Long Distance Commission, Chapter 3

This project progress took place before I started the mural on the Ivanhoe library.

This might be the first time I have ever put a canvas on the drawing table and measured out exactly where everything is supposed to go.

When I had enough pencil guidelines on the canvas, I took it out to the painting workshop and set it up on the easels with the sketch for reference. The hard work of designing from the stack of photos all taken from different angles in different eras of the house was finished, so I needed to trust the approved sketch.

The first layer needs to be thin, or in ArtSpeak, “Paint lean to fat” (this means that the artist should thin the first layer of paint with turpentine and gradually add more oil— “fat” — with each successive layer. (When I first hear this, I was slightly offended, thinking that it was commentary on my body type. . .)

I worked from back to front, which means sky first, since it is the farthest away.

I didn’t get too concerned with mixing exact colors at this stage. . . “Closies count (except in hand grenades and horseshoes.)”

I tried to stay in the lines. This is a new method of painting for me. I’ve done a few of these architectural type paintings before, but this one feels more important to get exactly right. I wonder if it is the long distance relationship; most likely it is the exactitude with which Mr. J. has described so much about this house.

The sky looks as if there is a flat mountain ridge, but that is because I primed the canvas before I knew exactly how this scene was going to be arranged. The many layers will cover that “ridge”.

I sent this photo to Mr. J. and he was pleased. It needs some drying time before I cover everything again, with paint that isn’t as thin, and paying more attention to the correct colors and details.

Calendars available here, $25, includes shipping

Oops, I Forgot, Chapter Five

The idea was to show you all the paintings in my solo show at CACHE, one per day here on the blog, for the duration of the show. But, I forgot to show you all the paintings of Three Rivers! Today’s painting is the final in the “Oops, I Forgot” series.

MISSING PAINTING #5

Rachel’s Lake View, oil on wrapped canvas, 20×24″, $1300

It is available on my website store. Here is the link and the price here includes sales tax. (If you live out of state and want to buy the painting, just email me and I’ll sort it out for you.)

This painting is from a perfect photo taken by my friend and drawing student, Rachel on the way home from her job in Three Rivers. Lake Kaweah, Kaweah Lake, I never remember the real name, because around here we simply call it The Lake.

Oops, I Forgot, Chapter Four

The idea was to show you all the paintings in my solo show at CACHE, one per day here on the blog, for the duration of the show. But, I forgot to show you all the paintings of Three Rivers!

MISSING PAINTING #4

Comb Rocks in the Distance, oil on wrapped canvas, 10×10″, $216

It is available on my website store. Here is the link. and the price here includes sales tax. (If you live out of state and want to buy the painting, just email me and I’ll sort it out for you.)

This painting is from several photos taken on the BLM land, sometimes called “Case Mountain”, sometimes called “Salt Creek” in Three Rivers. Those craggy rocks are visible from many places in Three Rivers, appropriately named Comb Rocks because they resemble the comb on a rooster.

P.S. Happy Birthday, Trail Guy!!

Oops, I Forgot, Chapter Three

The idea was to show you all the paintings in my solo show at CACHE, one per day here on the blog, for the duration of the show. But, I forgot to show you all the paintings of Three Rivers!

MISSING PAINTING #3

Salt Creek Falls, oil on wrapped canvas, 16×20″, $650

It is available on my website store. Here is the link, and the price on the website includes sales tax, which is why it is higher than shown here. (If you live out of state and want to buy the painting, just email me and I’ll sort it out for you.)

This painting is from several photos taken on the BLM land, sometimes called “Case Mountain”, sometimes called “Salt Creek” in Three Rivers.

Oops, I Forgot, Chapter Two

The idea was to show you all the paintings in my solo show at CACHE, one per day here on the blog, for the duration of the show.

I told you about my virtual friend named Elisabeth, who posted a beautiful photo on her blog that reminded me of two of my paintings. Here is today’s missing painting, for you, Elisabeth (and my tens of other readers).

MISSING PAINTING #2

Take Me Home. . ., oil on wrapped canvas, 16×20″, $650

It is available on my website store. Here is the link, and the price on the website includes sales tax, which is why it is higher than shown here. (If you live out of state and want to buy the painting, just email me and I’ll sort it out for you.)

This painting is from several photos taken on the upper North Fork Road in Three Rivers.

Architecture at Asilomar

Many of the buildings at Asilomar were designed by Julia Morgan, the architect best known for designing the Hearst Castle in San Simeon. She is also known for many fine buildings in Berkeley, AND a building at the Springville Hospital (for TB) here in Tulare County, now torn down due to earthquake standards.

Pencil drawing of Wayside at the Springville Hospital

Roomie and I were assigned a room in The Stuck-up Inn.

Our room was shockingly small for two people and all the painting gear. The room assignments were a mystery, because some of the people who paid for a single room had rooms that were much larger. Weird.

It had rooms around a central courtyard, where I sat to paint one afternoon after I had a fight with my easel.

I thoroughly enjoyed the living room each morning before the sun came up. It was a place to be alone (so thankful no one else thought of hanging out there!), to stretch, to read, and to experience some solitude before taking a pre-breakfast walk at (or on) the beach and joining the teeming mass of painters.

In spite of the space limitations, I was completely charmed by the age and the details of the building. As Roomie said, it forced us to spend more time out painting. I was very thankful for the fact that we were so compatible.

Crocker Dining Hall
Main building/lodge/office/etc.

Next time, I will show you photos of the sunrises and other things that caught my attention in this week of painting in Monterey.

Meanwhile, back to reality:

Big Oak Tree

Did you know that Tulare County is home to the largest oaks in the country? The valley oak, quercus lobata is not what this big oak tree is. I found this tree somewhere along Dry Creek Road. I didn’t get close enough to know what kind, but I can tell by the shape that this isn’t a valley oak. It is unusually perfect, almost symmetrical, and all without ever having been pruned (except when cattle chew on the lower leaves.)

Sky and distant ridge.
Distant waves of wildflowers, closer blades of grass.
Added wildflowers, a rock, more blades of grass and a few limbs because I couldn’t wait to get to that tree.
Details in the grass, another rock, and details in the dirt.
Finally started on the tree.
Am I finished? Time will tell.

Once it is dry, I will sign it, paint the edges, and either photograph or scan it, so you can see it with its brighter and more accurate colors.

One of Tulare County’s Pretty Places

Remember seeing this 16×20″ mess first layer?

I think it will be a good one. I combined about 4 photos on Photoshop Junior* to see if my version of this scene was better than reality and concluded that yes, indeedy it is, or it will be if I can execute it with excellence.

Let’s go!

I am choosing to not show the beginning photos for a couple of reasons.

  1. I don’t want any input as to whether or not I have chosen the correct elements in the correct sizes and placements. Sometimes I do want input; this time I do not; that could change. . .
  2. I want you all to judge the painting on its own merits rather than whether or not I can accurately copy a photograph.

Phooey. I can see 3 shapes that look wrong right now. “Wrong” in that they don’t look fully natural or believable, because I am only judging this painting of one of Tulare County’s pretty places on its own merits, not while looking at any photos.

*Photoshop Elements is the “easy” version of Photoshop.

Best or Worst Critic?

“You are your own worst critic” is something I hear from time to time. That is actually a positive trait, because who else is going to be completely honest to help me improve my work?

Today’s post is one to help me think about how to make this painting be the best possible. This painting is a conglomeration of a stack of many photos, in an attempt to make it the most colorful that I can.

These are my thoughts as I study the painting:

  1. The two pomegranates look good, which makes sense because I’ve painted many pomegranates.
  2. The orange needs a bit more brightening.
  3. The tangerine is a good idea, but doesn’t look quite right; maybe it is Sumo, maybe a mineola tangelo. (Are those even grown anymore?)
  4. The hidden plum is a little weird with that highlight–maybe it should just go dark.
  5. The upper left plum looks almost finished, only lacking some highlighting on the left side.
  6. The grapes need more variety in their color, along with highlights on the left edges.
  7. The lemon needs better color, highlights on the left, detail in the stem. (I took away the shading from a previous iteration because the light source was on the wrong side.)
  8. The persimmon looks too red here, but that might be the way it photographed. Worth checking. It needs detail in the green thingie, called a “sepal”, and the green is wrong.
  9. Both pears need detail; the yellow one has been shrunk and only has a base coat, and the green one lost its freckles.
  10. The peach needs fuzz and it needs those ghost grapes to get buried.
  11. It won’t take long to finish the apple.
  12. The background needs the glow to be more subtle so it doesn’t look like a halo around the plum and grapes.

Good thing there is no deadline on this. It’s a great exercise in making things up and keeping them believable. It is also a great exercise in patience, in reining in my natural bent to git-‘er-dun. So much in life is better when we see it as an opportunity to learn rather than a nuisance.

Here you can see I improved the background, light on the upper plum and grapes, the tangerine, persimmon sepal, the flower ends of the pomegranates (in spite of thinking they were finished), the green apple. Of course, it is wet and shiny so doesn’t photograph well.

Perhaps I am my own best critic, rather than worst critic?

A Little Painting on a Big Painting

 

English is a strange language. In the title, the first “painting” is a verb; the second one is a noun. This makes for a fun title, and perhaps it incites a bit of curiosity on the part of you, O Blog Reader.

I painted “Yokohl Oak” in 2020 and showed it in two separate solo gallery shows. People liked it, particular local bike riders, who told me, “Hey, that’s the Bike Tree!” To me it was simply a beautiful oak tree along Yokohl Drive, and I wasn’t even sure I’d be able to recognize it if I drove past it again.

Alas, it didn’t sell. I put it in the 3 other galleries that regularly and steadily sell my work, and it didn’t sell. One astute friend told me it was lacking in my normal amount of detail. Really?? This looks excessively well-detailed to me.

Oh. He meant on the tree itself. It is too smooth for an oak tree. My drawing students agreed when I took it back home for a touch-up. I often run things past them, because they always tell me the truth. Besides, it lets me know if I am teaching them to be discerning, to truly see things accurately.

This got called “The Bike Tree” by a few different people, so I figured I’d just go with that theme.

Then I started adding more texture to the bark on the tree.

After that, I tried to photograph it.

The light was wrong, making shiny spots and making the color wrong. I rotated it multiple ways, cropped it, edited it with the photo program on the laptop, and finally decided it will have to wait to be photographed another time. 

In the meantime, this is the new and improved “Yokohl Oak”, after I did a little painting on this big (24×24″) painting.

P.S. Yokohl is the name of a valley in the foothills just east of Exeter in Tulare County. For awhile, there were big plans to turn the area into a self-contained town, but the combination of local protests and drought shut that down.

If you came here for Mineral King news and are disappointed, you can check the Mineral King website to see if anything new has been posted.