During my most recent pencil drawing commission, I contemplated how this would have been difficult in the past. There was great satisfaction in putting this together with confidence, knowing that I was exceeding the customer’s expectations while meeting a tight deadline.
Not bragging, just relaxing into the sense of work done well because of many years of experience.
Remember the chosen sketch?
In the past, just the oval shape alone would have had me puzzling over how to make a perfect one that fit the shape and size of the image. That was before Photoshop Jr. and I made friends. Definitely not besties, because Adobe is NOT Apple and therefore not intuitive AND keeps getting updated and complicated, requiring learning it all over again.
But I digress. Jr. was able to make an oval for me to transfer to my drawing paper. Thanks, Buddy.
Here is a little bit more of the progression. As usual, mostly working top to bottom, and left to right, to prevent smearing. The hot press watercolor paper I chose for the drawing is smearier than my usual Strathmore 400 Series Bristol Smooth. I chose it because the entire pad of the Strathmore was trimmed crooked. What?? Yeppers. Weird.
I sent this to Mrs. Customer to reassure her that I was back on schedule.
Then I worked on the oranges in the upper corners. Oranges are almost always my fallback position for decor in art.
There was a gap between the houses, larger than anticipated in the sketch, so I asked her for photos of flowers that mean something to her and she sent this:
In the past I might have suggested something more distinct instead of a mass of small flowers. But, I tapped into the confidence reservoir that experience brings and dove in.
Mrs. Customer was pleased, and so was I. The above photo is good enough to get approval, but not adequate should she request a reproduction of any sort. As the artist, I hold the copyright, and want to be sure that all reproductions are of the highest possible quality.
So back to my “frenemy” Photoshop Jr., because my scanner isn’t large enough for this 14×17” drawing. That meant I scanned it in 2 parts and then patched them together. I may have figured out a better way to make this happen. The learning never stops around here, accumulating experience with every new job.
And now that I am showing you here, I can see there is a bit more work to be done on Photoshop Jr.
Apparently the work never stops, along with the learning. Guess I got a little cocky. . .
