My plan was to get serious about the remaining five Mineral King oil paintings, to focus, finish, and move on.
I started with Sawtooth, the 6×6” version that Reader Sharon expressed an interest in.
Look at this succession of color mixing. My goal was a light brown, something that might be called “taupe” by the more sophisticated person and “beige” by a regular person.
Done! (You can tell by the fact that I signed it). The plan was to paint the edges when I finished the painting session so as to not waste the paint left on the palette.
Shape check! Upside down forces me to see things more accurately. (This technique presents a problem when working on a mural.)
Then back to front, layer by layer, color by color.
Suddenly it was time to leave to teach drawing lessons down the hill! No edges were painted, so no paintings were fully completed.
Suddenly after 2 months of lollygagging, it seems that my life is full of many extracurriculars at the same time that a bit more work has appeared. So, I will squeeze in little sessions of work as I can.
First, we had to go down the hill to Big Town. As a passenger, I was able to absorb all the scenery. The wildflowers were at their peak, although you can’t tell in these drive-by-shootings.
I got a pass on putting away all the groceries and headed out to paint, just wanting to have both a sense of completion and some forward motion in that little stack of Mineral King oil paintings.
I gave this guy a nose-job, “rhinoplasty”, and now am happy with it. (Terrible light—I’ll scan it when it is dry and maybe remember to show you.)
Moving forward on Farewell Gap, or “Mineral King Family Cabin” as I now am titling this scene: the distant parts first, leading to the foreground (the bottom of the canvas). Fortunately, the colors on the palette were still usable from the previous little painting session.
I painted the edges of this one and the edges of the little Sawtooth.
I did a little bit of tiny brush work on the 6” Honeymoon Cabin. All the greenery is still just blurry blobs, so it isn’t finished yet.
I have 2 more to paint of that popular subject; they can wait for another little painting session, and maybe I can finish this one then.
Ain’t nobody bored around here!
P.S. HAPPY BIRTHDAY, OLDER SISTER! (She reads my blog.)
This collage in pencil is of several Visalia landmarks.
The other day I had to go to Visalia (AKA Big Town) for the morning. In the afternoon, there were pressing responsibilities on the computer (scan some things, email them to folks who had requested such things, try a few more adaptations to the cover of the book I am working on (as editor and designer, not as author), and finally, I went out to paint.
Why? It was kind of cold out there, maybe 50°. That should be no excuse. I went out to paint, because incomplete paintings don’t sell. I had been studying my photos of Three Rivers the previous evening, thinking about sales, thinking about what I haven’t painted in awhile, and thinking about the local businesses who sell my paintings. There are a few new things I want to try.
No, it wasn’t as cold as this but I thought you might enjoy this pencil drawing of the Pear Lake Ski Hut.
Try? Yeah, as in “can I do a good job?” and “will this sell?”
Most of my current customers are visitors, travelers passing through Three Rivers. They want something indicative of their visit, preferably on the lower end of the price spectrum, small enough to fit into luggage and small enough to not skew their home decor.
Enough bloviating.
First I looked at the unfinished pieces.
While briefly considering what was necessary for completion, I felt a cold breeze on the back of my neck and realized I didn’t want to sit there while concentrating on details.
Instead, I chose to do something quick. Some things quick. Some quick things.
Never mind.
Choosing the photos, choosing the sizes, digging the canvases out of the supply shelves, assigning inventory numbers, attaching hanging hardware, and slapping on a first thin layer.
OUTTA HERE! Back to the house by the woodstove. THANK YOU, TRAIL GUY for keeping the home fires burning.
You may have noticed that I have been lollygagging quite a bit this year. I remember my dad describing himself as “semi-retired” when he was the age I am now. I think that is beginning to describe me. Go for a walk, hang out with some friends, organize some stuff, do a freebie job at church, organize some more stuff, do some errands… What? me work? maybe later… I’m busy.
However, due to the diligence of Stem & Stone along with Kaweah Arts, and a long-time reputation, there have been a few sales in the last several months. These are the ones I have remembered to keep track of.
This is probably the last time I will paint the Kaweah Post Office. It has been closed for several years, and it took several years for this painting to find a buyer.
I think these are the Sequoia Giganteas that was sold by Stem & Stone. If I forget to ask the seller for the inventory number, then I get confused as to which trees have sold. These 3 were actually very small: 4×12”, but I can’t make them proportionately small here on the blog.
I showed you these two while they were in progress. The first was 6×18”, painted for general inventory and the other 12×36”, a commission. I did the first as an experiment to see how it would work; the second one has more details as requested by the customer.
I don’t remember the circumstances of the sale of this one, titled Hiking Mineral King.
This 6×12″ was fun. I titled it Big Tree, Little Cow.
A newish cabin owner in Wilsonia discovered my book The Cabins of Wilsonia and was thrilled to find that the original drawing of her cabin was still available.
Then she discovered my website and found another pencil drawing to go with her cabin.
These sold last fall but I haven’t done a Sold post since last summer.
I thought that nothing was selling except notecards, but I was wrong. Maybe I should go back to the easels and stop with the lollygagging around. I can always put down my brushes and head out to pull weeds or take a walk or read a book (THANK YOU, READER/FRIEND LAURIE FOR ALL THE BOOK SUGGESTIONS!) while the paint is drying.
I looked at this painting and decided it could wait.
Instead, I decided to work on the marmot.
And then the deer.
Finally, I wanted to do something easy, so I put the first layer on these three paintings.
I’d call that a productive-enough day!
P.S. Probably shouldn’t have signed the marmot. His nose is weird. I didn’t sign the deer because his face is a little weird too. Probably should just stick to scenery and architecture.
Here is the afternoon’s painting session after a morning of exploring around Lake Kaweah. I’m easing into the production of Mineral King paintings, with the workshop doors open to the greenery, flowers, cats, and sounds of leaf blowers, chain saws, a distant donkey, and the occasional vehicle. March is a month full of distractions and temptations to lollygag. However, summer is coming and incomplete paintings will not sell.
It is efficient to paint the same scenes at the same time since the colors are mixed on the palette. Because this is the most popular scene to sell at Silver City, I paint it in multiple sizes and shapes, and at different times of day and in different parts of the summer season.
I was pleased to be able to finish these—see the signatures? The previous painting session did not yield anything that was ready to be signed. If I can get those 3 plus 2 from an earlier session detailed and signed, then I’ll be over halfway to completing the ten paintings.
Why ten? With the ones that remain from last year, this is a total of about 15 paintings. Silver City Store sells anywhere from ten to twenty paintings for me each summer. I don’t want to have too much inventory left at the end of summer. So I keep track as paintings sell, then paint more of the popular subjects that have sold out.
It’s all a guessing game, supplemented with a little bit of intuition and experience. That’s the business of art.
In case you have forgotten:
I use pencils, oil paint, and murals to make art that you can understand of places and things you love for prices that won’t scare you.
“Buckling down” is a weird expression. It reminds me of sayings such as “nose to the grindstone”, “shoulder to the wheel”, “eye on the ball”. . . How can a person accomplish anything in that awkward pose?
It was a beautiful early spring day (Yeppers, February is spring in Three Rivers).
Tucker wanted me to stay outside with him.
After a fair amount of procrastination (all productive, of course), I finally moved myself into the painting workshop (the open door to the right of the studio, which appears to be leaning, but that was actually me who was leaning.)
Because these are so small (3×9”), I did my best to make them as realistic as possible without spending endless hours trying to copy the exact look of each flower. We’ll price them at $75 each and see what happens.
Then I finally returned to the Mineral King scenes that need to be completed by Memorial Weekend. I tried to be a bit looser than normal, and after I finish all 10 paintings, it will be interesting to see if I go back and tighten up the detail.
Deciding what to paint for the Silver City Store this coming summer felt like a daunting task. There is no excuse for procrastination, and the better I plan, the better the sales. So, suck it up, Buttercup.
The first step in planning is to look at the available Mineral King paintings. (For my out-of-the-area readers, Mineral King is a beautiful alpine valley in Sequoia National Park; each summer I sell art 4 miles below the valley at a resort in a little cabin community called “Silver City”.)
It also involves evaluating how many paintings sold, both by subject and by size. I am painting to satisfy a clientele, rather than just doing whatever “moves” me. Thank goodness it is all very beautiful.
This planning part isn’t so beautiful. It’s methodical, tedious, and would be easier if I had a crystal ball. Instead, I have records, intuition, common sense, and piles and piles of photos, both the paper variety and on the laptop.
It is helpful to line them out by subject and size.
It is also helpful to take a break and walk somewhere. (No powerlines in Mineral King or Silver City to clutter the views up there, because it is remote, the Land of No Electricity.)
Rosemary in bloom. . . so far this year, February has been impersonating spring.
Now I have ten new paintings to produce, ranging in size from 6×6” to 8×16” and 10×10”.
I’ve attached hanging hardware and assigned inventory numbers. Next I need to give them titles, such as “Sawtooth #209”.
Not really; I think it is only somewhere in the 60s.
On a sunny morning in Three Rivers, Trail Guy and I took a drive up the Mineral King Road to see how far we could get, and to see what the construction project looks like.
We only made it to the lower gate. Although word went out that the construction crew was on hiatus until the following week, that word was wrong. We had a nice visit with the gatekeeper, who said that she couldn’t keep us from going ahead, but that we would encounter large trucks at Lookout Point. Her job is to tell people that the road is closed, but she isn’t a sheriff. So, not wanting to get in the way, we turned back. We were disappointed that the construction crew was back. However, being mature adults, we soldiered back home.
I only took one photo. Even though it is very green out, this photo captures all the brown and gray of mid winter.
So, we came home, and I gave myself a dirt manicure. These pots contained sprouting daffodil bulbs, and I hope our gophers around here haven’t begun to appreciate them. Deer and gophers are capricious in their tastes.
Reader Marjie requested more cat photos, so Pippin posed for her.
This pose is called The Meatloaf.
He chased Tucker off the rock.
Then I went into the studio to tackle the dreaded year-end bookkeeping. Tiresome stuff.
Tomorrow I plan to paint in Ivanhoe.
Due to the unstable and variable nature of my website (working/notworking/working/not working. . .), I may not be able to post anything on Friday. More will be revealed in the fullness of time.
Due to my limited capacity to tolerate both bookkeeping and tech phone calls, I will just hope the site works over the weekend so that I can show you Friday’s mural progress.
We last saw this oil painting commission looking like this. I actually wrote a long list of parts that need work, but it was really unnecessary because I can see what to do.
We refer to this section of trail as the Green Tunnel in the summer months and the Yellow Tunnel in the fall. Customer Mister asked that I add some yellow leaves; I think he would like the painting to reflect the crossover time between the two seasons. So, I did.
Then I kept tinkering around, adding branches, background, more leaves to the upper right, more bark, more trunks in the distance, on and on and on. Who will tell me if/when I finish this?? Not yet—the humanoid will take hours of tiny brush work.
This needs to dry for a little while before I keep detailing. Tomorrow I will be showing you another oil painting commission.
