Tag: commission pencil work

Many years ago, there was a fabulous little place in Lemon Cove called Foothill Fruit. The owner was a terrific baker and sandwich maker, and some mornings I woke up just ravenous for one of her scones and French Roast coffee. I worked there for a few brief months (it used to be necesary to get a second job during my slower winter months in order to pay my taxes—thank you, Sacramento). When I was no longer working there, we were on trade: Trail Guy (his name was Road Guy back then) and I ate, and I would eventually do a complicated collage drawing of her dogs and her home.

I used my film camera to take some photos, and then I did a few sketches. The owner, whom we will call JM, couldn’t make up her mind as to how she wanted her dogs and home depicted. Then, she moved far away.

This debt in the form of an undrawn picture bothered me quite a lot. She and I weren’t close friends, but we were on good terms and enjoyed each other’s company. I couldn’t figure out how to reach her (this was pre-internet), so I filed the notes and photos under “Incomplete Jobs” or some such thing.

At an oil painting workshop in January of this year, one of the participants asked me if I knew JM. Well, saw off my legs and call me Shorty! The participant put me in touch with JM, I dug out the photos, we started emailing, and she approved this sketch.

If I hadn’t just completed that commissioned pencil drawing with all those little bitty faces, this would have been very daunting. However, I was feeling ultra capable and competent at my craft. Cocky, perhaps? Nope, just confident. (Confidence is a smile; arrogance is a sneer.)

I emailed this to JM to ask if there was anything that needed to be corrected. Stay tuned. . .

Here are a few thoughts about drawing with pencils. First, have you noticed that when galleries tell the medium used in making a piece of art, they say things like “oil”, “watercolor”, “acrylic”, or “pencil”? “Pencil”???? Isn’t that actually graphite? In a sense, calling a pencil drawing “pencil” is somewhat like calling a painting “brush”.

Never mind.

The drawing has been temporarily removed from the blog because it is going to be a surprise for some people.

When the customers retrieved their pencil drawing with all those little bitty faces, they wanted to know how in the world I was able to make those tiny visages legible.

The way I got those tiny faces was with little itty bitty adjustments while working under a magnifying glass using these tools, working for many hours on nothing but those faces, refining with each pass, turning the photos and the drawing upside down in order to evaluate the shapes, the darkness, the blurry quality, and then mimic what I saw.

That teensy eraser came into being about 5 years ago. (Okay, if it feels like 5, it was probably 8 or 10 years ago.) How were we able to draw without such a tool?? There were other eraser sticks, but none so tiny. We relied on erasing shields to isolate small spaces, which were never small enough. Now, with the Tombow Mono Zero, we sometimes want an even smaller eraser.

Those sharpeners by Blackwing are designed to give a long point, using 2 different blades. First, use the hole on the left for a looonnnng lead (not actually lead—Pb—but graphite). The hole on the right makes an extremely sharp point, unless the blades have worn themselves dull, which mine have. I had to break out my new one, which I had been holding back on using because it cost $14!! For a pencil sharpener??

Since I no longer have one in reserve, it seemed prudent to buy another backup. Now they are $16 on Amazon. SIXTEEN DOLLARS FOR A PENCIL SHARPENER!

Sometimes it feels good to just sketch quickly, without anything other than a Blackwing pencil I usually keep with me, using any available blank piece of paper. It is a different kind of challenge, which is probably good practice.

Yeppers. Time to raise my prices.

P.S. SIXTEEN DOLLARS FOR A PENCIL SHARPENER?? I’m struggling with this concept, which you may have noticed.

To show Friend/Customer how color will look on his drawing, I printed it on my unreliable printer and scribbled some color on the copy.

This passed muster (not sure about this term but it has military origins). So, I pulled out my good colored pencils (Polychromos by Faber Castell) and colored the original.

After I scanned it, I realized that I forgot to put color on 33, the number of the engine. So, now it has color there too.

Phew. Finished this very challenging pencil commission in time for Friend/Customer to deliver it for Christmas.

Maybe it is time for a long winter’s nap. . .

SIMPLY HOME RUNS UNTIL DECEMBER 29 AT CACHE.

2025 CALENDARS, AVAILABLE HERE.

My friend/customer likes to challenge me. He thinks I can do things with my pencils that I am never sure I have the ability to do. We talk, I sketch, we talk some more, I revise, we talk some more—and that’s all before I begin the drawing.

I’ve shown you some of this in progress, beginning with this messy sketch.

When the very complicated and unforgiving fire truck seemed to be the easiest part, I KNEW I was in for a challenging rest of the drawing.

With time was running out, I set a deadline for finishing, and began on those little boys, working from almost impossible-to-follow photos.

After I had the boys drawn, I scanned it and sent it to Friend/Customer, who said the larger boy looked fine, but he didn’t like “the bend” of the smaller boy, whose head also looked too small.

I wanted to say, “Then why did you send me a photo with him bending?” Instead, I embiggened the little boy’s head and unbent him.

He said it looked good, then texted that Mrs. Customer thought the bigger boy’s cheek looked too chubby. How she could see this is a mystery to me. However, she knows the boys, and I trust her judgement.

The difference between a chubby cheek at this tiny scale is the width of one hair. THIS is the reason that one should never try to draw a face smaller than an egg, and I don’t mean a hummingbird egg. The boys were supposed to be drawn from the back, but the supplied photos show a tiny amount of faces. (Why am I unable to say, “NO, I CANNOT DO THIS!”?)

That tiny adjustment was accepted. Friend/Customer asked if I was going to put anything on the lower third of the drawing, and I replied, “Nah, I’m gonna quit and sign it now.” (Of course I was just kidding around, but wanted to poke at him for putting me through this stressful, make-it-up, mind-reading exercise.)

The grasses and wildflowers were also very challenging, because I had no photo for this completely fabricated scene. It was a large piece of real estate to cover with the tiny point of a pencil, but being the professional that I am, I soldiered on. When everything was planted and landscaped, I scanned the drawing yet again and sent it for approval.

The next plan is to print this out and experiment with color. I will put red on the firetruck, yellow on the sunflowers, and something on the boys’ tee shirts, most likely blue. Friend/Customer asked if I could do it on a copy first so that they can approve this non-erasable addition before it goes onto the original.

If the practice piece passes muster, I will add the colors. Then I might just go have a cigarette.* Stay tuned. . .

SIMPLY HOME

The show hangs until December 29. You can see the show at CACHE in Exeter, Friday, Saturday, and Sunday, because as you know, everything looks better in person. The hours are posted on CACHE’s website. (Scroll down to see the hours.)

2025 CALENDARS AVAILABLE

*Take it easy. . . I’ve never smoked in my life and never will.

Good thing that you (and my customers) know that I know how to draw, or this rough sketch would cause everyone to back away slowly, wondering how I could call myself an artist.

This is a compilation, a conglomerate, a composite, of unrelated photos, following the ideas and instructions of a customer/friend with an interesting request. We have worked well together in the past; he answers all my questions thoroughly, tells me the truth, and I persist until he lets me know that I have gotten it.

When I started drawing on big girl paper. I was nervous, so I started with the sky, moving forward to the distant landscape, and then, as detailed and difficult as it is, the firetruck was still preferable to the little boys.

It has a section in the middle of the side that looks like a vending machine. WHAT?? That part can just sit quietly until I have no choice but to tackle it. It often behooves me to procrastinate on difficult sections, because . . . you know what I am going to say. . . say it with me. . . “MORE WILL BE REVEALED!”

The most difficult aspect of this type of drawing is figuring out what sizes the various parts need to be in relation to each other.

Each day that I work on this, I text the day’s progress to the customers. The reasons are so they know I’m working and tell me that I am doing a good job.

(When my drawing students want to draw things this difficult, I say no. When they persist, I am convinced they hate me.)

SIMPLY HOME

The show hangs until December 29 at CACHE in Exeter. Their hours are Friday 1:30-4, Saturday 10-4, Sunday noon-4. It includes about 50 paintings, 3 original pencil drawings, calendars, cards, coloring books, The Cabins of Wilsonia books, and a few pencil reproduction prints.

2025 CALENDAR, AVAILABLE HERE. $25

Pencil Pennsylvanian? Pennsyl Pennsylvanian? Pencil Pencilvanian?

Never mind.

His name was Elvis, and some friends of his former owner commissioned me to draw him.

All those inferior progress photos were taken with an inferior phone camera. Here is the finished drawing, scanned, photoshopped, ready for delivery.