finished. These little adjustments are probably only discernible to me.

Okay, enough of this painting that feels too hard for me. Time to work on something I know how to paint.

When this stage is dry, I will start the detailing that I so dearly love to do. This is the classic Mineral King scene; this time it is titled Mineral King Dusk, because it is dusk in Mineral King. (This is your captain speaking). It is 6×12″, and the price will be $125.

Do you think I should raise my prices? What would Captain Obvious say?

Never mind. Here is an updated flyer about Images of Home; both of the pieces shown have sold. (Sawtooth on the left sold four times, which I already told you, but again, this is your captain speaking).

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Special Painting for a Special Person

Remember when I painted a Farewell Gap oil painting and wouldn’t tell you why? I said it had to be the very best painting I had ever done. The Best Version of the Classic Mineral King Scene

The painting was commissioned by the Mineral King Preservation Society and the Mineral King District Association to be a gift for Louise, someone who has been very instrumental in both preserving the history of Mineral King and developing a good relationship between the cabin owners and Sequoia National Park.

She also happens to be one of my dearest friends, someone who coached me through my first murals, got me my first paid public mural, and has been more encouraging than anyone I have ever known. She is also an author, and I had the privilege of editing and publishing two books for her: Trail of Promises and The Visalia Electric Railroad. We work together like a well-oiled machine, one that laughs a lot while producing good results.

Here are some photos of the presentation of the painting.

I love this lady.

P.S. These came via email:

1. What a beautiful post, beautiful painting, and beautiful lady. How is Louise doing? She looks well. – Jon S.

2. Your “Louise gift” in this morning’s post brought tears. what a touching tribute to my very special cousin.
three cheers for a beautiful exhibit! – Bev

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Well Received (Successful Opening Reception)

The opening reception to my solo show, “Images of Home” at Exeter’s Courthouse Gallery was amazingly well attended. No one was counting, but I think there were at least 100 people, and everyone did NOT come at once. It was most totally excellent!

This is the first thing you see when you step into the entryway.

This is what you see when you step into the gallery.

Here is a comfortable corner for contemplation.

These three pencil drawings of Mineral King look just right on this wall. (How would they look all together on a wall in your home?)

Sold!

These are still available.

This child was too cute to not photograph. (Her mom gave permission).

There were a few opportunities to photograph people in the gallery, but that wasn’t my real mission.

Sold!

Sold twice!

Sold four times!

Yeppers, you read that right. I have to order some canvases, and then get painting. If someone expressed disappointment at having missed out on a painting, I simply said, “I can paint it again for you”. (Do other artists do this??)

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Just Another Day at the Easels. . .

. . .in a barely cool painting workshop in early August, but thankful for the swamp cooler. The day before, I stood the entire time while painting. This day I sat the entire time.

Thank you to Reader Anne for the suggestion of using an egg carton for the ornaments. It sort of worked, but I ended up holding each one in my hand. They are looking better, but still have many layers ahead. These photos are just more teasers about how they are moving ahead without revealing much except that Hume Lake will be on one side.

I touched up the 8×16″ of Farewell Gap in Mineral King, but you might have to see it in person to catch the improvements.

Since Kelly’s Sunset (also in Mineral King) has sold, I painted another one. I have altered the placement of trees from Kelly’s original photo, and altered them again in version #2. In these photos, I can see that the angle of the left flank of Vandever (peak on the right) is too steep. Will anyone else notice? Will the piece not sell? More will be revealed in the fullness of time.

P.S. UPDATE: the smaller sunset painting with the wrong angle on Vandever and a single tree sold immediately.

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I Painted So Fast That My Camera Died

OF COURSE THAT WASN’T THE REASON! But look what my camera started doing when I was in the midst of my painting marathon.

Houston, we have a problem.

Ick, you all know how I feel about shopping – all those confusing almost alike products, decisions, too many details, too many choices. I just skated by with my inferior phone photos for awhile. It is an iPhone 7, and it hasn’t lived up to my expectations. However, I do not dive quickly into things, so I imagine that I will make it work for at least another 10 years or so. (Remember, I went 2 years without a cell phone at all, I drive a ’96, bought my only purse in ’95, and my wallet in ’79. Wanna make somethin’ of it??)

Where were we. . . painting fast, a painting marathon, a painting factory.

My new friend Kelly showed me a fabulous sunset over Farewell Gap on her phone (hmmm, I wonder what model she has), and then offered to share it with me so I could paint it.

I put the first layer on so that it was obvious where the shapes and the general color would go, then I put it outside to dry in the 102 degree weather and went back inside, grateful for the swamp cooler, to finish this little gem.

When it was finished, I put it outside, and then thought it would be a hoot to photograph the drying paintings in front of their big brother. (Simple pleasures for simple people).

Back to Kelly’s sunset. I haven’t done a ton of sunsetty cloud colors, so I mixed to sort of match the photo and then just decided to make sure the colors made sense, but didn’t overpower Farewell Gap in intensity. (See? Too many decisions wore out my ability to go online and choose from 70 cameras that all look alike.)

SOLD! But that’s okay, because I can paint another one for you. Remember. . .

I use oil paint, pencils, and murals to make art you can understand of places and things you love, for prices that won’t scare you.

P.S. I found a camera at a place called B&H, with identical controls to the one that croaked. It arrived within a week, and IT TAKES BETTER PHOTOS!! (better photos than the old one did before it turned pinky-purple).

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Selling Quickly, Painting Quickly

No time to post – gotta paint!

MORE!

GO GO GO!

STOP SHOUTING, JUST PAINT.

Sorry. Summer is more than half over and I have to strike while the iron is hot on these Mineral King oil paintings. Last summer started late because of the plague and ended prematurely because of the fires. This summer there is no time to waste.

Mineral King oil paintings

Painting Mineral King Like Nobody’s Business

Forrest’s Dream Cabin still feels a bit daunting, too hard, too challenging. Maybe I am just lazy. Or the hateful time change still has me dragging. Or too many trips down the hill in one week threw me off my stride.

Excuses, excuses. Even when I am in a diminished state of mental energy and toughness, I can paint Mineral King like nobody’s business*.

When these are dry, I will hook up my old computer to the old scanner and scan them so you can get a better look. Tomorrow I will show you the ones that I photographed because they are too large for the scanner by ONE LOUSY INCH. (Who decided that 17″ was a good dimension for a scanner??)

*Such a strange cliché but I am not interested enough to look it up.

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