Paint On, O Painter

Am I a painter? Or am I an artist? I recently listened to a podcast by a very fine painter as he interviewed a gallery owner, and they both agreed that anyone can be a painter but not just anyone can be an artist. Today, let’s just settle for painter as I show you what is on the easels.

Here are stages on the current Kaweah River painting:

 

It is almost finished, with these tasks remaining. (1) The potato in the foreground needs to be turned into a rock (never mind how it looks in the photo or real life, because here it appears as if it could make some fine French fries). (2) Foreground grasses can be added when the painting is dry.

I love drawing with my paintbrush. I wonder if this prevents me from being a real artist, or if it actually propels me into that stratosphere. Rather than waste any more mental energy on the mystery of what makes a good artist, I will continue to make each painting the best I know how at the time — “best” being a term whose meaning is also hard to pin down. Good Grief Charlie Brown, could I just paint and stop thinking already??

My show “Still Here” is still there, at Arts Visalia, until 5 p.m. TODAY. If you would like to see me with the show, I will be there from noon until 5 (Lord willing, and the creek don’t rise.)The phone # to make an appointment to see it is 559-739-0905.

 

 

 

Painting the River

There is something new coming to Three Rivers, but I don’t yet know any details. Might be a simple retail shop where one can pick up local art, maybe some tchotchkes. This is why I wanted to get those little Three Rivers paintings looking better. This is also why I started a new river painting.

This is painting session #1. I want to do this in many thin layers, striving for perfection. But why?

It might be an overreaction to how I felt about the blurry Kaweah Post Office painting. It might also be some residual from having drawn this exact scene in pencil with a touch of colored pencil a handful of years ago, a commissioned piece. I want to see how close I can get to perfection with paintbrushes. I’ve already decided to leave out the tree on the left side, but like everything I do, more will be revealed in the fullness of time.

My show “Still Here” is still there, at Arts Visalia, that is. The phone # to make an appointment to see it is 559-739-0905. TWO DAYS LEFT, Thursday, noon-5:30 and Friday, noon-5:00. I will be there on Friday, April 30, and will take away the unsold pieces at 5 p.m.(MB, I will be sending you your painting next week!)

 

Three Rivers Oil Paintings Facelifts

Those Three Rivers oil paintings that were just not good enough have now had their facelifts. I think they are all three improved. Don’t worry–the surgery was bloodless.

The Kaweah Post Office only needed a bit of tree work.
The river needed tree work too.
Some subtle changes in the rocks and water also helped this one.
About that viburnum called a “snowball bush” out my front window, no one cares.
I dropped down the blue from Moro Rock.
And put in some river.
More river, along with more things growing on the hillside so it looks like a certain spot along a certain road.
It photographs more true outside in the shade.
Or maybe in the sun, but then you can see the wet paint glistening.
Wait! This needs redbud in bloom.
Now it is finished and drying.

When they are dry, I will scan them again, and maybe even write a blog post showing each one as a Before next to the After.

My show “Still Here” is still there, at Arts Visalia, that is. The phone # to make an appointment to see it is 559-739-0905. Gallery hours are Wednesday through Saturday, noon-5:30. The last day to see my work there is Friday, April 30.

 

 

Fixes in Progress

My plein air painting of the Kaweah Post Office really bothered me.

First, there was something wonky with the roof; second, the signs looked wrong, sloppy, crooked, unacceptable; third, the light was not doing anything worth looking at. So, I messed with all those things. The color will be better when it is finished and I scan it.

Later I will address the lack of detail in the giant oak tree.

This one of the river. . . hmmm not sure why it bothers me, so not sure what to fix. I can’t find the original photo, or perhaps I changed it so much that I can’t recognize the original photo. Because I don’t paint the river often enough to truly understand it, I have to study the photos very carefully to make sure I am not depicting impossible things.

It feels more believable to me now. I will probably continue to add detail, because drawing with my paintbrush is my specialty. 

Neither one of these feels finished, but I will continue to work on them. I still don’t know what to do with the snowball bush/Moro Rock/Alta Peak painting. It might just become something completely different. 

My show “Still Here” is still there, at Arts Visalia, that is. The phone # to make an appointment to see it is 559-739-0905. Gallery hours are Wednesday through Saturday, noon-5:30. The last day to see my work there is Friday, April 30.

Three Rivers Oil Paintings

There are a few paintings in my portfolio and studio that don’t please me. Two were painted when I was learning plein air (painting on location instead of in the studio). The other was painted my normal way, working from photos in the studio. Still, something just doesn’t suit me in any of these Three Rivers oil paintings.

I don’t know why this painting of the South Fork of the Kaweah bugs me.

I painted this while standing across the road from the Kaweah Post Office, then touched it up several times, but the bottom line is that I am more comfortable with detail than blurry things.

This one was painted with my easel standing in the living room while I looked out the window at my snowball bush in bloom, with Moro Rock and Alta Peak in the distance. Once again, it is just too blurry. I have fought to see clearly for most of my 61 years and cannot accept a fuzzy version of life and then pretend as if I like it.

It isn’t good to show and try to sell work that I am not pleased with. So, back on the easels, where I just sat and studied them for awhile.

These paintings will take some thought, time and work. 

 

 

 

February Was Too Short

My first favorite month is too short. I have more thoughts and photos to share than we had days on the calendar. Because it is so beautiful, it is hard to keep my feet planted in front of the easels. When Trail Guy asked me if I wanted to go for a walk in the middle of the day, I said yes.

The wildflowers have begun. (Yes, I am fully aware that the first photo is daffodils; thank you for your concern over a potential error on my part.)

SCARLET MONKEY FLOWER?!? I’ve only seen this one other time. It was along the Mineral King Road, maybe halfway up, in July 2012. (Yes, it was a memorable sighting, but I had to look up the date.) It was much smaller than this version.

Popcorn and fiddleneck are standard early season wildflowers. They are sort of boring, except when they first appear, a harbinger of the carnival ahead.

Sunny Afternoon

Sometimes, I just take time off. In spite of the upcoming art show Still Here rescheduled from January 2022 to April 2021, it was too clear and beautiful to just stay indoors to work one afternoon last week.

Trail Guy and I headed to Lake Kaweah on the lower end of Three Rivers or the upper end of Lemon Cove, which is still very low and not very green. However, it is spacious, outdoors, and not crowded. Sometimes I engage in the pointless mental exercise of trying to decide if it is an ugly beauty or a beautiful ugliness down there. 

Across the river there were 3 cowboys on horseback with a dog, all trying to convince a big black bull to get out of the river and go back to his home on the range. I was slow on the shutter so you’ll have to take my word for the bull.

This is Slick Rock. 

Mustard in bloom and cockleburs up close; Alta Peak in the distance with new snow.

We often find a peculiar sight or two on the lake bottom.

What? Let’s look a little more closely.

PVC pipes, with holes in them, spray painted with brown and green, with a concrete weight on the bottom. I give up.

If we could tip this upright, you could see it is some sort of a pedestal. There used to be homes and a motel down here, so there are all sorts of leftovers from that era.

Enough! Back to work, Central California Artist.

We Took a Walk in Three Rivers

Glory, hallelujah, I love what passes for winter here in Three Rivers.

We were not alone.

This is not a Big Foot print; it is a big foot with big toes and claws. 

Green has begun, and the sycamore leaves are still present. 

Say what?? There was another pile of brush with a less fancy sign that also said Quail Hotel. There is a No Vacancy sign lying at the base of the sign. These look like fires waiting to be lit to this wildfire-conscious Three Rivers resident.

We meandered to a point to see if my mural was visible. Yes, it was, sort of. You had to know where to look. Can you make it out?

Keep coming, rain and snow, because I love the green. (Yes, I know the hills are still brown, but if you squint real hard, you can pick out some baby grasses.)

 

Sanctioned Graffiti

A friend in Three Rivers has a rock in her front yard (well duh, most people in Three Rivers have rocks in their front yards) and for a few years, she has wanted some words painted on the rock. She mentioned it to me and I said, “I can do that!” 

After she explained her idea, I spent time messing around with typestyles, looking for something I could imitate. After experimenting awhile, I realized the only choice was Papyrus, the type that graphic designers love to hate. I love it. What do you expect from an unsophisticated, marginally educated, DBO* from Tulare County?? It was the best choice because it has ragged looking edges, and I was painting on a ragged rough surface.

I forgot to bring my chalk to mark the borders, but was able to scratch in the lines with a rock, then put a first layer down to see if I could control the paint and a brush. 

Yeppers. I can do this. A new brush helped.

Layer layer layer. Watch out for drips.

 Remember to step back and see if it is readable.

My friend wanted it subtle, and liked the light color. I asked if I could add shadows, she was good with that, and we both liked the results.

Voila! Sanctioned graffiti (or sanctified graffiti?) My friend said, “Tell your people that I am thrilled, filled with happiness and joy over this!” I said, “We are ending this year proclaiming the truth.” She said, “Amen”, and we were both quite satisfied.

*Ditch-bank-Okie is supposed to be a pejorative term, but I view it as a compliment.

Mural, Final Day

I could have titled this “Mural, Day Thirteen” because I am not superstitious; however what if someone reading my blog is superstitious? Where in the world did that fear of #13 originate? Never mind, we have a mural to see.

After staring at this photo for awhile, I made a list of things to fix.

My plan was to go in the morning for the bright sunlight so that I could really see details. The parts I wanted to fix were small enough that the direct sun drying paint too quickly was only going to be a nuisance rather than a hindrance.

Alas, I was trapped at home for 3 hours. Southern California Edison is very proactive about replacing wobbly poles and cutting interfering trees.

I still made it to St. Anthony’s with bright sunshine on the wall.

An employee was present and asked me what was left to do. It was a good chance to articulate the parts that were not quite right and to cement the idea that they needed a bit of polishing. He was surprised by all my criticisms, and we had a good conversation in which he told me about a book titled “Beauty Will Save the World”. He said that the premise of the book is that people want to get rich in order to protect themselves from ugliness! That was an entirely new concept to me, and it certainly makes sense. 

Working all over the mural meant lots of ladder moving and climbing.

A partial list of what needed to be fixed: more branches above, 2 trees were too narrow at the top, one of the big trees was lacking in texture and was too red, more ferns at the base, and many more things too boring to burden you with.

The shade moved quickly, and it went from tee shirt weather to jacket time in very short order.

Most of the changes are too small to see in this format and probably could have been skipped, but that’s not the way I work.

You can see that the too-red tree is calmed down and has more texture now, but I will need to return to photograph it in bright sunlight.

I lay on the ground to sign, and as careful as I tried to be, my brush bounced all over the stucco. Thanks to my friend Jon, I was spared writing “www” before my web address. He recently taught me that “www is so last year”. I depend on my friends to haul me forward on those important trends.

Thank you for following along with my sequoia mural at St. Anthony’s Retreat (Santa Teresita Youth Center) in Three Rivers. No new murals are planned at this time, but I am always interested because:

I make art you can understand of things and places you love for prices that won’t scare you.