Sort of Working

Having finished the oil painting commission, priced paintings and cards to sell at Silver City, all this while believing that I have finished enough paintings for the entire summer (possibly delusional about that), it was time to consider how to next spend my work time.
I pulled weeds at church (not work), oiled the siding on the front of the studio (sort of work), learned to use the new scanner at a minimal level (work requiring enormous patience), worked on art for the 2027 calendar (the best kind of work), and went to a county supervisor candidate meet-up where I had a conversation that led to a pencil commission (marketing work).
The requested subject, Reimer’s, to be redrawn in pencil, is here in Three Rivers. Iit will take a few photo sessions to find the right light without the parking lot full of scene-blocking cars. The customer has granted permission to show progress on the blog.

The original drawing is in a frame somewhere in someone’s home (I hope it isn’t stashed in a storage unit), the printshop that originally printed this on cards is out of business, and the store is under new ownership with some changes. Hence, it is time for a new drawing.
Preparing to Work
In addition, someone who hired me to edit a very long paper/potential book/article/essay something sent me photos of his garden at its peak and requested a collage type oil painting. I’ve only done collages with pencil, but I am willing to try this design approach in oil paint.

After studying the 10 or so photos that he sent, it became apparent that my laptop screen isn’t up for the task—it’s just too small. So, I put them all on a document, turned it black and white (because my printer isn’t really capable of printing in color without cleaning the heads, running test patterns, and then replacing ink that got used up doing those tasks) and printed it out.
Next, I made a list of everything that is important to the customer. (He is very good at communicating—hence, the successful editing project.)
As I tiptoed ahead on this challenging project, I realized that this is my chance to not be stupidly unbusinesslike. Often I get so caught up in a challenge that I don’t charge for all the extra work, and I rarely remember to get a deposit. This time I let the customer know that the job is in the Think Tank and that I was attaching an invoice for $100 nonrefundable deposit for the design work. It will be applied to the painting, size to be determined.
After work I came home and cleaned up the tail and guts of a squirrel that Tucker caught, nibbled on, and left for Jackson and Pippin to finish. It was seriously disgusting, so instead of showing you that, let’s look at a pencil drawing of a completely intact squirrel.

4 Comments
I never cease to be in awe of your oil painting commission. Wow! It’s stunning! Good for you to think of the deposit and for charging for all the set up stuff. That’s a lot of work! I’m looking forward to seeing your progress. And thank you for showing a cute drawing of a squirrel rather than the real thing! Eeek!
Michelle, I wish the cats would focus on catching gophers and leave the bunnies and the birds alone. The squirrels are pretty gross to clean up. Thank you for the always kind words about my art!
Wait . . . who/what is Perkins? (And thank you for not sharing a photo of the carnage!)
Sharon, that is so funny! Perkins has been gone since 2016, and I still accidentally call Tucker “Perkins”! He has the same sweet temperament as Perkins did, and chances are that Tucker is about 30 generations after Perkins, because they came from the same barn.