Changing Spaces

The Three Rivers Veterans Memorial Building is a regular location for art and craft bazaars. I’ve been participating here for many years in many different places in the building.

This was in 2011, along the wall. I’ve learned to not overload my space and overwhelm the visitors with so many paintings.
Whatever year this was, my booth was in the center of the room.
This one was along the wall.
2014 was consumed by the book “The Cabins of Wilsonia”, which the printer failed to deliver as promised in time for this show; so, I just took all my extra knitted items to sell, along with my usual cards, Mineral King tee shirts, a friend’s knitting and another friend’s lavender. This is the same corner space that I had last weekend.
This window location is a common space given to me and we’ve learned to deal with the bulky drapery in the way by scrunching it together using a bungee cord. That big banner is now gone – just got worn out.
The windows provide wonderful natural light, especially in the springtime.
Spring of this year: the big round table has been useful through the years but does take up a lot of space in the roughly 10×10′ space.
This year I set up the space this way. No more large round table.
It was a good location, because when people entered the building, they immediately saw my colorful table with affordable items on the right side.

Every year I have slightly different merchandise, different paintings, different ideas for display, and it presents a new puzzle each time. It is all part of the business of art in Three Rivers.

Friday and Saturday I will be in another new space here in Three Rivers, NOT in the Memorial Building.

Friday Fun

Trail Guy went to Mineral King last week. This is how it looks at this time of year.

Farewell Gap with the Crowley Cabin from the bridge at the end of the Mineral King Road. November is bleak and colorless, waiting for snow.

That hardly qualifies as “Friday Fun”. What does? How about Pippin in the leaves!

Look hard. Might need to enlarge the photo to see Pippin, camouflaged in the leaves. Very very camouflaged.
Can you see him now?
Pippin!
Pippin didn’t want to share with Tucker.

See you tomorrow at the Three Rivers Memorial Building for the annual Holiday Bazaar, 9-4!

Decisions and Completions

If these recently completed paintings are dry enough, I will bring them to the Holiday Bazaar on Saturday, November 23, at the Three Rivers Memorial Building, 10-4. Paintings ALWAYS look better in person – come see for yourself!

Below the Dam, oil on wrapped canvas, 8×10″, $125 (Worry not – I signed it after this photo was taken).
The Old Honeymoon Cabin in Mineral King, 18×36″, oil on wrapped canvas, $1200
Fruits We Love, 6×18″, oil on wrapped canvas, $150
Sequoia Trees, Big & Tall, 18×36″, oil on wrapped canvas, $1200

Small Decision, Small Success

When your Central California artist is undecided, she practices something called “productive procrastination”. Yardening for a friend, making yogurt, running errands, visiting with a far-away friend through the wonders of technology, reporting 10 robocalls to the Do Not Call Registry Complaint page, and then I saw Tucker outside the kitchen door. He is so shy and has been avoiding me for several months, so when he came to visit, I had to go sit outside with him for awhile.

All this fiddling around gave me a chance to ponder an idea, so I finally headed to the painting studio to try it.

Can you guess my idea?

The 2 pomelos were too close in size and placed in a manner that did not please me.
I liked it enough to sign it (after I took this photo for you). I also added a bit more orange to the green oranges. (Oranges require cold nights to turn orange; it is the sunshine that provides the sweetness. If the weather turns warm after oranges have turned, they can turn back to green, called “regreening”. You’re welcome, because I know you were wondering.)
Now the 2nd side of the path to the studio door is planted.

Digging in the dirt was my reward for getting that painting finished. (Trail Guy helped because there is a lot of decomposed granite that is actually so composed that it is hard to get a shovel through.)

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Feeling confident because of success with the previous painting, I tackled this one. It was too flat, and there was nothing to look at in the scene. Being there in the spring is wonderful, but I don’t have the skill to make it look so good in a 2-dimensional format.

A friend said that if I was an impressionistic painter, this would be considered finished. If she saw it in person, she’d probably change her mind, because the old picture is coming through a bit. Besides, it was the end of the day and I was painting with a lamp instead of daylight.

Indecision

“Indecision” sounds a lot like “indigestion” which sounds a bit like “indigent” which means “poor enough to need help from others”.

These paintings might be poor enough to need help from others. I can’t decide if they are finished, if there is a way to improve them, or if they just need to be painted over with something else.

I like it, then I doubt my own opinion, then I decide to just sign it and be finished, but I can’t because something unknwon is holding me back. I can’t decide.
This was my first plein air painting in Mineral King this summer. I hid in the trees so no one would watch me flail around. Does it need more light on the edge of the larger red fir? Maybe wildflowers in the foreground would solve whatever it is that makes me not love this painting. Maybe it needs to be detailed, the way I normally paint. I can’t decide.
There was no good place to stand on the bridge so I was off to the side, and had to be careful each time I stepped back to not trip or step into traffic. I’ve painted this cabin scene so many times before, but never from this angle, and never with this lack of detail. Does it need more detail? I can’t decide.
This was painted in my front yard shortly after I returned from the plein air painting workshop in Georgia. I think it is boring, in spite of being the best time of year. Is it boring or is it just that “familiarity breeds contempt”? I can’t decide.
This is how the same scene looks now. This photo is definitely boring, but Three Rivers is still the best place to live in Tulare County. No indecision in that department!

A Busy Month (and you are invited)

November is my busiest month. For the first time in several years, I have no selling events in Visalia. However, there are plenty of other opportunities to see me and my art: a list might be the easiest way to see all the upcoming events.
1. Holiday Bazaar, Three Rivers Veterans Memorial Building, Saturday, November 23, 9-4, free (of course). Always a nice event with good stuff made by interesting people who are eager to tell and sell.

2. Perfect Gift Boutique, 41837 Sierra Drive (that’s Hwy. 198 in Three Rivers) in a borrowed empty storefront, sharing space with the other Kaweah Artisans. Friday, November 29 and Saturday, November 30, 10-4. (the Friday and Saturday after Thanksgiving). The address on this poster is where we were last year; this year’s will be in the next building just downstream, next to the Kaweah Commonwealth office.

WRONG ADDRESS, WRONG DATES, WRONG DIRECTIONS (but right event)

3. In other events, I am teaching drawing lessons at Arts Visalia each Tuesday evening from 6:30-8:30. Five students, good times!

4. But wait! There’s more! The Festival of Trees and Globes is the annual fall fundraiser at St. Anthony’s Retreat Center in Three Rivers, this year on Thursday, November 21. My part? Judging the decorated Christmas trees, along with 2 others. It is a little stressful, knowing that people poured their hearts into these trees, and trying to be objective when I know most of the participants and every worthy organization; Three Rivers is a small, self-contained community, and anonymity is rare. The event itself is quite fun, lots of food and drink, a silent auction, and the live auction of the trees. (It’s not fancy like the similar event in Visalia – we are easy-going and informal here in 3R.) You can buy tickets in advance or at the door or from me.

P.S. First Saturday, December, is also coming up, and for the first time in a long time, my studio will be open!

Now the 2nd side of the path to the studio door is planted. This is where I draw, paint, and occasionally contemplate matters of consequence, which results in fascinating blog posts such as this one.

And Another Big One

I decided this one is finished, except for all the busy extras like painting the edges, adding a wire to the back, titling, photographing, drying, entering into inventory, on and on and on.

18×36, Honeymoon Cabin in Mineral King, oil on wrapped canvas, price not yet determined because I never paint this big and haven’t done the math yet. (Want to make me an offer?? “Special deal, for you only, today! No JCPenney junk!”, as spoken by a vendor to me in Tijuana back in the 1980s.)

I started another one, this time 24×24″.

Any guesses? Good luck. It’s upside down.

The most difficult part about this one will be making this scene look as beautiful to the viewer as it always looks to me. I don’t remember where I took the photo, but I think of it as the best of Tulare County.

I painted it 8×10″ last April in the loosey-goosey plein air style. Even that unfamiliar painting style didn’t wreck the scene for me.

The Other Big Painting. . .

. . . and a diversion–redoing the plants outside the studio.

I worked on this painting for a few hours.
Pippin dozed on the shelf behind me while I painted.

Look out the window behind Pippin–all the rosemary is gone. It has been there since I first poked clippings in the ground when the little shed was being remodeled into a studio in 2001. I wanted it to drape over the wall, and besides, it was free. But plantings get old.

I clipped it way back, soaked the ground, and then Trail Guy dug out the stumps and roots and prepped the soil for the new plants.

3 kinds of Texas Rangers, 2 kinds of grevellia, and some lemon geranium clippings.
I went back to painting.
This time Tucker took up a position behind me on the cat shelf.

The planting was inspired by time with my neighbor working in her yard and learning about plants together, the continued good weather this fall, and the upcoming First Saturday Three Rivers, December 7, when I will have my studio open to the public for the first time in well over a year.

Those Big Trees Again

This is close to being finished. A little more detailing, painting the edges, signing it, stick-a-fork-in—it’s done (except for drying, wiring the back, photographing it, varnishing, entering into inventory, putting on the website).

Getting there–big sigh of relief. Now I get to return to the Mineral King Honeymoon Cabin, the other giant oil painting on the easels that is challenging both my confidence and my skills.

P.S. One of Us, by Tawni O’Dell, a book on CD was good all the way to the end. Excellent readers, and it helped me want to keep painting.

Inching Along the Big One

How does one keep coming up with appealing titles for the same topic?

One doesn’t.

This painting is too tall to reach the top when the easel is on the table, so I set it up on the platform of the painting workshop with the doors open.
Trail Guy helped me find and retrieve my big painting easel, which he had stored out of sight and out of reach. It is a simple streamlined design and doesn’t take up much space.
This is S L O W.
Now it is at the “Best-Viewed-From-The-Back-of-a-Fast-Horse” stage.
I bet the oil painting of a Giant Sequoia on the easel has already taken longer than this mural in acrylics took. Of course, using a 1-1/2″ brush instead of a 3/8″ makes a difference, but I can’t figure out how to use a fatter brush and get results that aren’t cringe-worthy in oils.

When I begin to put the details in, I’ll stop moaning about the pace. It helps to listen to a book on CD, and I’ve got a good one going right now. One of Us by Tawni O’Dell is still good on CD #2. Time will tell (that’s what my Dad used to say instead of “more will be revealed”).