Lots of Work Right Now

“Busy” is a loaded word. People like to say they are “crazy busy”, maybe because it gives them a sense of importance or indispensability. I bet people aren’t using that word too often right now.

I am busy during this weird time. Some of it is commissions, some of it is bidding on jobs, some of it is taking advantage of more time to catch up on things like keeping my website current and reading business books.

Maybe instead I could say, “I have lots of work right now”. For that I am grateful, and I am grateful to have the time to take care of customers and my business responsibilities.

Enough chatter, Central Calif. artist. Show us some things!

11×14′ commissioned oil painting
Oak Grove Bridge XXX, 10×10″, oil on wrapped canvas, $175
8×10″ commissioned oil painting
Slowly progressing on these small Mineral King wildflower paintings.

There is more, but there is also tomorrow to show and tell you.

Thanks for tuning in today!

 

Continuing at the Easels

These little Mineral King paintings got some skies. It was cold and rainy, which meant it was dark in the painting workshop. Trail Guy kept offering to light the heater; that meant I’d have to shut the door, but I needed all the light there was, so brrr.

I worked more on the commissioned painting of the little Mineral King cabin, working from several photos to make up the scene. The customer requested that I put a horizontal subject into a vertical format; in order to make that work, I added mountains that weren’t visible to that degree in real life. This meant we had to do a lot of communicating and adjusting until the painting fit both her memory and the space she wants to hang it.

I scanned it, thinking it was finished. Then she asked about the doorknobs. It needed more trees behind and above the cabin. Bearskin, the patch of snow on the right slope of Vandever (peak on the right side of Farewell Gap) didn’t look the way she remembered it. 

The purpose of a commission is to create just what the customer wants.

(The color is different between photographs and scans.) I made the requested adjustments, and then reworked Bearskin yet again, with the customer’s help. (We might have stood closer than 6 feet to accomplish this, but so far, so good, health-wise.)

The most difficult commissioned drawings and paintings are the ones when the customer wants me to do something that I cannot see. This is possible only when the customer can articulate what she wants. My approach is that a commission isn’t finished until the customer is happy.

What is this??? 

The customer was so happy that she asked me to paint it again, smaller, to give away. (Just in case the intended recipient is reading, I’ll keep this information to myself).

Upside down is not an April Fool’s Joke. It helps me see the shapes more accurately. That might be a little unsettling to you, so we’ll continue more conventionally.

Not done, but moving quickly since all the difficult decisions were conquered in the original version.

Commissioned Mineral King Oil Painting

You saw this photo of the beginnings of a commissioned Mineral King oil painting.

Here is the reference photo for the little cabin.

The customer wanted it to be in a vertical format, and I suggested making Farewell Gap more dominant. She approved of that first sketch on the canvas, so I began painting.

This was a combination of the familiar and the fake with the goal of believability.

When this dries, I’ll start “drawing” with my paintbrush. Adding details to the cabin will be particularly enjoyable, because you may recall that I love to draw.

More Mineral King Oils

Drying in the morning sun; this time all three vertical 6×18″ Mineral King oil paintings are finished.

This is how they look in the afternoon light. I’ll wait until they are completely dry, then photograph them, because they are too big for the scanner.

Lupine comes in many colors, so I just mixed up a shade of bluish purple that looked good with the painting. The photo lupine color was too pink and it wasn’t believable to me.

Next, I moved on to the current painting of my favorite subject, the Oak Grove Bridge.

This is the stage where I detail it to the nth degree, the style of painting that plein air painters usually don’t bother with. (They might be too tired of swatting bugs by them.)

Oh my, I really like this one! (Yep, I am allowed to like my own work.)

Have you noticed that ever since I published Mineral King Wildflowers: Common Names that I almost always include wildflowers in my paintings? What took me so long to figure this out?

One more Mineral King painting, this one a commission, working from a customer photo and some conversation about how to present things. (Not the Honeymoon cabin – this cabin is no longer standing).Before I go any further, my customer will need to let me know if this is the arrangement she has in mind.

More Oil Interludishness

Yeppers, I made up another word. It simply means that I was able to paint a few more days than expected and have more progress to show you on Mineral King oil paintings.More detail on the painting on the left, but more contemplation is needed before signing this.

What does Pippin think?Since Pippin didn’t offer any help, I added wildflowers to these two.That was fun, so I did the same to the painting on the left.Now let’s tackle this unusual arrangement of a usual subject matter, the Honeymoon Cabin in Mineral King, now a little museum. Well, actually right now it is boarded up for the winter. And let’s just paint it, not tackle it, hmmm?This turned out really well, so when it is dry, I’ll photograph it minus the poor afternoon sunlight and sheen of wet paint so you can fully appreciate its specialness.

Pippin? Got anything to add here?

Guess not. He just adds cuteness to my life.

Oil Interlude

“Interlude” is a musical term that means in interruption with a lude. 

Wait, what?

Nothing. Just messing around with words. After finishing the oak tree mural, I had days of appointments, administrative work, errands, and other things that interfered with painting, However, I did get in a few days of painting Mineral King scenes, and here are the results.

Started this one back in early January, a 10×10″.
I felt confident and hardly looked at the photo while finishing.
Is it finished? When it is dry, I’ll see if there is a believable way to add some wildflowers.
This is 6×18″, a fun format and size to paint. It forces me to distill a scene to its essence.
It will need wildflowers. The title is “Mineral King Wildflowers”, so duh.
Oak Grove Bridge # 29. Probably a higher number, but I was a little sloppy in my earlier record keeping.
Three almost finished.
These three next.

In the interest of offering these paintings for sale, the following advertisement is for your convenience/to ignore – your choice.

I sell 6×18″ for $150 plus tax which brings it to about $160; the square is 10×10″ for $175 plus tax, about $190. The plan is to have a good inventory for this coming summer, but if you are interested in buying any of these paintings now, it can be arranged. Comment here or contact me with the contact button or email me or say something to Trail Guy if you see him at the Post Office or grocery store.

Pencil Reminiscing, Part Eleven

This is the final part of our Pencil Reminiscing series. This last set of pencil notecards is Mineral King again. This one was done near the end of the last century, after I figured out how to handle the textures of landscape views. I don’t remember where this set falls in the sequence of notecard sets, but it seems fitting to conclude this series of posts with Mineral King.

These views still look the same today. Well, not TODAY, but last summer, and hopefully the summer of 2020, after all the snow melts.

Pencil Reminiscing, Part Ten

Somewhere along the path of creating notecard packages, I did a set of Mineral King scenes, a mini-set of four instead of five, without the identifying label. Instead, I inserted a photocopy of what was inside.

Judging from the quality of the background landscaping, this was still early in the sequence of notecard sets.

The old Ranger Station was from a postcard; the others were from my photos, so they were current at the time (and still look almost the same).

I think these were tied up with raffia, oh so very elegantly rustic.

Pencil Reminiscing, Part Two

After the notecard set of Tulare County Landmarks began selling, the ideas began flowing. Mineral King was the next logical set, especially since I already had two drawings finished. Reruns, but I didn’t care and didn’t think anyone else did either.

This was the first time I drew the Oak Grove Bridge; this view is now too overgrown to photograph the bridge clearly.

All of these were from my own photos with the exception of the Mineral King Store. I don’t remember my family going to Mineral King until after the store had disappeared, so I used an old postcard without any regard or concern for copyright laws.

This is also the first time I drew the scene of Farewell Gap with the Crowley cabin. I had no idea how popular that would become or that I would draw and paint it so many more times (or any idea that I would become a painter).

Stay tuned. . . many more notecards ahead in this series!

Planning Time

Each year in January, I evaluate the Mineral King paintings that sold over the summer. I make lists of sizes, subject matter, what sold, what didn’t sell. Then I plan what to paint for the next summer, choosing sizes, subject matter, and photos to work from.

Because there are many guests who return yearly to Silver City where my paintings sell, I have to be careful to vary the sizes and views, while maintaining a good inventory of the most popular subjects. The classic view of the Crowley Cabin with Farewell Gap in the background remains the top seller; the Honeymoon Cabin and Sawtooth are usually neck and neck for second place. After that, anything with water, and as long as I add wildflowers, any other subject usually sells.

The 6×18″ format has done very well, either horizontal or vertical. It is unusual and fits into squishy little spaces. 

Painting this time of year can be uncomfortable in the workshop. Trail Guy lights the heater, and then we shut the doors to keep the heat in. Sometimes the cats are on the wrong side of the door (whichever side they are on is usually the wrong side for them.)

Of course I had to start with my favorite subject, the Oak Grove Bridge.

The next largest size I’ll need this coming summer is 10×10″. These are small sizes for oil paintings if sold in a gallery; I am selling these in a store that caters to folks who travel light. Different locale, different clientele, so different sizele. (Sorry, that just fit there.)Good start to this season’s paintings. I’m cold, so I’ll go in the studio now where the heater is more effective and I can’t hear the neighbor’s dogs as loudly.