The beginning stages of 32 paintings at the same time is a rather lengthy undertaking. Why would anyone begin 32 paintings at the same time?? This Central California artist chooses to do it this way for multiple reasons, none of which are very interesting. It is more fun to see the process than to read about the reasons behind it. (This is a high-falutin’ way of saying, “I don’t know why and don’t want to figure it out right now”.)
The Oak Grove Bridge in a new size and shape from a more distant viewpoint than my usual paintings of this, my favorite subject to draw and paint.
The view from my living room, titled “Alpenglow on Alta”. Clever, eh? I left out the telephone lines that cross the scene in real life. That was wise, don’t you think?
Look at all these loosey-goosey scribbled first-pass paintings.
But wait! There’s more.
The rooster comes in 2 poses, and here is a little painting of The Lake, as we refer to Lake Kaweah around here (or is it Kaweah Lake? No one really knows.)
This is Trail Guy’s favorite tree. It is a juniper on the trail to White Chief. I wonder how deep the snow is on it right now.
That is not all 32 paintings. They are spread out all over the painting workshop, so I am only showing you the latest ones in each post. I don’t work on all 32 every day.
Now I know the likely reason for 32 at once. When I was a kid, my mom read Cheaper by the Dozen to us, and the idea of being the most efficient possible really captured my imagination. So, an assembly line approach appeals to me for 32 paintings.
Let’s look at the steps involved in painting a rooster. This is a little 4×6″ canvas, sized and priced for quick sale. This is an art business, so these things must be considered. I hope it doesn’t cause offense to folks who think artists just get inspired, create something, and voila! the money follows. (don’t we all wish?)
First, the general size and shape. I begin all pencil drawings the same way too – size and location is the first decision.
Next step: tighten up the shape.
Start filling in the shapes within the main shape (had to draw the dog before I drew the fleas). The colors aren’t really important in this step but the values are. I’m not talented enough to get this stage exactly right on the first pass so I require another layer to be accurate on shapes, values, colors and textures.
This is a continuation of the previous step, but this time I am right side up to see if I am actually painting a rooster or a freak of nature.
The rooster needs a hen. She is 6×6″ because that shape best fits her shape.
Tucker isn’t very interested in this topic of poultry.
This might be a boring subject. Please forgive me, and come back on Monday when I might have something more interesting to share.
Sometimes people say “I don’t know how to get your blog”. They don’t mean “get” as in “understand” ; they do mean how to receive email notifications. (Anyone can read the blog at any time by simply going to cabinart.net and clicking on BLOG in the menu bar.)
The way to receive email notifications is to subscribe. If you go to my homepage, then click or tap on the Blog button; it will take you to the blog homepage. This blog homepage only contains little teasers of the specific blog posts. From there you can click on the READ MORE to read the full posts instead of just the teasers. This is how the home page looks with the SUBSCRIBE TO THE BLOG VIA EMAIL function:
Do you see where it says “SUBSCRIBE TO THE BLOG VIA EMAIL”? Type in your email address, and you’ll receive an email (if you typed it correctly) that asks you to confirm your subscription. Follow those directions, and you will begin receiving a new email every time I post to the blog. If you don’t get the email, you might have typed your eddress incorrectly, or the email might be in your junk or spam folder or file. (Why is everything so complicated??)
Thank you for hanging in. Here is another smile for you.
Yeah, yeah, yeah. . .
P.S. You can also subscribe to my e-newsletter there. I haven’t sent anything out for awhile, so if you are subscribed and wonder if I went mute, you are correct. But, I’m gathering a list of things to tell my subscribers soon.
The beginning of painting a new series is a very boring factory-type assembly line of assigning inventory numbers, choosing titles, and attaching hanging hardware. Then all the canvases have to be primed, or “toned” in Art Speak. I just use whatever blend of colors I find in the bottom of my turpentine jar for this task.
Actually, before I begin the boring part, there is a brain-stretching exercise. It involves looking through previous years’ sales, seeing which subjects and sizes have been the most popular, looking through my existing inventory, and then making educated guesses about subjects, sizes, and quantities of each. Then I review my extensive photo files and make more guesses about what to paint.
These on the floor have already been primed from a previous ambitious painting session.
It was too loud in the workshop for Tucker. He’s kind of sensitive.
At least Scout and Trail Guy were in the workshop with me. Trail Guy was working on a project, talking to himself and to the radio and sometimes to me. Scout was napping in the sunshine in the window.
I ran out of hardware and out of room, so I walked home.
A view from a home in Three Rivers that I will be drawing soon.
The week between Christmas and New Year’s Day has always felt like a freebie to me. I don’t work much, but spend time thinking about the previous year (did I actually do anything noteworthy?) and about the upcoming year (do I look as if I have a plan?).
Last week I thought about blogging, marketing, what to paint, what to draw, the 2020 calendar, and mostly about the upcoming book, Mineral King Wildflowers: Common Names. I wondered how I got selected as the Best Artist in Three Rivers in 2018 and didn’t know it.
I made lists, calculated a year’s worth of mileage on my car, vacuumed the studio, called Huge & Rude (the telephone company) because the internet isn’t working very well (what’s new about that?), rehung paintings in the studio from Anne Lang’s Emporium (now closed), updated lists of available paintings, delivered paintings to the Mural Gallery in Exeter, put new art on the website, and generally wondered about my art business.
Where will I sell my work? What shall I paint? Is there a way to draw more? Is there a reason to draw more? How do I tap into those thousands of people blowing through town on their way to Sequoia National Park? Should I hire someone to teach me how to reach a wider market? Are little boutiques the right place for my work? If not, where is? How do I find more customers? Do I post to my blog too often? Why do so many people not even know what a blog is? Do I have to join the dreaded Facebook? Will this be the year I have to get a cell phone? Should I get my good camera repaired? Should I buy a better small camera? Who’s on first?
I often wonder about my art business, in case you were wondering.
I took three photos of these paintings so you could see the improvement, or was it so I could have something to say on the blog today?
The former. I always have something to say. (Have you noticed this?)
There was a problem on the far left. Sometimes this happens when I just blindly copy my photos. See how those 2 oranges merge into a somewhat visually confusing lump? After studying it for a weekend while it dried above the wood stove, I figured out how to repair it.
Decision made – change this into one large orange. And while repairing things, I straightened the line of the table. Used a yardstick – is it cheating to use tools in the Art World? Not in my little art world.
Almost finished. needs a couple more layers on some of the do-over parts, a signature, and a much better photograph.
I thought this would take much longer, but these colors are fun and there is a real freedom in painting what I choose instead of what might sell. Not complaining about the business of art, just enjoying some yippee-skippee time at the easels with these happy colors.
The colors are truer when I photograph it outside.
This might be finished. It is now signed, but while it is drying, I might find aspects that could be improved.
And since I am outside, let us enjoy the yellow leaves. I am so thankful we didn’t follow through on our first impulse when we moved here 20 years ago to get rid of the mulberry tree with its ugly knobby over-pruned knuckles. Instead, on the advice of the very experienced Gene Castro’s Tree Service of Three Rivers, (not a paid ad, just a statement of fact) we allowed the tree to gradually grow a large enough trunk to support its limbs through some judicious pruning.
It is the purview of the middle-aged to think that walks and leaves are great. (Don’t worry Little Grasshopper, one day you too will be able to enjoy these lovely and healthful freebies in life and be able to correctly use words like “purview”.)
In the world of computers, “update” is a euphemism for “complication”. (Never mind what “upgrade” means – it is a word made up in the 21st century to confound all sensible people.)
In my world, “update” means recent information on unfinished or unreported business.
The Wildflowers of Mineral King: Common Nameswill not be published by Christmas. There is no need for such a book in December; there is a need for such a book in July. My publishing date goal is May of 2019
Did you remember that I have another blog called The Cabins of Wilsonia? This is about putting together and publishing the book of that name, and although it has been out since December of 2014, I still have thoughts about it. The book is available here.
Sometimes I look at a painting in my studio and think of a way to make it better. Here is White Chief III, before and after:
A friend sent me a photo of this sketch I did in 1985. Thank you, Pam!
Another friend sent me this illustration that really explains things well. Thank you, Deanne!
If you want to commission me to draw or paint something in time for Christmas, I can do it if it is small and if you provide good photos (or choose something I have good photos and good solid information about).
I thought a painting of a Sequoia was finished and then decided the base of the tree looked like a puffball mushroom. Here is before and after:
Sunny Sequoias #34, 6×6″, SOLD
The colors are more realistic in the do-over, not because of how it was painted, but because of how it was edited on the computer.
#5 might apply to an email exchange I had with someone about some folks (unknown to me) who wanted the Christmas cards I drew and had printed in 1993. They changed their minds because it was too expensive (and I didn’t even charge them for the use of the design nor did they have to pay for the original drawing). This is the design – isn’t it quaint?
Christmas in Exeter, 1993
And that’s all for today, folks! Consider yourself updated, hopefully in an uncomplicated and entertaining manner.
P.S. Today’s oil painting at Anne Lang’s Emporium
South Fork of the Kaweah, oil on wrapped canvas, 8×8″, $100
For the past 20 years or so, I’ve been part of a group called the Kaweah Artisans. We put on a little boutique-sale-show-event each year on the Friday and Saturday following Thanksgiving. We’ve been at the Three Rivers Arts Center for many years, but this year we will be somewhere else in Three Rivers.
We will transform this empty building into a Christmas boutique.
THE PERFECT GIFT BOUTIQUE
41849 Sierra Drive, Three Rivers, California
Thursday, November 23-Friday, November 24
10 a.m. – 4 p.m.
If you are heading uphill/upstream and get to the Chevron station, you’ve gone too far, so turn around, head down, and this time it will be on your right. If you get to the candy store, you’ve gone another mile too far, so buy some chocolate, then turn around, head downstream, and it will be on your right, a few buildings after the Chevron.
PARTICIPANTS: Nikki Crain (weaver), Anne Brown (potter), Carole Clum (metal sculptor), Sam McKinney (gourdista), Elizabeth Mitchell (jeweler) and maybe even a few surprise guests. Oh, and me! Me too!
On Friday’s post I said that the only way to get a copy of The Cabins of Mineral King, by Jane Coughran and me, published by Cabinart Books in 1998, is to get lucky on eBay or on Amazon.
Then I decided to look for myself. Nothing on eBay, and this is what was on Amazon. Whoa. Here is a screen shot of the first listings:
$85 is the lowest price for a book that sold for $50 as a hardcover, and this one says it is paperback??
Then I went down to the more expensive books. Check this out:
Now that is what I would call a Peculiar Sight.
I contacted the last 2 sellers on the listing to ask them if they really and truly meant to list the book for that price. I’ll let you know if I hear back. . . (and yes, I signed my name and told them I thought I did a nice job on the illustrations but their prices seemed a bit high.)
P.S.The seller called FastShip replied:
Jana, Thank-you for bringing this to my attention. We have about 70K books.
They went on with a lengthy explanation of how books are priced and how some fall through the cracks, but they didn’t say if they were planning to reprice the book.
A drawing student of mine recounted a conversation she had with an elderly artist from here in Tulare County. She told him she was taking oil painting lessons from someone in the area, and the old artist said, “That’s not creative – that’s just copying”.
Ow. That struck a nerve with me. What is or is not “CREATIVE”?
To be clear, it was not the words of my student that caused me to say, “Ow”. It is the subject matter that causes me insecurity and doubt. My drawing student is a lovely person; by reporting this interchange, she opened up an opportunity to discuss it and examine why it is a difficult topic.
I draw from photos, almost 100% my own, and way more often than I like, I have to combine photos to CREATE the scene I’m looking for.
I also teach people to draw, by COPYING photos.
How else can they learn to see?
How can you be CREATIVE with graphite if you don’t know how to see proportions, understand values, drive a pencil in a manner that it is an extension of your hand?
How can you be CREATIVE with oil paint if you don’t know how to see proportions, understand values, mix colors, or drive a paintbrush in a manner that is an extension of your hand?
How is it not CREATIVE to take a color photo (or several) and make a picture look beautiful and interesting in black and white and shades of gray?
Sorry, Elderly Artist. I think you are nice and usually a friendly man, you mean well, and you paint prolifically. Your work may be CREATIVE, but personally speaking (which is the only way I can speak), I think your work is just weird.
So there.
Working from a photo isn’t creative? Working on a canvas of different proportions than the photo isn’t creative? Figuring out the arrangement, filling in the gaps, figuring out a new background–not creative? And turning this ugly beginning into something attractive isn’t creative?? It might not even work out to be worth the effort. . . an artistic adventure. . .
P.S. This topic is reminiscent of the ongoing conflict between studio artists and those who paint plein air. I imagine there is a similar situation between those who read music and those who play by ear. IT IS ALL VALID, PEOPLE, ALL OF IT!
