Another Big Tree

While I was in Georgia last spring, when people asked me where I was from, I was very specific and replied, “CENTRAL California; no one knows about us, no one cares, but we feed the world.” The unspoken part was “I am NOT from Los Angeles or The Bay Area, so assume nothing about me”.

Meanwhile, back at the ranch (just a euphemism, don’t worry, I haven’t moved), I am thinking about what to paint on those large canvases.

As I think about my self-ascribed descriptor, “The Central California Artist”, I want to be painting things that truly represent Central California, specifically Tulare County.

Not only does Tulare County have the largest trees by volume (Sequoia Gigantea), we also have the largest of the American oak trees, our valley oaks (quercus lobata).

All-righty then!

Yikes. Gotta start somewhere. 

Don’t be afraid. I can do this!!

P.S. Did you get my 2019 calendar, “A Touch of Color”? This tree was Miss February. It was a horizontal rectangle, but the painting will be a square. I untangled the branches in the drawing so it will serve as a helpful guide in the painting.

Inching Along Layer by Layer

I’m guessing that I took the reference photo for this painting as a passenger in our pick-’em-truck as we returned home from a road trip when the Rough Fire was dwindling in 2015. I wish I knew where I was, because I’d like to take more photos of the same scene in various seasons and lights.

These giant oil paintings aren’t really too hard for me, but I do run into difficulties when my reference photos are smoky, blurry, from different angles, in differing light, or too small. A tiny blur in a picture becomes a large blur in a larger painting, so I NEED to know what I am painting in order for it to be believable.

Now I have to figure out what to put in the various ridges that will pass as believable texture.

Never mind. I’ll just work on the orange trees in the foreground.

I’ll keep dabbing, layering, and searching for this scene in real life. There is no deadline on this painting.

The Juniper Everyone Loves

A friend/customer requested an 8×8″ oil painting of the juniper tree on the trail to White Chief in Mineral King. Everyone* loves this tree. I even talked to someone who said she performed a wedding beneath the tree several years ago. I’ve painted this tree several times, different sizes and different shapes.

 

This is not the same one but it is on the same trail. It doesn’t have quite the same visual impact. Besides, it is on a steeper section of the trail and not quite as visible.

Here is the sixth time in steps:

Every time I paint this, I am determined that it will be The Best Juniper Painting I Have Ever Done.

*I know not “everyone” loves it; not “everyone” has seen it. Besides, maybe we love it because it gives us an excuse to stop on the the steepest trail in Mineral King.

A Situation

A customer/friend bought a painting off my website. She requested that I paint in an animal so the size of the trees is truly evident.

OH NO! It already sold, and I didn’t take it off my website! 

I can’t find the original photo so have to work off the photo of the sold painting. It is always best to start with the original, but sometimes stuff just can’t be helped.

Pippin was happy to have me in his house. He lets me borrow it for a painting workshop.
Hey, is that a bear??
Here it is with a bear this time. When it dries, I will scan it and it will look better than this semi-reflective photo while it is wet.

Dry enough, scanned, heading to the Post Office today!

Kaweah Lake Oil Painting

Yesterday I doubted whether anyone would be interested in oil paintings of Kaweah Lake, which led to an email correspondence with a friend who has a friend who just might be interested. I sent this photo to her of the most recent (and only) painting I have of Lake Kaweah, Kaweah Lake, or as we say around here, “The Lake”.

The Lake, oil on wrapped canvas, 4×6″, $50

While looking for my photo of The Lake, I realized that I’ve painted it quite a few times. Why didn’t I remember? Because I have so many other subjects crowding it out of the limited space in my top-of-mind memory.

P. S. It’s official – Lake Kaweah, not Kaweah Lake. Thank you SD!

Tightening Up Plein Air Paintings

This past summer I painted plein air (on location) in Mineral King for the first time in about a dozen years. The results were mixed; I wasn’t fully satisfied with 2 of the paintings.

So, I put them back on the easels last month and tightened up the details. Can you see the difference?

Before
After – Crowley Cabin, 8×10″, oil on wrapped canvas, $125
Before
After – Empire and Cabins, 8×10″, oil on wrapped canvas, sold

There are always more things I could have done. (Time for me to stop looking at these.) And be assured, they always look better in person.

Decisions and Completions

If these recently completed paintings are dry enough, I will bring them to the Holiday Bazaar on Saturday, November 23, at the Three Rivers Memorial Building, 10-4. Paintings ALWAYS look better in person – come see for yourself!

Below the Dam, oil on wrapped canvas, 8×10″, $125 (Worry not – I signed it after this photo was taken).
The Old Honeymoon Cabin in Mineral King, 18×36″, oil on wrapped canvas, $1200
Fruits We Love, 6×18″, oil on wrapped canvas, $150
Sequoia Trees, Big & Tall, 18×36″, oil on wrapped canvas, $1200

Small Decision, Small Success

When your Central California artist is undecided, she practices something called “productive procrastination”. Yardening for a friend, making yogurt, running errands, visiting with a far-away friend through the wonders of technology, reporting 10 robocalls to the Do Not Call Registry Complaint page, and then I saw Tucker outside the kitchen door. He is so shy and has been avoiding me for several months, so when he came to visit, I had to go sit outside with him for awhile.

All this fiddling around gave me a chance to ponder an idea, so I finally headed to the painting studio to try it.

Can you guess my idea?

The 2 pomelos were too close in size and placed in a manner that did not please me.
I liked it enough to sign it (after I took this photo for you). I also added a bit more orange to the green oranges. (Oranges require cold nights to turn orange; it is the sunshine that provides the sweetness. If the weather turns warm after oranges have turned, they can turn back to green, called “regreening”. You’re welcome, because I know you were wondering.)
Now the 2nd side of the path to the studio door is planted.

Digging in the dirt was my reward for getting that painting finished. (Trail Guy helped because there is a lot of decomposed granite that is actually so composed that it is hard to get a shovel through.)

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Feeling confident because of success with the previous painting, I tackled this one. It was too flat, and there was nothing to look at in the scene. Being there in the spring is wonderful, but I don’t have the skill to make it look so good in a 2-dimensional format.

A friend said that if I was an impressionistic painter, this would be considered finished. If she saw it in person, she’d probably change her mind, because the old picture is coming through a bit. Besides, it was the end of the day and I was painting with a lamp instead of daylight.

Indecision

“Indecision” sounds a lot like “indigestion” which sounds a bit like “indigent” which means “poor enough to need help from others”.

These paintings might be poor enough to need help from others. I can’t decide if they are finished, if there is a way to improve them, or if they just need to be painted over with something else.

I like it, then I doubt my own opinion, then I decide to just sign it and be finished, but I can’t because something unknwon is holding me back. I can’t decide.
This was my first plein air painting in Mineral King this summer. I hid in the trees so no one would watch me flail around. Does it need more light on the edge of the larger red fir? Maybe wildflowers in the foreground would solve whatever it is that makes me not love this painting. Maybe it needs to be detailed, the way I normally paint. I can’t decide.
There was no good place to stand on the bridge so I was off to the side, and had to be careful each time I stepped back to not trip or step into traffic. I’ve painted this cabin scene so many times before, but never from this angle, and never with this lack of detail. Does it need more detail? I can’t decide.
This was painted in my front yard shortly after I returned from the plein air painting workshop in Georgia. I think it is boring, in spite of being the best time of year. Is it boring or is it just that “familiarity breeds contempt”? I can’t decide.
This is how the same scene looks now. This photo is definitely boring, but Three Rivers is still the best place to live in Tulare County. No indecision in that department!

And Another Big One

I decided this one is finished, except for all the busy extras like painting the edges, adding a wire to the back, titling, photographing, drying, entering into inventory, on and on and on.

18×36, Honeymoon Cabin in Mineral King, oil on wrapped canvas, price not yet determined because I never paint this big and haven’t done the math yet. (Want to make me an offer?? “Special deal, for you only, today! No JCPenney junk!”, as spoken by a vendor to me in Tijuana back in the 1980s.)

I started another one, this time 24×24″.

Any guesses? Good luck. It’s upside down.

The most difficult part about this one will be making this scene look as beautiful to the viewer as it always looks to me. I don’t remember where I took the photo, but I think of it as the best of Tulare County.

I painted it 8×10″ last April in the loosey-goosey plein air style. Even that unfamiliar painting style didn’t wreck the scene for me.