THANK YOU TO EVERYONE WHO TOOK THE TIME YESTERDAY TO TELL ME WHAT THEY SEE AND DON’T SEE IN THE EMAIL BLOG NOTIFICATIONS!!
Please excuse me for shouting. I am so touched by your responses and willingness to help.
In my attempt to see a pattern about who can and who cannot see photos in the email notifications, I learned this:
Mac laptop – some can see the photos, some cannot
Mac desktop – some can, some can’t
iPhone – some can, some can’t
iPad – some can, some can’t
Android phone – all can see the photos
Non-Mac desktop – all can see the photos
There must be some settings that we don’t understand on our iPhones, MacBooks, Mac desktops, and iPads. Now I might have to dig around on settings for Mac mail on every device they manufacture.
This hurts my apple-shaped heart. At least I know it isn’t a problem with my blog (using WordPress.org) or the subscription form.
One more thing: I sent out the blog post and left for the day. All your wonderful comments arrived, but I wasn’t at my computer to approve them. So, if you commented and wondered if it “went through”, it did, and once I approved it, it appeared.
You deserve a beautiful picture as a thank you for making it to the end of this post. (I hope you get to see it!)
Sequoias in Winter, 16×20″, oil on wrapped canvas
(I didn’t put the price because I don’t want you to think I am thanking you by trying to sell you something.)
My blog has a technical problem that I have been ignoring because it just seems impossible to solve. Today, I am giving it a try.
I am specifically addressing those of you who get notifications of blog posts in their email. Many of you think you are reading my blog when you are actually reading an email with the blog post in it, because you subscribed. (THANK YOU!) Almost everyone who reads my blog in their email cannot see the photos.
I have not been able to figure out why subscribers aren’t getting the photos in the emails. I no longer have a web designer; there is someone who helps me if I am in a pinch, such as getting hacked, but she has forty-eleven other jobs, and my website is not on the top of her list.
So, I have begun the unpleasant and distasteful task of trying to figure this out. Since most of my subscribers are even less techie than I am, this may not be possible. I might snatch myself bald or scream a little bit and then quit, but here is my first attempt.
Pippin is the most compliant of our 3 cats; Tucker is skittish and comical; Jackson is unfriendly and demanding.
If you are willing, please email or comment to let me know two things:
Can you see the picture in this email notification?
What device are you using? I need to know what brand (Apple or HP or . . .?) and what kind of thing it is (laptop, desktop, tablet, iPad, cell phone, etc.)
P.S. If you want to see the photos, you need to click on the title of the blog post as it appears when you open the email. It will take you to my actual blog on the internet where you can read the post and see the pictures. (The blog is a page on my website, www.cabinart.net) You can do this if you want to see Pippin in this post, but first, please answer my two questions above.
The painted designs on the wall for a new exhibit called Native Voices at the Three Rivers Historical Museum are finished!
The last day began with little green men, called “The Gathering”. The lighter green was ready for a second coat, and the rest of the shadows had to be drawn in. That should have been very simple, but I struggled a bit on some of the placement. (There was plenty of touch-up base coat paint for erasures.)
This is how the whole wall looked.
Next, I had to figure out how to put the shadows on the far right diamonds, called “Rattlesnake”. Instead of transferring the pattern a bit to the right of the existing diamonds or drawing it in pencil, I used masking tape to “draw” it. This took a lot of thought and measurement. I would think that it was ready to paint, stand back, and see yet another missing strip. Sometimes I was protecting the diamond edge, and sometimes I was shaping the shadows.
Everything took two coats of paint. I wasn’t sure the tape would peel cleanly, but it did fine. While looking here on my computer screen, it appears that some of my spacing is off. Some of those lines got eyeballed, so the entire thing is bound to look hand-painted rather than like applied vinyl. My customer, the Mineral King Preservation Society, looked into vinyl but chose paint instead, a choice which suits me very well.
While the paint was drying, I started touching up the drips and wobbles, along with covering the visible pencil lines and smudges from the graphite transfer paper. The smaller red diamonds called “Quail” had no shadows. Thank goodness, because these were small and detailed. Maybe I should have taped them, but every job is a completely new challenge, and I just bumble through, wishing that sometimes I could have a couple of jobs the same so that the new knowlege wouldn’t be wasted.
Finally, I decided to peel off the tape, risking disaster. (That’s an exaggeration, because as long as there was paint remaining in the necessary colors, anything could be fixed.)
I peeled and only saw a few parts that needed retouching. Acrylic paint (or latex or whatever non-oil paint is) dries so fast, which is a real bonus on a job like this.
Finally, here is a look at the whole wall.
The display will have cabinets in matching colors placed strategically beneath the colorful wall designs.
A few more facts:
The colors were chosen to not clash with the other 2/3 of the room. (The red is magical—sometimes it looks red, sometimes it looks rust, and sometimes it looks pink, and get this: the name is pumpkin spice!)
The other 2/3 of the room is for the Mineral King exhibit, a thorough look at geology, mining, the Disney era, and cabin life in, of course, where else, Mineral King.
The Native Voices exhibit is put together by the MKPS for the Three Rivers Historical Museum. That 1/3 of the room isn’t the responsibility of the MKPS, but the MKPS has paid employees who are real go-getters. They know how to find money, and they wanted the entire room to look cohesive.
This is going to be a great display, and I encourage you to visit the museum!
Something got “updated”. Lots of tools are missing. There doesn’t seem to be a way to schedule posts ahead. So, today you got 2 posts, and now this baffled explanation. STOP MAKING CHANGES, YOU TECHNO-BEASTS!
Excuse me. I feel like yelling.
Thank you for your patience and understanding. (assuming you haven’t unsubscribed by now.)
Last October, I met with the project manager and the priest of the Catholic church under construction in Visalia. They chose me to paint 2 outdoor murals, to complete them by the end of December. Now it is January and I am still waiting for them to sign the contract and allow me to begin.
So, I am just enjoying life at a slower pace, getting little things done, hanging around while waiting. We finally had a day of sun and Trail Guy and I went for a short walk around the neighborhood.
First we stopped by a neighbor’s house where I stashed a ziplock of old documents on his front porch, took a photo and texted him. You are curious? My 4th-grade best friend married a guy whose dad built that house; he recently found some old papers that pertain to the place. (Yep, still friends with my 4th grade best friend!)
This is such a perfect view of Moro Rock and Alta Peak with another neighbor’s flag that I am sure I have taken this photo and shown you in previous posts.
Here is another great view of those two landmarks.
Sometimes I look Northwest toward Comb Rocks, because it is so very green. Maybe in a couple of months it will be bright orange. Don’t be alarmed: I am thinking about poppies, not fire.
We walked up to the Catholic church (nope, not the one where I hope to be painting murals—that one is 36 miles away). I remembered a joke my dad told me, one that involved a merger of 4 companies, 2 of which I had never heard of, so the joke was wasted on me. The 2 companies I had heard of were Mary Kay and Fuller Brush. The punchline to the joke was “Hale Mary Fuller Grace”. Does anyone out there know about those other two companies, Hale or Grace?
My mural on the water treatment plant doors has a weird spot where I must have used the wrong color of teal and thus, the yellow faded away leaving just a strong cobalt blue. Can you spot it?
Looking downstream on the middle fork of the Kaweah River
Look—a gift from the high water. We went down below the bridge to retrieve this thing: a Christmas tree stand bolted to a chunk of wood. Good thing there is a dumpster near the bridge.
This is the most current drawing of the no longer open Kaweah Post Office. This card is now available on my website; the older version is only available only in person IF any remain. (The original drawings have sold.)
Reasons to write notes besides saying “thank you”
Here is the $11 you spent on postage sending my sweater to me.
This magazine article reminded me of you.
Here is the recipe you asked for; I wrote it out so you won’t have to waste printer ink.
I found this old photo of us in which we look like underfed children.
I made you a bookmark.
Isn’t real mail fun?
I forgot to tell you this when we talked last and it is so important I want you to have it in a format you will keep for awhile.
Wish you weren’t moving to Colorado/Kentucky/Texas/Oregon/Angola.
My printer is out of ink so I decided to use a pencil.
I miss you.
Our post office is terrific and it is good to buy stamps from them so they stay in business because if they don’t where will we mail things that need to be weighed first, like calendars, and packages of notecards for sale, so here is a note just because.
Here is a happy surprise for you—real mail in your mailbox! (Thank you, Louise!)
This is the older version of the Kaweah Post Office drawing. When these cards are gone, this design will be retired, just like the post office itself.
I bet you can think of a few other ideas yourself.
Let’s keep this quaint method alive of showing people that we care!
If you can’t see the photos, go here: cabinart.net/blog. Oregon is known for its blueberries, in the same way that California is known for our oranges. There are U-pick farms, so we chose one, took 6 buckets to fill, loaded up my grandniece and nephews, and headed out of the city.
Blueberry farmers plant grass between the rows, blueberries have no thorns, and it (usually) isn’t hot in Oregon, at least not hot in the way I am accustomed to.
In the afternoon, I went to another blueberry farm with my brother-in-law, this time just to glean. There I learned that it is normal to plant grass in the rows to hold down dust and allow for driving between rows during muddy times. I also learned that piling sawdust around the base of the plant is normal. Finally, I learned that they harvest the berries by a very specifically designed machine. I didn’t learn if you call the place a field, a grove, an orchard, or something else.
This is part of the haul. I filled many gallon ziplock bags and 4 salvaged berry boxes, ultimately filling up 2 ice chests.
Obviously, I had to leave the next day, because one cannot expect 2 ice chests of blueberries to just be fine indefinitely.
I asked the customer of this commissioned oil painting of an orange grove with his urchins if he wanted a wind machine, and he replied, “No, let’s go old school”.
I asked him, “What? You want smudge pots??”
After we laughed, I told him that I just needed to add orange blossoms and do a bit more work on the urchins. He is very easy to work with, and was pleased with the progress.
These little blossoms are indeed little.
One would think that white would be the right color. One would be wrong.
These look white, but they are more of a pale beige. White was much too stark. (This is why I get paid the big bucks.)
Hours later, still a lot of real estate on this canvas to be covered in little pale beige dots.
Closing in on it. . .
Finished and signed.
And ready for the customer, once it is completely dry!
Another piece of custom art for the archives. . . because. . .
I use pencils, oil paints, and murals to make art that people can understand of places and things they love for prices that won’t scare them.
If you subscribe to the blog and read the email on your phone, the photos might not show up. (Some people get them, some do not; it isn’t a problem I know how to solve.) You can see them by going to the blog on the internet. It is called cabinart.net/blog, and the latest post is always on top.
The South Fork Estates sign project was a biggie, one with some unresolved questions, but I did my part and then passed it back to the customer. Being a fine artist (an artist who makes art to put on the walls) doesn’t qualify me to understand the chemistry of paints, sealers, varnishes, stains, or how to treat wood. It is easier to just state that fact up front.
However, the customer for those signs decided they needed to have the background wood painted. Initially, in 1990, the entire signs were painted a burgundy, then overpainted with the colors. This was evident after the 32-year-old signs were sanded and scraped. The customer only asked me to refresh the colors, or I would have first (reluctantly) coated them with a burgundy or dark brown. I say “reluctantly”, because I thought it was bare wood, and it pains me to cover bare wood with paint.
Alas, the customer was concerned that my 2-3 coats of paint were insufficient, and requested that I paint the background, so he brought them back to me, for quite a bit of discussion. I told him that he was the boss.
This is a tricky situation: is it me guaranteeing my work, or is it a “change order”, as contractors refer to extra requests? I decided that the extra layer of color was on me, and the meter would be running for the background.
After adding another layer to the colors, I sent him this email:
“Before I begin painting the background dark brown, I am hesitating in order to give you a chance to reconsider whether this is really what is best for the signs.
“I am reluctant to dive in because:
1. I don’t believe this is the best solution; the two sign painters I talked to each recommended wood stain or oiling, not paint, saying that wood needs to breathe.
2. Once the paint is on the signs, there is no going back to the natural wood.
3. Because of the rough surface, it is not possible for me to do the outlining of the letters or the narrow channel between the gray-blue border and the narrow yellow line, so the signs still won’t be completely dark brown on the non-colored parts.
“I can do this but want you to be absolutely certain it is the right next step, because there is no undoing it.”
It was a relief when he replied and asked that I stain them dark brown. I did a tiny section and sent him a photo for approval (with no idea what I would do if he didn’t like it).
He liked it!
This sign is stained:
This one is not:
Now I need to remember to detour past the subdivision in order to see the refreshed signs in place.
This photo is apropos of nothing; I just put it here because I like it.
Recently I had the privilege of an honest discussion about some blog posts with three wise friends. It made me realize a few things:
Sometimes my posts need an editor. Blog posts are meant to be spontaneous and heartfelt, and a little bit of fun is always welcome. “Blog” comes from “web log”, which is essentially an online journal. And what is journaling if not spontaneous? But when work is public, editing is a good idea. A person can only self-edit so much, so sometimes things don’t sound as intended.
Sensitive people will find things to be upset about; blunt people will tell it like they (Ahem, “we”) see it. Neither type is right or wrong; we are simply different.
Listening, learning, thinking, and applying will help prevent us from mowing over, blowing past, or dismissing one another (although that is an easier method in the short run).
Not everything has to be talked about, but when someone you care about is bugged, it is good for the relationship to pay attention.