Thinking Aloud About Old Notecards

I’ve been getting my art printed on notecards since 1987. In the olden days, a package consisted of 2 each of 5 designs. In the olden days, people communicated on cards and mailed them with a stamp rather than talking into a little machine and tapping something. This meant that I had 1000s of cards printed at a time. Some of those pressruns produced uneven amounts of cards in a set, which meant leftovers.

What if I make packages of those old designs and sell them at a discount? There are six different designs, all in random amounts in a box, collecting dust on a shelf.

The ones circled in red are what is available. (For the curious reader*, the sets from left to right are Kings Canyon, Sequoia, and Tulare County Landmarks.)

These were printed a long time ago. If someone had told me back then that I would become a blogger (a what??), an oil painter, a painter of murals, a knitter, a resident of Three Rivers, and that I would drive an automatic transmission car, I would have laughed out loud in disbelief. (And if someone would have said “LOL”, I would have looked at them with puzzlement. It used to mean “Little Old Lady”.)

Okay, decision made, packages compiled. Each package contains 4 different cards (and envelopes), mostly chosen at random with the exception of the first one on the upper left below. I have more of that drawing than any other, so every package contains one of those. They will be $5 a package, as opposed to my current cards. (The current ones are $10 a package and are all the same design within a single package.) These will be potluck.

It will cost too much to mail them, so they will only be available in person at the upcoming Holiday Bazaar.

*For the Very Curious Reader, the drawings from left to right, top to bottom: Kings Canyon overlook, General Sherman Tree, Four Guardsmen, Clover Creek Bridge, Exeter Woman’s Club (yeppers, that is the correct spelling), the Hilliard House (burned down in 1983 but never forgotten around here.)

What’s Ahead

No reason for this photo. Just hoping to make you smile.

Some recent thinking has led to this listicle for you.

  • The Ivanhoe Library mural is getting closer. I am waiting on several decisions that are outside of my power.
  • My hope is to begin the week of November 10, but since the library is only open on Tuesdays and Fridays, and I teach drawing lessons on Tuesdays, this project could take a V E R Y L O N G T I M E.
  • The annual Holiday Bazaar at the Three Rivers Memorial Building is scheduled for November 22 this year. I haven’t participated in quite a few years, and this year I hope to do so.
  • If I don’t participate in the occasional bazaar, boutique, festival, or fair, people forget about my art.
  • When going through my notecards to decide which designs to reprint, I had a good idea. Maybe… I’m thinking about packaging leftover notecards from old pressruns (when I sold assortments) and selling them at a discount. This requires more thought, perhaps even another blogpost while I bore you to pieces with my thought process.
  • The 2026 calendar is completed but not yet revealed or on my website or ready to be sold.
  • Waiting for a special size canvas to arrive for one oil commission with a deadline and to decipher some notes for a special commission without a deadline. . .
In case the previous elephant didn’t make you smile, maybe this one will do the trick.

the Boring Business of Art

While I am wading through unbloggable territory, I’ve been able to attend to some of the business of art. This means lots of computer and phone time, along with digging around in filing cabinets. The phone time isn’t as awful as when you actually need assistance, because most companies are available with live humans if you are spending money with them.

B O R I N G

It had been quite awhile since I stocked up on supplies. This meant chasing down old invoices and lists and emails to discover product item numbers, or what size a customer requested, or doing inventory to see if certain things were actually needed. I made lists of what is here and there, up in that basket, out in the workshop, in a filing cabinet, in a drawer, on the spinning cardrack. Then I evaluated what I really need alongside what I might be able to use if it only takes a few more dollars spent to qualify for free shipping.

B O R I N G.

I ordered old notecards, new notecards, this year’s Christmas card, clear bags for packaging, blank boards for packaging drawings, canvases, and drawing paper. The goods came from three businesses plus from three different sellers on eBay. Almost all orders qualified for free shipping.

B O R I N G

At least I have internet access, experience to wrestle through the various sites, a laptop that knows my passwords and user names, a phone that works (mostly) to call businesses when their websites don’t work, the time to get it all handled, and money to pay for these things.

So there. In all the boredom, I can find some thankfulness.

Sold in Summer—Pencil Drawings

Five of these pencil drawings sold at my solo show in Tulare, “Around Here (and Sometimes a Little Farther)”. The others were pencil commissions, which I showed you with all the slow developments in painstaking detail.

I almost didn’t include this one in the show because I forgot. I may have forgotten subconsciously on purpose, due to my inordinate love of ocean scenes.
I drew this one specifically for the show, and although sales are thrilling, I was sort of hoping to keep it. (What kind of a business person am I with this attitude?)
This is too big for my scanner, so the photograph isn’t the quality of those shown above. HOWEVER, the drawing was quite excellent, if I do say so myself, which I just did say.
Same disclaimer on quality as above.

I love pencil. Did you know that?

Thus we conclude another post about the business of art, because. . .

Using pencils, oil paint, and murals, I make art that you can understand of places and things you love for prices that won’t scare you.

Sold in Summer—Oil Paintings

These “Sold” posts are mostly to reassure myself that I’m not just drawing and painting for the fun of it. They serve a secondary purpose in reminding my tens of readers that I accept commissions (lest you think I am a prima donna who only creates what I “feel like” creating) and that I do sell my work (lest you think I just prefer to cover my walls with my own art.)

I distorted the proportions of West Florence and Vandever in this painting. I hope someone from far away bought it so that they don’t notice my “artistic license”.

Most of these sold at the Silver City Store, four miles below Mineral King. The sequoia paintings mostly sold at both of the stores which sell for me in Three Rivers (Kaweah Arts and Stem & Stone). One sequoia painting was a commissioned piece for a long time friend and customer, and another was to some new friends/customers.

If it weren’t for all those folks passing through town on their way to Sequoia National Park, I’d be sure that only my friends and relatives buy from me. It is thrilling when a stranger likes my art enough to part with their hard-earned pieces of green paper with dead presidents’ faces on them.

Tomorrow I’ll show you all the pencil drawings that sold. You’ve seen most of them already, so it will be reruns for you.

Too Dark For Painting

We had an overcast day, with the typical over-promise-and-underdeliver weather forecast of rain. Oh well, at least we didn’t have lightning to worry about.

Since it was too dark to paint, I spent my working hours in the studio, drawing this pencil commission piece.

The approved sketch
The beginning

Sometimes this feels as if I am racing along at a good pace; other times it seems that I sit and stare without a clue as to how to proceed. The difficulty is the same as the Texas drawing: combining many photos into one (hopefully) coherent and believable scene.

I’ve been drawing agriculture subjects for so many years that I have forgotten many of them. I didn’t used to be diligent in photographing my work, back in the days of film cameras, weak copy machines, no home scanners or computers, and certainly no Photoshop.

An old friend sent me this card, which I wrote to her and her husband in 2001 (along with a sweet note because that is just how she is). When I flipped the card over, I saw that I titled the drawing “Tulare Cownty” and included a completely unfamiliar phone number with a 703 area code.

That was many studio locations ago. I’ve been working from home since 2002, and life has changed significantly in many ways.

One constant is still drawing agricultural scenes with pencils. Glad we can count on something to hold steady.

Just Another Work Day for Your Central California Artist

Painting

To postpone two difficult tasks, I started this 10×30” commissioned oil painting, following the sketch which the customer approved.

Just Plain Work

This part didn’t warrant any photos. Some friends from Southern California went to my show, bought a drawing, and then hit a snag and couldn’t return to pick it up. I took it home to package it for shipping, started to clean the glass, and I pushed the glass through the frame. WHAT?? It had to be taken apart and resecured. However, AFTER I had the back resealed up, I saw that the two mats were not aligned. WHAT?? I took it apart again, got everything in position, flipped it over, and saw that there was a tiny little chud (technical term I learned during a brief stint in college working at a frame shop for miscellaneous crud, which shows up usually after a picture has been framed). I took it apart again, cleaned it again, secured and sealed it again, and then had to protect it for shipping. Two hours later, it was finally sealed up with about a mile of tape, a box inside a box, surrounded by every piece of bubble wrap and foam wrap that I could scrounge, and filled with packing paper and those bubble pillows. Phew. (I also cleaned out our box department, where those cardboard containers have been multiplying in the dark, because finding 2 appropriate boxes was a project in and of itself.)

More Work

Since I was hot and dirty, I decided to face the mess in my studio, where we unloaded boxes and stacks of paintings after bringing it all home (except for 4 pencil drawings, a few books, and a large stack of cards).

I went through the paintings and drawings, chose my favorites, and began hanging them. There was a loud crash, and I turned back to see that the wire on the back of a pencil drawing came out of the frame. I guess the screw hole was stripped. The glass didn’t break, so it wasn’t all bad. (Yes, I know I am not storing the flag correctly. I also need to vacuum again. Probably need to dust too, and clean the windows.)

Then I had to pack all the rest into the painting workshop, which has a swamp cooler, and a lot of shelves, which all need to be rearranged and cleaned. Never mind. I’d rather draw.

Drawing

Finally, I was able to do some artwork. I chose the colors that seem to best match Texas bluebonnets, colored one, and then decided to show the customers before I finish the flowers. I can lighten the colors a bit, but I cannot erase. (I think that this photo is a bit exaggerated in its darkness.)

Everything felt too hard, too full of obstacles. So, I ran away for a few days. Maybe I’ll tell you about it later.

Still want to be an artist when you grow up?

P.S. The studio only looked like this for a day because one of the stores that sells my work suddenly had a lot of space to fill!

Weird, But Good

My solo show, Around Here, in Tulare was originally going to consist solely of oil paintings. However, I asked the director if she also wanted pencil drawings, which normally attract attention but not sales, and she said, “Sure, why not?”

So, I gathered up my best framed pencil pieces and added them to the mix.

The director hung them on their own wall.

Well, saw off my legs and call me Shorty; shut your mouth and slap your grandma*, all that sold from the show was pencil drawings!**

*Heard that on a country song

**And many packages of notecards plus a few books.

Thanks, all y’all!

P.S. J.C. I can draw Sawtooth again for you if you’d like one of your own.

Did You Think I Was On Vacation?

In case you were wondering if all I do is yammer on about the beach or Mineral King, let me remind you that I am a working artist. Sure, maybe I’m only working part time these days, but I AM working. Here’s a list of upcoming projects (remembering that until money exchanges hands, it is only conversation):

  1. I bid a mural which I did not get.
  2. I won a competition for a mural that was initially promised to me, turned into a competition in which my design was chosen, delayed, and now, three years later, it might actually happen.
  3. Some folks want a pencil drawing of the view from their parents’ front porch in Texas. This will be a very challenging commission. Maybe they’ll send me to Texas. . . probably not.
  4. The same folks want another pencil drawing of the view from their other parents’ home with a vineyard and the Sierra in the distance.
  5. Someone I’ve never met in person but am getting acquainted with on The Frugal Girl blog wants an oil painting of his house, somewhere on the east coast.
  6. A friend and I are discussing a painting of the 2 sequoia trees in Redwood Canyon (on the Mineral King Road), which she calls “Two Sisters” and I learned as “Aunt Tillie and Uncle Pete”.
  7. My show continues in Tulare, so here is a reminder of the dates, days and hours.

The list format doesn’t allow for photos to be inserted, so here are a few to keep you from thinking TLDR, which means Too Long, Didn’t Read.

#1 —I didn’t waste time doing sketches when the potential customer hadn’t come up with a budget. I’ve learned that lesson the hard way.

#2 This is the mural that I designed, submitted to the competition, was chosen, then put on hold. I sure do hope I get to paint it!

#3 Texas porch view photo to be turned into a 14×17” pencil drawing

#4 Front porch view (but change the trees to a vineyard)

#5 This is just a photo of his amazing Japanese maple. This will be a very challenging painting but I’m up for it!!

#6 After photographing them countless times, I could only find one shot, which is horizontal rather than the desired vertical format. For now it is just conversation, so there is time to get new photos.

Finally, here are the specifics about the show AROUND HERE in Tulare.

AROUND HERE will be at the Heritage Gallery in the Tulare Historical Museum through August 30. Days/hours are Thursday, Friday, and Saturdays, 10-4. (444 W. Tulare Ave.)

Good Reception, Going Quiet

The reception was well attended by people from all different parts of my life. I was especially touched to see several of my drawing students there (no extra credit for attending; no demerits for skipping.)

Here are some photos provided by attendees.

I love my drawing students and miss them when we don’t meet for two months in summer.
There was an enormous selection of finger foods which looked delicious, but I stuck to water. Too much talking and handshaking and hugging to be dealing with a plate of food.
Father John, formerly of St. Anthony’s Retreat in Three Rivers is a very accomplished painter who encouraged me back when I began oil painting in 2006.
Kim is a fabulous realistic pastel artist and also a fabulous pianist. Her tunes in the background were perfect.
I was thrilled to see some MK friends! (and learn that others stopped by a day or two later on their way to MK—thank you, G & D!!)
This is the only decent photo of the ones I took before the reception began. I was a little worried that no one would show up, so maybe I wasn’t giving photography my best attention.

Why is this chick so smiley? Because: A. Her favorite dress still fits after 30 years and she rediscovered that it has pockets; B. She is going quiet on the interwebs for a week or so; C. She will be with her first friend from Three Rivers and her very dear friend from Texas next week.

Nothing to see here, folks.

AROUND HERE will be at the Heritage Gallery in the Tulare Historical Museum through August 30. Days/hours are Thursday, Friday, and Saturdays, 10-4. (444 W. Tulare Ave.)

P.S. It is ALL FOR SALE.