Category: drawing

Weird Little Contest Entries

Small sequoias Small pinecone Small cabin

Each of these drawings are 2-1/4″ x 3-1/4″, drawn directly on the entry form called “Blank Canvas” for the magazine “Professional Artist”.

The 2 colored pictures are colored pencil. It hurts my wrist to use colored pencil over an extended period of time, but these went quickly.

And I love to draw in pencil. Pine cones are one of the hardest, most confusing subjects to draw because of all the repeating shapes, both in the dark spaces and the light places.

This was fun. If any of my pieces are chosen, they will be published in the magazine.

These subjects are definitely all part of a Central California artist’s life.

Yes, I know it is a good ploy by the magazine to acquire new subscribers. So?

It was fun!

California Artist commission pencil work

Competitions and contests are usually a waste of time for a professional artist. This is just my opinion – there are bound to be those who disagree. One can win awards and not sell a thing. Or, one can sell but not win. I’ve been in both places, and frankly, I’d rather sell than win.

Contests usually have an entry fee, a form or two, a bio to be written, photos to submit, and then involve long drives to deliver the pictures, see the show, and retrieve the pieces. My time is better spent drawing or painting or preparing talks or planning art or teaching drawing lessons or blogging or. . . you get the idea.

HOWEVER, I found an exceptionally easy, fun and FREE contest. It is sponsored by a magazine called “Professional Artist”, and this is how it works.

Go to their website and print out the entry form.
Make art in the little bitty space (2-1/4″ x 3-1/4″) on the form itself.
Fill in the few blanks with contact info.
Put the form in the mail.

That’s all. No fee. No photography. No bio. No delivery.

Why bother? Because it was fun! It was so fun that I did 4 entries. My first entry is the sand dollar above, drawn in pencil.

I’ll show you the other 3 tomorrow.

Another Decision Made!

As I began the previous commissioned pencil drawing of a cabin, another customer notified me of his decision.

3 sketches

A, B, or C?

Decision Made!

A pencil drawing commission customer made a decision about which view to have me draw of her cabin!

2 sketches

A or B?

What appears to be a slight difference between the 2 views matters to the customer. I am here to make the customer happy. She knows her cabin; I do not.

Sketchy Decisions

So many pencil drawing commissions are awaiting decisions. I’ve sent sketches and more sketches. Can’t start drawing until I know what the customer/commissioner wants!

2 other sketches 1 cabin 2 sketches 3 other sketches 3 sketches

Sketches, called “thumbnails” or “thumbnail sketches” were required in most of the assignments in art classes, both in high school and college (I went to 4 different colleges – a full-fledged Transfer Student) More often than not, I had one good idea, and the rest of the sketches were just a waste of time, mindlessly fulfilling the assignment. The reason for the sketches was never clearly articulated – just do it because the teacher said to do it. (As a Questioner, I despise that sort of “teaching”.)

Now that I am a professional artist, I know that customers need to see things sketched out because photos don’t do the trick. People also like choices, but not too many.

Too bad the “teachers” didn’t teach us how to guide a customer to a decision. My cynical mind says this is because those “teachers” never had any customers. They only had teachers, giving them time-filling assignments.

COME ON, PEOPLE, DECIDE, PLEASE? Please? pleeeeeeese? I really want to start drawing!

commission pencil work drawing

About Learning To Draw

Sara's Swing — Swing, by Sara Evans, graphite on paper, 8×10″

Since I have been teaching private and group drawing lessons for 21 years, I have lots to say on the subject.

In looking at the photos in yesterday’s blog posting, it reminded me that yes, a slanted drawing table would be more effective. However, my classes last for one hour, so we just make do with what is available.

I hear critical voices out there, saying “She’s only teaching them to copy photos.”

Spice, by Jennifer Logan, graphite on paper, 8×10″

I am teaching people to see what is really there, providing tools which help them see proportions correctly, showing them how to break down complex shapes and textures into manageable forms, teaching how to plan and persevere and persist.

They are learning about values (the darks and lights), proportions, perspective, how to make things stand out, how to drive pencils to their furthest possible use (“It’s just a pencil!” – Nope, it’s a magic stick of graphite!), how to discern what is worth drawing.

Ripe, by Wendy Miller, colored pencil on paper, 14×17″

To top it off, my students get to meet a variety of people from different walks of life, of different ages and backgrounds. All have a common interest – learning to draw in a realistic manner.

I love teaching people how to draw, and I really do love my students!

Very Effective Drawing Teacher

May I say that I am a very effective drawing teacher?

I’m 55, so I can say whatever I want. However, I think this assessment of my ability to help people learn to draw is accurate, not boasting.

I’ve been teaching drawing lessons for 21 years, and my students are FABULOUS. They are fabulous people, tremendous students, and “at the of the day” (what an overused expression), they turn out remarkable drawings.

learning to draw

I have much more to say about this, but will tell you tomorrow.

Inching Along

pencil drawing on claybord

Progress? I’ve been drawing, so something must have grown here.

The gate! I did the gate! With all those intangibles and texture, I needed to try something that had a definite shape and edges.

I set up the drawing and stepped back. It needed a sense of a path beyond the gate, so I scribbled in where it should go. Also darkened a couple of things, which may or may not even show.

The fence boards – I can do those! They have a beginning and an end, with definite edges. They cover a decent amount of real estate on this 16×20″ claybord.

Yea. Progress. Cartwheels of joy.

P.S. I’ve never done a cartwheel in my entire 55 years. It is a figure of speech, an expression of elation. Feel the excitement?

P.P.S. I think this drawing is really pretty, and seeing it here on the blog helps me want to continue it to completion instead of procrastinating and daydreaming about the book I am reading right now.

Fourth of July in Wilsonia

Meadow Cabin

You’d think that when writing of the Fourth of July in Wilsonia that I’d show a cabin with a flag.

Instead, it is the sweet little cabin on a meadow without a flag.

Why?

Because it will be included in Wilsonia’s silent auction on Saturday, July 4.

She-Who-Runs-The-Silent-Auction thought this would have the most appeal, so here we go!

Yeah, yeah, I know I said I don’t give my art away.

Sometimes I do. Wilsonia has been good to me and I want to be good back to them.

The book, The Cabins of Wilsonia, is for sale there and here.

Drawing Lessons

For about 21 years I have been teaching drawing lessons.

This sounds formal. The more accurate description to my way of thinking is simply that I show people how I draw and thus guide them to do their own pencil drawing.

It is one of the most satisfying and rewarding (more than just financial) parts of my art business.

There are no lessons in July or August because it is too hot and attendance is traditionally down.

So, today is it, the last one until September 8.

This is Rosemary and her wonderful walrus.

Rosemary

Delighted and delightful!

If you are interested in taking drawing lessons, either in a small group ($55/month, 1 hour a week) or private lessons in my studio ($35/1 hour, $45 1-1/2 hour, scheduled as it suits), email me using “cabinart at cabinart dot net” (written that way to confuse the trolls who roam the internet looking for trouble). Or call me at 561-7606 (area code is five-five-nine, also written that way out of general troll paranoia.)