Library Mural, Day Four

Intern returned, so we studied the wall together and discussed the next step. He put a base coat on Twin Buttes, and I worked on the mountains south of Alta Peak, since I got a few semi-helpful photos on Friday.

Together we mixed the color of the background of the packing label. Intern was SHOCKED that I painted the two oranges on the label before the background. Together we peeled back the masking tape, and he did a great job while I kept figuring out the mountains and a facsimile of Venice Hill. This is an odd group of hills just east of Ivanhoe, not exactly visible from town but definitely a landmark. I just made it up, because it looks different from every vantage point.

When I was satisfied with the distant mountains and fake Venice Hill, I began tinkering with the last inset, the auditorium of the Ivanhoe School back in the last century when I attended school there.

Intern was so cold that his teeth were chattering, so I told him that he had done enough for the day and sent him home. He was very helpful in many ways, and I also was able to teach him some helpful things about perspective and portraiture. Although he is a college student taking art classes, the instruction is insufficient. That’s how it was when I was in college too, and it is why I love helping people learn to draw.

The orange leaves have been troubling me. I know they will be delineated in the closer branches and trees, and be less clear when farther away. I can paint orange trees in oil and draw them in pencil, but using acrylic paint on a wall is just confounding me, handcuffing me so that I cannot figure out how to paint orange leaves. So I got a little help with them from a fellow muralist in the form of some texted photos and tried again. This time I just started with the farthest trees, hoping that I’ll figure out how to detail the closer ones.

After painting awhile, I stood back to see if the 2 halves of the mural make sense together. This caused me to jump over to the right side and rearrange the rows a bit, then begin texturing the distant trees.

After 6 hours of standing in the cold and the mud, I was ready to quit. So, I tried the combination on the trailer locks and was able to figure out how to open the thing. I carried my crates and stepladder to the opposite side of the library from the mural and put them in the ridiculously oversized trailer. Can you say “overkill”?

I have been asking for months to be given a key to the library so I can stash 2 ladders (now down to needing only one) and 3 crates of paint (now down to only 2), and to have access to water and to a facility. Instead of doing this apparently easy thing, they hauled in this giant trailer, parked it far from the mural, and I have no access to either water or a bathroom.

They’re from the government and they are here to help me.

I am able to make process in spite of this “help”.

2026 CALENDARS, “AROUND HERE… and sometimes a little farther” available here, $25. All the drawings were new in 2025. You’ve only seen the one of the pier, which sold in the show of the same title.

Library Mural, Day Two

Brrr, BRRR, and BRRR! In driving the 35 miles down to the mural yesterday, I learned that the defroster in Momscar* is INSTANTLY effective, and I actually used the seat warmer, which seems like an ultra luxurious feature. Now I just need to figure out which button makes heat land on my feet.

Step by Step on Day Two

I took MomsCar so instead of just working off the tailgate of the good pick-em-up truck, I unloaded everything on the curb. (This is the curb of the driveway, not the actual road.)

Next, I had to satisfy my curiosity about that box on a pole.

No idea.

It is overwhelming to look at all that needs to be done, so I just eased into it. First, I removed the tape on the outside of the left inset.

Then I retaped it on the inside of the inset.

Because I paint from back to front and the sky is mostly finished (might add wispy clouds later), I mixed some “purple mountains majesty” color.

Starting on the left side, working my way south.

I had to keep standing back to see if it was believable. My goal was to make the mountains accurate, but I can’t seem to get a photo of how the range looks from Ivanhoe because of the overcast. My one good photo only goes from Alta Peak north. So, I just painted a first coat on the second half, getting Sawtooth in place. I will finish the mountains after I get some better photos.

Next, the upper edge of leaves. That was confusing because I am interpreting multiple photos, trying to make it believable. I alternated among 3 greens and used a tiny hint of orange. I’m not sure what the best approach is yet, but I have plenty of real estate in which to solve this problem.

I also placed a few of the closer oranges by circling the placement.

I moved to the upper right leaves, and then I was just too cold to continue. Here is the final shot of the day.

Then I filled in the channel left unpainted by the masking tape around the left inset.

The leaves didn’t look right to me, so on the way home I took a few photos.

*Mom gave me her car, and after a few months of adjusting to the fanciness of a 4-door, 6 cylinder, automatic, I still think of it as her car. Thus, the current name of Momscar.

I have some other obligations and work responsibilities so won’t be back on the wall until Friday.

Calendar available here, $25 includes postage (and I’ll eat the sales tax if you are in California.)

Better Than Before

While at the Redbud Festival, there was plenty of time to sit and study my paintings. I put on my mental critic hat, and made a list of adjustments that would improve my paintings.

Before
Better. Craig Ranch, 8×10″, $125
Before
Better. Olive Orchard, 10×10″, $200
Before
Walnut Grove, 10×10″, $200

Whaddya think about the improvements on these typical Tulare County scenes? Betcha you can’t even tell the differences.

Tomorrow: More Better Than Befores