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My current odd job is simply a painting of a mountain landscape. The odd part is that I am painting it 16-3/8″ x 29-7/8″ on a piece of Masonite.

After Trail Guy cut it, I covered it with 5 or 6 coats of flat white housepaint, sanding between each layer for a smooth surface.

Meanwhile, I studied the two photos, provided by the customers.

Neither one is the right proportions. Each has its own good points, so I combined them into a rough sketch, the proportions of the window opening and board. This is what I sent to the customers for approval.

The customers were very happy, so I sketched it onto the board.

Then, I put a very thin first layer over the white primer.

When that is dry, I will continue layering, building up color, tightening up detail, until eventually I won’t be able to think of any way to make it better.

Then I’ll do the usual finishing steps: sign, photograph, varnish.

Because I know you want to know, all I know is that this is somewhere north of Lake Tahoe. 

The ranch house painting was stressful. it was a manageable project, but definitely pushing the limits of my abilities.

The Difficulties

Some photos, even though they are clear and have good detail and light, just don’t have the right information. This one had giant up-close tree branches that were making shadows, but looked disproportionate. The deck off to the right was confusing and hidden by trees that didn’t look good enough to paint because they were too big. The customer requested grazing deer. The canvas proportions didn’t match the photo, but cropping would eliminate the important front steps.

On top of that, there was the looming deadline. Trail Guy asked me why I didn’t charge a rush fee, and then I remembered: it wasn’t a rush until 2 weeks of my working time were stolen by a virus.

What’s a Central California painter to do?

The Solutions

Technology to the rescue: I used Photoshop Junior to size and place the deer on top of the painting (on my laptop, not on the actual painting). The result is a little too disturbing to show you, because the deer photos are in sharp contrast to the mushy looking painting and I don’t want you to join Team Doubt (of which I serve as captain).

Those steps, ugh. When in doubt, I resort to drawing with my paintbrush, a big no-no in The Art World, but I am painting for real people, those who “may not know art but know what they like”. (My kind of peeps)

Those steps, better now.

The deer challenge begun, according to my results with Photoshop Junior.

Hey, Bucky!

Those distant deer.

While I was painting distant deer, there were close deer on the other side of the window.

Okay, this will work.

The deer need brighter stronger colors. And there needs to be some grass blades softening the harshness of those all-important front steps. 

I think I am going to be able to sign this one without too much future embarrassment. (There is usually embarrassment about earlier work if one is growing in one’s skill.)

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This commissioned oil painting was causing undue stress. First it was a dark and murky ranch house, then it became a barn, then the barn was in the wrong place, and pretty soon, I was doubting my ability to do the painting at all. I finally resorted to measuring, comparing my proportions to the photo, and using this neato tool to get the angles exactly right. 

Finally, I was able to begin the detailing that I love so much.

The sky needs another layer, there are more trees to put in, the grass needs a bit more detailing, and then there will be grazing cattle. 

I’ll show you the yellow ranch house rescue tomorrow.

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The customer requested grazing deer on the lawn. I tried.Placing and sizing the deer was just a guess, and after contemplating things, I decided they were just too small to be that close to the front. So, some grass grew over them. When the grass is dry, I will try again.

I removed the top step in the foreground because they just looked too “heavy” (big, taking too much space, competing with the house), and changed the color of the concrete. 

I added more branches on the left and grew the tree on the right.

Then the branches on the left sprouted leaves.

Next, the barn. In order to get the right proportions and angles, I worked on this upside down

I used the sky to shape the barn. 

I was mechanically following the photo without thinking about placement, and then I realized that it was too far forward on the canvas. Look at it and you’ll see what I mean.

So, beep-beep, back the barn up. 

Now this has to dry so I can recoat the sky, add some clouds, work on the background hills, and start making the barn look as if it is there to stay. Oh, and then add grazing cattle. I hope I can make them the right size in the right locations.

This calendar might be the right size for your location.

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I told my customer that with a dark, blurry, murky photo that was lacking in detail, I would have to make a dark, blurry murky painting that is lacking in detail, and that’s not a technique I have mastered.

So she sent me a photo of a barn and asked if I could paint it instead.

YES I CAN!

Excuse me for shouting. What a relief! 

She also asked if I could add some grazing deer to the house painting. I was so relieved and happy about the barn that I said yes, in spite of not knowing what size they should be. People don’t know that artists don’t automatically know these things. The size is based on where they are placed, and now that I look at the beginnings here on the screen, I can see that these are looking small, like Little Bucky.

I also started adding in the branches that frame the house. It’s a shame to cover up those perfect clouds, but without those leafy limbs, the shadows don’t make sense. Those deer will need to be completely redone. At least the messed up deck on the right of the house is coming together, as are the details on the doors and windows. I don’t like the stairs or the rocks, but it could be the distorted colors on the screen that makes them look like periwinkle slabs. 

This dark and murky mess is going to become a barn.

Pippin doesn’t understand all the commotion. 

Never mind, he’ll just perch in the window and keep hoping that treats appear soon.

The paint was wet on the canvas and I had a bit of difficulty covering over the previous day’s mess.

So, I got it this far, then carried it into the house to dry more so I can continue. There will be cattle grazing in this one. 

I think this will turn out okay. Eventually.

And eventually, nay, SOON, I will run out of 2023 calendars.

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