Beginning an Oil Painting Commission

Every commissioned oil painting begins with a conversation. From there, it progresses to photographs. After photographs, there is an editing session. Then, a decision, which requires more conversation. Eventually money changes hands, and the job begins.

In the olden days, nothing began until money exchanged hands. Now, I don’t have to pay for film or developing up front, so sometimes the order of things gets a little scrambled. With friends and locals, I’m flexible. If you are a stranger, things are more structured.

A friend asked me to paint her house. Being a smart-aleck, I told her that wouldn’t be possible, since I hadn’t finished painting my workshop and garage yet. She is a lovely person with a great sense of humor, so no harm was done by my buffoonery.

I took photos in the morning, and again in the afternoon. She chose the afternoon light, the size of the painting, and we discussed some details.

After ordering the canvas, I began waiting for the photos to arrive. Silly girl, you have a printer! Who cares if the colors are wrong when you first have to get the shapes on the canvas?

Remember that the beginning stages of an oil painting are rough and scary and may shake your confidence in my abilities.

beginning oil painting

Oooo-eeeey. This is rough. It is 24×30″, larger than I usually paint (unless it is a mural). I painted this, let it rest a few days, and then realized that I can paint the sky too.

(Got a bit thrown off by the coloring books, which are still coming, this time printed on ONE side of the paper only. Ouch. Expensive mistake. No, I won’t pass that on to you.)

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That’s enough for today. Thanks for reading along. Try not to be scared that I’ve lost my ability to paint, and thank you for your concern. Please forgive the visual assault.

List from a (BUSY!) Central California artist

Today’s post is full of unrelated items, all of which are important. I have a profession filled with variety, all challenging, fulfilling, and fun. This calls for a list:

  1. Tonight I will be demonstrating pencil drawing for the Tulare Palette Club. 
  2. The drawings for my upcoming coloring book are FINISHED!
  3. I have edited a novel! The author wrote a very good story and is now seeking an agent.
  4. I have edited a non-fiction book! It included using Photoshop on 128 photos, and now I am chipping away at the design. This is because. . .
  5. . . . I am the Book Shepherd for the project. Every heard this term? It is a person who takes a book all the way through publication. I have experience here because. . .
  6. The Cabins of Wilsonia  is a completely self-published book. The website croaked, but the book is available here: The Cabins of Wilsonia
  7. I’ll be starting a new oil painting commission soon.
  8. The giant oil painting of the Oak Grove Bridge is in a time-out. The future of the bridge itself is in a decision making stage with three options. You may comment about it, indicating your personal preference (as long as it is Alternative #1, but of course I am entirely neutral on the subject) I hope to learn of the website soon.
  9. Next week I’ll tell you more about the upcoming coloring book.

Now, if you have persisted to the end of the list, you get to see a few more beautiful photos of spring in Three Rivers. Thanks for stopping by today!

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Mural #2, Day Three

I may have mentioned that February is my favorite month a couple of times. It still is, in spite of the fact that on this date, 16 years ago, my dad died. Weird. I didn’t think I could make it a week without him around, and now it has been 16 years.

Every morning as I head down the hill to work on the mural, I check out the view. There is a wide turnout with a great view up the canyon, and on some mornings, it is fabulous.

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About 2 miles from the mural site there is a stunning field of mustard.

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Across the street from the mustard is an old olive grove that my dad owned. (I wonder if Dad would have let all those suckers grow on the base of the trees.) It is a beautiful grove, and I expect it to be torn down for houses in the next handful of years.

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Okay, let’s tackle some Tanzanian trees and shrubs and sand and grasses.

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I enlarged the photo on my computer screen and then made some little sketches of the different shapes of the trees. It was helpful. Customer was pleased with my progress.

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Then, I had to face that herd of cape buffalo. I tried enlarging the photo on my computer, but it was too pixelated. I worked and thought and studied and worked some more.

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If I can’t see a thing, it is very hard to paint the thing. One of Customer’s people showed up to relocate the scaffolding for me, and I was relieved to move back to the tree.

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To use one of the most overused cliches, “at the end of the day”, this is what I had. Customer said it looks as if Dracula will be coming out of the sky.

Mural #2, Day Two

A guy showed up this a.m. to move the scaffolding out of the way. I drew the base of the tree. Then I redrew it further to the left.

Are you wondering, “What tree??” Just hold on. . .

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Then I began painting the distant trees.

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A little ground work, more greenery in the distance, and some delineation on the base of the tree.

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Another working lunch.

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Time to put in a hint of cape buffalo. Customer came by and said the tree was too short – duh. That’s the highest I can reach from the floor! He thought the buffalo were the right size for the location.

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I told Customer that it would be helpful if I could see the tree in person. I need to touch it so I can tell the texture. He contemplated having someone chop one down and shipping it here, but quickly abandoned that idea when we began discussing the age. Baobabs are probably as old or even older than our sequoias. He said the bark is smooth.

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This is how it looked at the end of another day. Maybe I can finish the lower half tomorrow, and then get the scaffolding back in place at a lower level than before to grow paint the tree.

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Mural, Day Three

Since the sky is finished, I pulled the blue masking tape from the top. Then I reshaped the small window, widened the building a skosh on the right, filled in the posts with a first layer and then Customer came to say “Good Morning”. He had a smart aleck remark about the bluebird, so I offered to let him put some blue on it. He actually recoiled at the request, so I opened up a container of blue, dipped my finger in, and smeared a bit on the bluebird.

Then, I began the dogwood.

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The dogwood tree puts out its blossoms before it leafs out, but this looked a bit twee with pink, white and blue together. So, I decided it needed to have some green; let’s call it another tree behind the dogwood.

I also began detailing the grasses at the bottom.

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You can see there are grasses on the left and blurs on the right.

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See?

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When I photograph a painting, whether a mural or an oil painting, things that aren’t just right show up. This photo tells me that the shrub on the left needs another clump in the lower back, and the large tree behind the building needs a little work. And it says, “While you are at it, could I have a few dogwoods in the distance? Oh, and maybe another branch or two on the lower edge of the big dogwood?” Bossy-pants photo.

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Customer came back at the magic 5 minutes in the late afternoon when the sun is exactly across the doorway of the old building. Then he suggested ivy growing on the front of the building, which I thought was a grand idea. I began it immediately, and complimented him on the addition. He said, “I’m not just a pretty face, you know”. Except, being from Missouri (which he pronounces “Missourah”), he said “purdy face”. We are really having fun getting acquainted as I paint.

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Okay, everyone just calm down from the bossy photo, brilliant sunlight, funny pronunciations, and creeping ivy. This is how it looked when I closed up shop for the day.

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The ivy needs more detail, more leaves and some stems. I’ll check out the ivy at home before beginning on Day Four. This photo also shows the grasses before detailing, along with the not-quite-finished log on the ground and very transparent and sketchy bluebird.

Stay tuned. . .

New Mural, Day Two

The first task of the day was to mix a good color for the weathered building. That greenish tan was just the paint remaining on my palette from Day One.

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Often I have a beginning drawing student draw something made of old wood for a first picture because the results are usually pleasing. Painting old wood is just as forgiving and satisfying as drawing it.

This is how it looked when I stopped for a brief lunch break. I went outside and photographed some oranges, so it was a working lunch.

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Wow. Tomorrow I will add the dogwood branches in bloom on the left, detail the posts, detail the grasses, detail the downed log, and put the cherry on top – the BLUEBIRD!

Maybe. Maybe it will take 2 more days. My detail brushes wear out so quickly, and then doing the detail accurately becomes a slow and annoying process. It would make sense to keep track of which are the best brushes, and then just know I have to order a pile of them before beginning a new mural. I don’t think there is time to get more before starting mural #2, so I’ll have to baby these along.

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Isn’t this an interesting free-standing wall? It was fun to figure out the borders and that I could wrap the design just a little.

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Here it is from the other side. (Thanks, Captain Obvious.) The plywood on the floor is so that I don’t bruise my knees while kneeling on the river rocks that are at the base of the wall. Or, so that I don’t bruise my knees as badly.

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The Oak Grove Bridge Saga Begins

Or perhaps it continues. . .

 

 

Oak Grove Bridge XVII

This commissioned oil painting of the Oak Grove Bridge is signed, sealed and delivered.

On Monday, February 8 at 6 p.m., there will be a public meeting at the Three Rivers Memorial Building concerning the future of this bridge. A hearing? Something about the planning commission? Not sure exactly of all the bureaucratic wording, but whatever it is, I will be there. (Lord willing, the Creek, etc.)

In addition, we are invited to send “comments” (does that mean opinions? suggestions? protests?) to a Jason Vivian by February 1. Here is a link to an explanation that includes Jason’s eddress. Click this.

Next week I”ll show you what I wrote.

Meanwhile, I have 2 more bridge paintings to finish.

Happy Recipients

Here are some works of art that were done for Christmas gifts. I heard back from 3 of the 5 about the happiness of the recipients. The fourth and fifth are most likely very happy – an email and a phone call would confirm it, but I don’t like fishing for praise. So, I will assume that the recipients are happy.

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People say they love my pencil drawings, and I believe them. That’s what they choose for commissioned work.

As far as “off the shelf” work goes, the oil paintings far outsell the pencil.

Go figure. . .

Bridge Paintings

My favorite bridge is currently my favorite subject for oil painting. (Brought to you by the Department of Redundancy Dept.)

The Oak Grove Bridge crosses the East Fork of the Kaweah River, 6.5 miles up the Mineral King Road, out of Three Rivers, in Tulare County, California.

Some governmental agency has declared it to be unsafe. There is talk of rebuilding it, leaving it in place as a foot bridge and building a new driving bridge upstream, and even tearing it down. 

Better start saving $ for my bail, because I might have to chain myself to the bridge and then get arrested.

Nah. I’ll think about that tomorrow. I have some paintings to finish.

Oak Grove Bridge

The detail on the railing is the most difficult part of painting this bridge, especially when it is 8×10″. Too too tiny.

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Why is this upside down? Because every part except the top of the painting has wet paint on it. Okay, the back doesn’t have any paint, but you probably figured that out. This one is a commission, and the customer specifically requested detail around all four edges.

Navel Season

December is in the midst of navel season. Navels are seedless oranges, known for their great eating rather than for juice. The season has been greatly extended by adding early and late varieties.

These are most likely the classic navel, Washington, also known as Old Line. 

These five oil paintings are also for the ag realtor who gives them as gifts to his clients. 

1570 Navel XI 1571 Navel XII 1572 Navel XIII 1573 Navel XIV 1574 Navel XV