Custom Art Means Accepting Commissions

I accepted the job of painting a custom sign for a cabin owner. This is a larger version of one that I did 10 years ago, one that fell apart from being out in the weather.

He asked me in July, and the summer got hot, as summers do in Tulare County. Because he wasn’t in a hurry (bless you, Mr. Customer!), I just piddled along, and then stopped for a few weeks when it was just too hot in the painting workshop. 

Suddenly, the heat quit, so I returned to the project.

It is a little bit too hard for me, so there is a fair amount of thinking, trying, erasing, waiting, and trying again. Here are the steps.

I am working from the old sign and don’t remember what the source was for this Norse god of winter, named Ullr.

I changed the border color from yellow to a more pleasing yellowish green.

A little bit at a time, because this is just difficult.

What is so hard? Seeing the proportions correctly, getting the oil paint and brushes to behave, figuring out where to place the border decor.

This time I will include some wildflowers. Mr. Customer and I discussed lupine, so there is more thinking involved in size and placements.

Finally, I am happy with the results, as is the easy-going customer.

P.S. Recently someone else asked me to paint another strange and unique sign, with blurry and uncertain reference photos and calligraphy. This time I had the good sense to turn down the job. An artist has got to know her limitations.

Another Odd Job, Day 2

Oh-oh, the yellow paint is picking up the blue chalk. Guess this will take many coats.
The green will also take at least 2 coats.

It was too hard to paint the bottom of the sign, so I flipped it over. But it got stuck, so I continued painting while outside. That was actually easier. (Never mind how I will get it unstuck.)

I finished the first coat of green on the bottom, leaving the “growies” for later, because I don’t know what colors I’ll use there. And I am still picking up blue chalk with the yellow paint.

I learn by doing. White paint mostly hides the yellow+blue chalk problem. Now it needs yet another coat of yellow, maybe even two.

To be continued. . .

P.S. I have guest posted again on the Mineral King Preservation Society blog.