Long Distance Commission

The wonder of the interwebs has brought me a customer that I most likely will never have the pleasure of meeting in person. Let’s call the customer Mr. J. Mr. J and I have gotten acquainted in the comment section of The Frugal Girl blog, and he asked me to paint the home he used to own. “Used to own” means that getting photos is now a bit tricky. New owners almost always make changes, so I am working from several photos, all taken from different viewpoints and at different times in the home’s existence.

Mr. J is a very precise communicator, responsive, specific, and always willing to email, text or talk on the phone.

The project began with an email almost a year ago. We discussed canvas sizes and prices. Mr. J wanted to wait until spring to get photos with certain plants in bloom. Spring came and went with no photos. I’ve learned through the decades that until money exchanges hands, it is simply conversation. I didn’t bug him, knowing that he is a person who will follow through when he is ready.

This past summer, or perhaps early fall, he sent me photos and a deposit check for half down, so we were in business.

Looking through multiple photos taken from different angles, in different seasons, and at different times in the house’s life, I started with a colored pencil sketch, which I scanned and emailed for feedback.

Mr. J sent it back to me in this form: black and white, covered with notes.

I studied it, and realized we needed to have a conversation. We talked quite awhile, and I made lots of notes. The conversation was very helpful in understanding things that made no sense in the multiple photographs.

When I realized the degree of detail that Mr. J wants, I suggested a pencil drawing. He was unsure, because the finished piece will be displayed with other paintings of other buildings. I sent examples of my detailed architectural drawings, and a week or two later, he replied that oil was his preference.

To be continued. . .

2026 Calendar

(SHARON, I moved the picture of the calendar back to lower on this post so you can skip it.)

Around Here—and Sometimes a Little Farther, 2026 is a collection of new pencil drawings by your Central California artist.

The drawings are mostly rural scenes, mostly from this often overlooked location in the heart of California. As a life-long resident of Tulare County, I continually seek out what it is that keeps me here. Pencil remains my favorite medium.

The price of $25 includes tax in California (unless Paypal goes rogue and adds it in, something over which I have no control and some angst). Cabinart will also pay for postage within the USA, because I know you could easily skip buying a calendar, and I wish to express my gratitude to you for liking my art.

I also wish to let you know that I only have 100 for sale this year, and when they are gone, it’s hasta la vista, baby!

All the drawings with the exception of the pier are for sale.

P.S. The calendar is printed in the USA.

Available on my website here: 2026 CALENDAR

Want to learn to draw?

Check out work by two of my drawing students. The first one is finished, and the second one is in progress.

I teach people how to put on paper exactly what they see. It is the beginning of all art, in my opinion. (If a person can only see it in his mind, I cannot help with that.)

Lessons are $60/month, one hour per week with other people, all of whom are learning too, all at different levels of skill. I don’t know where you’ll ever find a better group of people to spend an hour with each week—the friendships grow, the encouragement flows, and we laugh a lot too.

We don’t draw together in December, July, or August. You are welcome to stop by and see what it is like!

Tuesday afternoons, 2-5:30, CACHE, 125 South B Street, Exeter

Thinking Aloud About Old Notecards

I’ve been getting my art printed on notecards since 1987. In the olden days, a package consisted of 2 each of 5 designs. In the olden days, people communicated on cards and mailed them with a stamp rather than talking into a little machine and tapping something. This meant that I had 1000s of cards printed at a time. Some of those pressruns produced uneven amounts of cards in a set, which meant leftovers.

What if I make packages of those old designs and sell them at a discount? There are six different designs, all in random amounts in a box, collecting dust on a shelf.

The ones circled in red are what is available. (For the curious reader*, the sets from left to right are Kings Canyon, Sequoia, and Tulare County Landmarks.)

These were printed a long time ago. If someone had told me back then that I would become a blogger (a what??), an oil painter, a painter of murals, a knitter, a resident of Three Rivers, and that I would drive an automatic transmission car, I would have laughed out loud in disbelief. (And if someone would have said “LOL”, I would have looked at them with puzzlement. It used to mean “Little Old Lady”.)

Okay, decision made, packages compiled. Each package contains 4 different cards (and envelopes), mostly chosen at random with the exception of the first one on the upper left below. I have more of that drawing than any other, so every package contains one of those. They will be $5 a package, as opposed to my current cards. (The current ones are $10 a package and are all the same design within a single package.) These will be potluck.

It will cost too much to mail them, so they will only be available in person at the upcoming Holiday Bazaar.

*For the Very Curious Reader, the drawings from left to right, top to bottom: Kings Canyon overlook, General Sherman Tree, Four Guardsmen, Clover Creek Bridge, Exeter Woman’s Club (yeppers, that is the correct spelling), the Hilliard House (burned down in 1983 but never forgotten around here.)

Drawing with Pencils

I guess you could draw with chalk or a paintbrush or your finger on a fogged up window, but drawing with pencils is what I do.

Student work

It’s also what I teach. A returning drawing student had one month free for lessons before embarking on a new chapter of life. We dove right in, and she stayed for several hours each time rather than the normal one hour weekly lesson. The final one took place in my studio, which is where we started about 12 years ago when she was a wee fourth grader. I made an exception to my usual 6th grade minimum age requirement because she was an exceptional child and private lessons meant much more help and attention.

Here’s a drawing she did in about 5th grade.

Here is the drawing she just completed.

She has become an exceptional adult. To quote another one of my drawing students who has known her through the years, “She’s all that AND a bag of chips!”

Protecting identity, because this IS the World Wide Web.

Central Calif. Artist Work

This is a commissioned pencil drawing I finished in July. I haven’t posted it because I didn’t know if the intended recipient reads my blog. (If you recognize yourself, please pretend to be surprised when you receive the drawing!)

Cats in the house

HEY! WHY DO YOU THINK YOU CAN WEASEL YOUR WAY INTO OUR HOUSE??

Sold in Summer—Pencil Drawings

Five of these pencil drawings sold at my solo show in Tulare, “Around Here (and Sometimes a Little Farther)”. The others were pencil commissions, which I showed you with all the slow developments in painstaking detail.

I almost didn’t include this one in the show because I forgot. I may have forgotten subconsciously on purpose, due to my inordinate love of ocean scenes.
I drew this one specifically for the show, and although sales are thrilling, I was sort of hoping to keep it. (What kind of a business person am I with this attitude?)
This is too big for my scanner, so the photograph isn’t the quality of those shown above. HOWEVER, the drawing was quite excellent, if I do say so myself, which I just did say.
Same disclaimer on quality as above.

I love pencil. Did you know that?

Thus we conclude another post about the business of art, because. . .

Using pencils, oil paint, and murals, I make art that you can understand of places and things you love for prices that won’t scare you.

Too Dark For Painting

We had an overcast day, with the typical over-promise-and-underdeliver weather forecast of rain. Oh well, at least we didn’t have lightning to worry about.

Since it was too dark to paint, I spent my working hours in the studio, drawing this pencil commission piece.

The approved sketch
The beginning

Sometimes this feels as if I am racing along at a good pace; other times it seems that I sit and stare without a clue as to how to proceed. The difficulty is the same as the Texas drawing: combining many photos into one (hopefully) coherent and believable scene.

I’ve been drawing agriculture subjects for so many years that I have forgotten many of them. I didn’t used to be diligent in photographing my work, back in the days of film cameras, weak copy machines, no home scanners or computers, and certainly no Photoshop.

An old friend sent me this card, which I wrote to her and her husband in 2001 (along with a sweet note because that is just how she is). When I flipped the card over, I saw that I titled the drawing “Tulare Cownty” and included a completely unfamiliar phone number with a 703 area code.

That was many studio locations ago. I’ve been working from home since 2002, and life has changed significantly in many ways.

One constant is still drawing agricultural scenes with pencils. Glad we can count on something to hold steady.

Will the Fat Lady Sing?

Who is the fat lady? Sometimes I sing for my drawing students, not well, and we all laugh.

What am I yammering on about?

The drawing of Texas, which is too large for my scanner, so the upper edge is nipped off and the lower edge is blurry. But first, let’s look at the scratchy beginnings, because it is kind of impressive that my customers trusted me to get from that scribble of bare bones to the finished piece. (Mr. Customer said he’d have recognized it even if he hadn’t commissioned the piece!)

I was just dragging it out before showing you the scan. . . wanting a drumroll or something. . . padding the post so it isn’t so brief.

Is it finished?

The customers just responded:

We love it Jana! This will be so special to the family, for generations. Thank you so much! We wouldn’t add or take away anything—we say it’s finished!

Maybe I ought to sing to myself a little. . .

Just Another Work Day for Your Central California Artist

Painting

To postpone two difficult tasks, I started this 10×30” commissioned oil painting, following the sketch which the customer approved.

Just Plain Work

This part didn’t warrant any photos. Some friends from Southern California went to my show, bought a drawing, and then hit a snag and couldn’t return to pick it up. I took it home to package it for shipping, started to clean the glass, and I pushed the glass through the frame. WHAT?? It had to be taken apart and resecured. However, AFTER I had the back resealed up, I saw that the two mats were not aligned. WHAT?? I took it apart again, got everything in position, flipped it over, and saw that there was a tiny little chud (technical term I learned during a brief stint in college working at a frame shop for miscellaneous crud, which shows up usually after a picture has been framed). I took it apart again, cleaned it again, secured and sealed it again, and then had to protect it for shipping. Two hours later, it was finally sealed up with about a mile of tape, a box inside a box, surrounded by every piece of bubble wrap and foam wrap that I could scrounge, and filled with packing paper and those bubble pillows. Phew. (I also cleaned out our box department, where those cardboard containers have been multiplying in the dark, because finding 2 appropriate boxes was a project in and of itself.)

More Work

Since I was hot and dirty, I decided to face the mess in my studio, where we unloaded boxes and stacks of paintings after bringing it all home (except for 4 pencil drawings, a few books, and a large stack of cards).

I went through the paintings and drawings, chose my favorites, and began hanging them. There was a loud crash, and I turned back to see that the wire on the back of a pencil drawing came out of the frame. I guess the screw hole was stripped. The glass didn’t break, so it wasn’t all bad. (Yes, I know I am not storing the flag correctly. I also need to vacuum again. Probably need to dust too, and clean the windows.)

Then I had to pack all the rest into the painting workshop, which has a swamp cooler, and a lot of shelves, which all need to be rearranged and cleaned. Never mind. I’d rather draw.

Drawing

Finally, I was able to do some artwork. I chose the colors that seem to best match Texas bluebonnets, colored one, and then decided to show the customers before I finish the flowers. I can lighten the colors a bit, but I cannot erase. (I think that this photo is a bit exaggerated in its darkness.)

Everything felt too hard, too full of obstacles. So, I ran away for a few days. Maybe I’ll tell you about it later.

Still want to be an artist when you grow up?

P.S. The studio only looked like this for a day because one of the stores that sells my work suddenly had a lot of space to fill!

Weird, But Good

My solo show, Around Here, in Tulare was originally going to consist solely of oil paintings. However, I asked the director if she also wanted pencil drawings, which normally attract attention but not sales, and she said, “Sure, why not?”

So, I gathered up my best framed pencil pieces and added them to the mix.

The director hung them on their own wall.

Well, saw off my legs and call me Shorty; shut your mouth and slap your grandma*, all that sold from the show was pencil drawings!**

*Heard that on a country song

**And many packages of notecards plus a few books.

Thanks, all y’all!

P.S. J.C. I can draw Sawtooth again for you if you’d like one of your own.