If you subscribe to the blog and read the email on your phone, the photos might not show up. (Some people get them, some do not; it isn’t a problem I know how to solve.) You can see them by going to the blog on the internet. It is called cabinart.net/blog, and the latest post is always on top.
The other day I just sat in front of these two Mineral King oil paintings with Tucker shedding, purring, and slobbering on my lap. While holding my favorite cat (sorry Pippin and Jackson, but I have known your uncle a year longer than I have known you), I studied the paintings carefully, wondering how I could make them better.
The answer usually lies in better contrast, and shaggier edges. Not that shaggy edges are always the answer, but in this case a few edges were a bit smoother than real life.
Never mind. Just look now and see if they look better to you (bearing in mind that they are now too wet to scan and that they always look better in person).


Each of these paintings is 8×8″, and I spent way more time on them than justified by the $100 (+tax) sales price each.
It is probably time to raise my prices. That is hard to do, because people are just trying to keep food on the table and gas in the car, and art is not a necessity. (It is for me, but I think you understand my point.)

















The cold flattened the corn lily, AKA skunk cabbage.
This mule belongs to The Park and is not interested in staying in the corral.



This represents an afternoon of work, trying to perfect the detail on the first pass, knowing full well that I will need to make corrections as the other parts get completed. And then those “other parts” will need to be corrected.



This is Ranger’s Roost, AKA Mather Point, looking through the timber of Timber Gap. When you are looking at Timber Gap, it is the bump to the left/west. The Mather Party came over Timber and saw Mineral King. I drew the cover in pencil and colored pencil for a book about it, but I haven’t read it. I just look at the pictures. (This was a second edition—the original drawing on the first edition went missing so the publisher commissioned me.)
















Farewell Gap isn’t entirely visible in the next photo, but you can see Little Florence Peak, which is on the left side of the gap.

















