If you read this blog through an email subscription on your phone, the photos might not show up. (Some people get them, some do not.) You can see them by going to the blog on the internet. It is called cabinart.net/blog, and the latest post is always on top.
Wildflowers drive my hiking choices, and ever since publishing Mineral King Wildflowers (almost sold out), I look for opportunities to put them in my oil paintings. Because I paint small, they end up as tiny dots.
Doesn’t matter, because those tiny colored dots are magical enhancements of scenes that would otherwise be primarily green, gray and brown.
Remember this oil painting? It sold very quickly due to those tiny colored dots.
So, of course I painted it again. Here is the sequence.

Once it is dry enough to scan, I will show you a non-shiny version with colors that are closer to the real painting.

I looked again at this painting of Sawtooth, which has been hanging for awhile as I mulled it over before putting it on the scanner. 


Tiger lilies are Trail Guy’s favorite wildflower and this group was the destination of our hike.
Sometimes Eagle Meadow is thick with Jeffrey Shooting Stars and Knotweed. This year is not one of those times.
We did see the shooting stars a little lower down along the creek.
This is so hard to paint but I will not give up.
Who photographs the trail bed? Your Central California artist, that’s who.
This is the first time I have really noticed Glacier Pass, a place I never expect to see in person.
There was a wide variety of wildflowers as usual right around the beginning of July, but not in great quantities.
Larkspur are hard for me to photograph, so when the light is right, I keep trying.
This might be bitter cherry. It is a tree. I don’t know trees very well.


Penstemon are a close second to my favorite flower of Explorer’s gentian.
























The cold flattened the corn lily, AKA skunk cabbage.
This mule belongs to The Park and is not interested in staying in the corral.

I have finally learned how to scan and photoshop this size of painting in spite of it being too long for my flatbed scanner. When combined with Photoshop Junior, I can patch the 2 scans together.


This represents an afternoon of work, trying to perfect the detail on the first pass, knowing full well that I will need to make corrections as the other parts get completed. And then those “other parts” will need to be corrected.