Last Oil Commission of the Year

On December 31, it was cold and gray outside. This meant it would take awhile to get heat up near the easels in the painting workshop, so I chose to paint inside the house. 

The lady from Spain who bought a poppy and requested an orange and a pomegranate to match extended her stay here. (Clearly, she is liking our subject matter.) This meant there was enough time for me to paint a pomegranate. It made me wish I could get the orange painting back in order to touch it up, assign an inventory number, and scan it. (I painted the orange in a day while sitting at the Courthouse Gallery.)

It has a few days to dry before it is ready to be scanned and delivered. 

It is very pleasant to paint in the house – I sit at the dining table instead of standing at the easels. The room is warm, Trail Guy is hanging around, Pippin is in the living room (under strict rules), there are tunes. Yes, I can have tunes in the painting workshop but I generally listen to podcasts instead. Maybe I’ll get my hard-nosed work face in place a little later in the new year. But for now, this is my preference. 

Thank you, Señora España, for choosing the art of this Central California artist!

An Oil Painting Workshop, Beta Version

Oh Great. Now she is speaking Computer. Isn’t it enough that we have to endure occasional Artspeak without this too?

What is “beta version”? I looked it up and found the best definition on Michael Hyatt’s blog:

” The premise is this: ‘we know it’s not perfect, but it’s far enough along that we need your input to get it right.'”

oil painting workshop

Based on this idea, I gave an oil painting workshop for a handful of my drawing students. They know me and my teaching methods and limitations, I know them and their skills and their kindness and encouragement. I didn’t publicize the thing because I didn’t want to expose my ignorance to strangers who were expecting a highly experienced painter and workshop leader.

We painted from photos. I provided 5 versions of a pomegranate and lots of leeway for interpretation of background, cropping, compositional variation, and whatever made the participant happy and comfortable with the project. It is okay to paint from photos. That’s what studio artists do. (We had real pomegranates available to look at, feel, examine and make us believe we weren’t “cheating”.)

We had a great time! Here is the results of the workshop (minus Nicholas’s work because he had to leave early).

pomegranate oil painting in progress

pomegranate oil painting in progress

pomegranate oil painting in progress

Pomegranate oil painting in progress

 

Tomorrow I will tell why I think it was a success for everyone!