Wildflower Oil Paintings

Remember these wildflower oil painting beginnings? First, I drew them with my paintbrush.

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Stage two was to get the first layer of color down.

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The real fun was putting in the detail.

Jeffrey Shooting Star

It isn’t often that I get to paint with these colors, and it just makes my heart sing.

Lalalalalalala! LALALALALA!

Excuse me. Got a little carried away with that purplish-pink.

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Now I just know you are singing too!

Top to bottom: Jeffrey Shooting Star, Leopard Lily, Foxglove. Yes, I know foxgloves are not native flowers around here, but they certainly go wild!

These are commissioned oil paintings of wildflowers. When they are dry, I’ll sign them, then scan them, then probably wrap and deliver. (It’s a wrap – another wildflower song in the can!)

Oil Paintings at Home

Oil paintings at someone else’s home. Someone else who really likes my work. Someone whom I really like. But, this is the World Wide Web, so her identity will not be revealed.

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She has others that are not yet hung, only propped against the wall the last time I was over. As she and I discussed the paintings she was considering, I suddenly had a flash of insight. “AHA! You are a color junkie, just like me!”

When one color junkie identifies another, there is no need to explain. We just get each other. Look at the flowers in her front garden!

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When she wants a painting, it doesn’t feel like the business of selling; it is simply helping a friend with good taste, an interest in beauty and some disposable income (“disposable”? Who decided that word should go with the word “income”??). I love to help people choose the right picture, whether it is one I have already painted or drawn or one they ask me to create for them (the fancy word is “commission”.)

Sold Sunflowers

Remember I talked about painting things just because I love them? That is a different category than painting something because it sells.

Sometimes, the things I paint for myself sell quickly. This is a mixed blessing – WAIT! I wanted that one! Oh. That’s right. I paint to sell things. It beats getting a job.

A friend/customer stopped by one afternoon and fell in love with the sunflowers.

This is how they looked at the time of her visit:

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Together we evaluated them. We agreed that the yellow one is brilliant, and that the orange one doesn’t quite have the pizzazz.

It didn’t matter to my friend because she wants to buy them both. I told her I’d study up on the orange one – probably just needs more color and contrast, the usual things. (Other common things that are lacking are sharp and fuzzy edges or needing more detail – it isn’t all color and contrast).

Her husband called me to say he wants to buy them for her for their anniversary. I delivered the yellow one wrapped, and when the orange one is dry, it will join its brother.

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First, let’s get that hanger problem fixed. The mini green sunflower belongs at the bottom edge of the painting, not on the side. Since I paint these 6×6″ oils while holding them in my hand and rotating them around and around, sometimes they get sideways. I reattached the hanger, painted out and repainted my signature.

Done yet? After a few more layers of a brighter yellow, I think I will stop now.

 

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Okay, now I think this one is worthy of joining the yellow sunflower!

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Blue Moon Sign in Situ

(Happy Birthday, Ann!)

“In situ” means in position. Isn’t it fun to learn new expressions?

The question that nagged me during the entire process of designing and painting the Blue Moon Nursery sign was this: Would it be able to complete with all the signage along that stretch of the highway in Three Rivers?

See? A whole messa signs! But, I can spot ours. . . can you?

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blue moon nursery

Here is the light blue with the darker green.

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This is the darker blue with the light green.

 

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Let’s go inside the nursery.

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Blue Moon Nursery in Three Rivers is a charming place with a variety of plants, including natives and drought tolerants. Check out Seger’s blog and find the hours here: Blue Moon Nursery.

Odd Job, Chapter Four

Finally, I got to the actual painting stage of my odd job.

The Blue Moon Nursery got a 4’x8′ piece of very thick plywood, built a frame around it and painted it with multiple coats of white paint. This was a result of walking out to the road and measuring the existing signs. A medium sign looks like an unnoticeable postage stamp when you pass it in a car. A big sign might get noticed. A huge sign is too much for this Central California artist, so we just went with big.

I traced our final design onto a clear piece of plastic and using an overhead projector in three stages of measuring and adjusting. I used a Sharpie marker to transfer the image, along with a square, a yardstick, and a long tape measure. It took a very long time.

Then, I traced it from Side One onto 2 18″ x 8′ pieces of tracing paper, retraced it with a very black pencil on the back side, taped the 2 sheets to Side Two of the sign, and retraced it over the top with a pencil to transfer the design to the sign. Then I retraced the faint pencil transfer with the Sharpie. This took a very very long time.

Do you need a nap yet? Hang on, color is coming!

After a very fun color mixing session with the owner of Blue Moon, I began painting.

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First, a small brush to reach into the pointy places.

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Then, 2 coats of the dark blue. Next the green. Hmmm, we really like the color of the masking tape with the dark blue.

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I can mix that color! (This is actually side 2, after we chose a different blue for the moon and the spirals). The new blue called for a new green.

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Check out Side Two, with masking tape blue and light spring green!

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This is Side One, with a darker green and a lighter blue.

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Isn’t this cool? The owner of Blue Moon and I both are slightly offbeat, marching to the beat of a different drummer, enjoying variety. (After being friends for 4-5 years, we discovered that we were in the same class in the same high school!)

So, we decided to let the 2 sides remain in different (but very close) colors, and then we’ll listen to people’s comments. It is my guess that very few people will even notice the difference.

Thus, I conclude my story of yet another odd job for this Central California artist. It is a pleasure to beautify Three Rivers!

Do you have a preference on the colors on Side One and Side Two? I’d love to hear your opinion!

Odd Job, Chapter Three

My odd job of painting a sign for the Blue Moon Nursery in Three Rivers progressed through the decision making progress.

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This combination of type was our first choice. The style of Blue Moon is a little hippy-dippy, loosey-goosey, whimsical (sorry, can’t think of a rhyme for that word). “Nursery” looks solid, professional, steadfast, here to stay.

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It needs some decoration, but this wasn’t the right one.

The owner and I decided on the best combination of type and decorations, and then got to the part we both love (both avowed color junkies).

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We both love the dark purply-blue, the high contrast with the white lettering, and it is a given that the growy needs to be green and the moon needs to be blue. Color is sooooo fun.

Now what? How will I get this colored sketch onto a 4′ x 8′ board??

Stay tuned!

Is white a color or an absence of color?

In December and January, I was struck by the number of white things in my yard. Is white a color or the absence of color? If I am drawing, white is paper color, and I draw around the white things. In painting, I use more white than any other tube of paint.

Notice I said “tube” rather than “color”. This is because my question remains, “Is white a color or an absence of color?”

Forget it. Let’s look at pictures of white things. 

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White must be a color. If it wasn’t, these things would be clear, transparent, see-through.

There. Glad that got settled!

P.S. Yes, this is how December and January look in Three Rivers. Payback time is in July, August and September when other parts of the country are green and we are crunchy brown, gray, a bit of yellow, and just plain dusty.