Selling at Silver City

Silver City Store, as it looked in 1985, painted in 2018 as a commissioned oil painting. (The original pencil drawing is in a frame and as such, won’t scan properly).

Over the weekend, I took all my Mineral King themed paintings to the Silver City Store, which is where I worked in 1985 when I met Trail Guy and changed the entire direction of my life (from meandering and going nowhere to based around Mineral King.)

Sawtooth on a saw blade was commissioned by the resort and belongs to them —not for sale.

The first time I sold my art in a store was the summer of 1986, when I had prints made of my drawing of the Silver City Store. Now it is called Silver City Resort and it is much fancier.

Usually I take 6-10 paintings and some notecards to the store at the beginning of the season, and then restock throughout the summer. This year I decided to take everything all at once.

Manager Molly was very gracious in helping me fit things in. We pulled nails, pounded new ones, and scooted lots of things closer together. They have more merchandise than ever before—if you like to shop, you will definitely enjoy the store this year.

When it was all in place, I pulled out my little Canon Elph camera, and the battery was dead. I didn’t have the inferior phone camera with me, because there is no reason to take it up the hill.

So on the way home, we stopped by and I did some quick photos (had a replacement battery back at the cabin).

A gap here is good news.

Two paintings sold over the weekend!

Entering White Chief. . . I admit, this is one of my favorites and I was surprised it hung around for two years.
Mineral King Trail

It’s not a gallery with white walls, shiny floors, and lots of space, but my art does well in carefully selected stores. Silver City is the first and best place I’ve ever done business.

P.S. Silver City is 21 miles up the Mineral King Road and is 4 miles below the Mineral King valley.

Day #3 of Painting Sawtooth*

Nope, don’t wanna paint this.

After a moment’s thought, I remembered a made-up somewhat embellished view that sold twice last summer as a 6×12”, the same proportions as this 12×24” canvas. I dug out the relevant photos, and flipped the canvas.

Then what happened? So glad you asked! First, upside down so the proportions would be correct and believable. Sometimes I just need that extra method of seeing correctly (another reason against plein air painting for me.)

It was not dry from the previous day’s painting, so it was a little challenging to keep the paintbrushes from digging up yesterday’s wet colors. I didn’t paint the sky first because I knew I wouldn’t be able to keep the blue pure. It got this far along, and then it needed some drying time. You can see an outline of Sawtooth, so in spite of not wanting to paint that thing again, here it is, because it sells.

It seemed like an easy task to finish the little canvas of the classic view of Mineral King. I barely need photos anymore and have stopped trying to keep track of how many times I’ve painted this scene. I’ve titled the scene “Farewell Gap”, “Classic Mineral King”, “Crowley Cabin”, and “Mineral King Family Cabin”, and probably a few other names too. It’s good to have one handy, but I pick and choose which elements and which colors. Sometimes the tree on the left is tall, sometimes it is gone. Sometimes the stream lines up with Farewell Gap, sometimes not. The water and snow on the peaks also change from painting to painting. Every time I stand on the bridge to view the scene, I am POSITIVE it has NEVER looked so good. So, I take another photo.

Done!

I’m feeling the pressure to complete all the Mineral King paintings because it is time for the Silver City Resort (4 miles below Mineral King) to open for the season.

*Only one Sawtooth today.

Art Inspired by Mineral King

On June 29, I participated in the 2nd annual Art Inspired by Mineral King. This is the title of a show and sale on the deck of the Silver City Store, 4 miles below the Mineral King Valley.

The Oak Grove Bridge still almost had this much water beneath at the end of June.

I headed up the road the day before the show, my first time up this season (resulting in yesterday’s post about the condition of the Mineral King Road). When I got to the Oak Grove Bridge, I remembered that I forgot my screen covers. The bridge is 6.5 miles up the Mineral King Road, and my house is 2 miles from the MK Road, but I turned around anyway.

Since only one campground was open and the road is terrible and many of the passes are almost impassable, attendance was spotty. But I’ve told you before how I feel about this: when attendance is low, time with each visitor is high.

My screens helped 2 other artists display their pieces, so those covers were important. But, you can see that I still forgot one of them!
Linda Hengst was one of the artists. Her work is visible on the right side of this photo.
Photographer Brett Harvey was also a participant.
Working diligently at the table is jeweler (and Silver City employee) Ryan, or perhaps Rianne.
Doesn’t this look intriguing? I’m sure if you were above the store, you’d want to walk down to see what was happening.
Sales were slow, but contacts and good interactions were steady.

Next year, together with the Silver City Store/Resort, we will decide if it is worth putting together a 3rd annual show and sale. I know it is important to be in the public eye, but oh my goodness, I certainly prefer being on vacation while up the hill. Besides, once I get my little old car to the valley, I am loathe to put it through any extra miles on that sorry excuse for a road.