More Drawing Lessons

On Tuesdays, I teach people how to draw. You can read a bit more about it here on my website.

I love to help people draw in pencil. The only people who haven’t learned are the ones who quit too soon. Why did they quit? Because it wasn’t instant. or it was too hard, or it wasn’t what they really wanted to learn.

Nothing worth learning is done well without practice.

Actually, I can’t think of anything that can be done right the first time. Malcolm Gladwell says in his book Outliers that it takes about 10,000 hours of practice to become an expert. He is talking about intentional focused practice, with the purpose of improving rather than mindless repeating.

Jennifer has been drawing since she was a little girl. I don’t think she had any specific instruction, just some practice, some natural talent, and lots of desire. She is careful, and listens well to directions. This is her first drawing with me,  and it is almost finished.

The photocopies are so that she could try various methods of drawing the mane. I showed her one, and she tried it. She thought of another, and tried that. Suddenly, she got it, she was ready, and now her horse is finished!

Great work, Jennifo! (please excuse the inside joke)

3 Little Known Factors that Could Affect Your Ability to Draw

Pencil drawing from the upcoming book The Cabins of Wilsonia

I have a theory about people who draw. It is based on teaching people how to draw since 1994. In addition to teaching people how to draw, I draw myself. (Oh? You didn’t know that about me?) I have also spoken to many people who draw for fun and those who draw for profit.

If you have the following three qualities, I believe you might be able to really draw well:

  1. Perfectionistic tendencies
  2. Nearsightedness
  3. Lefthandedness

None of these things are necessary, but each one has its strength.

Perfectionism

Perfectionists seem to do well with the finicky detailed nature of pencil drawing. Detail is hugely important in drawing well. So are values (the lights and darks), composition, hard edges and soft edges in the appropriate places. And proportion – oh my goodness – gotta get those shapes and sizes right. Getting the idea yet? There are many things that have to be Just Right in drawing, because there is no color to distract.

I am not a perfectionist and have to work hard to remember to stop the “get-er’dun” tendencies. It is fun to finish things. It isn’t fun to think I am finished and have to return to fix something.

Nearsightedness

If you are nearsighted, you are more tuned in to detail. Sometimes it is all a myopic person can see! I think of it as an asset for a pencil artist. (Glass is always half full!)

Up until a few years ago (ahem) I was able to put my nose a few inches from a pair of ants playing checkers and know who was winning. (What? You’ve never seen ants play checkers?) I might still be able to do this if I pop out my contact lenses. Now, with the contacts, I have to wear old-people-sit-on-your-nose magnifiers. Sometimes they aren’t strong enough. And have you noticed that all the lights are dimmer than they used to be?

Left-handedness

There is a connection between the left hand and the right side of the brain. (There is a book about it called Drawing on the Right Side of the Brain, by Betty Edwards.) The right side understands the non-verbal things in life such as proportions, perspective, and values. The theory is that left handed folks are right-brain dominant and thus more naturally equipped for tasks such as drawing.

I am right handed. Oh-oh, I can hear you wondering how I could possibly be an artist with 2 strikes against me. Here is the answer: I am left-eyed. A dominant left-eye is almost as good as a dominant left hand. (Phew, had you worried there, didn’t I?)

If you don’t have a single one of these three qualities but you want to learn how to draw, I can still teach you how.

The only people who haven’t learned to draw from me are the ones who quit too soon!

A Drawing Success Story

I have a favorite customer named Bob. In Artspeak, he would be referred to as a “collector”. (I try to avoid Artspeak in this blog, because I think it is read by more normal folks than those who use Artspeak.)

Bob has a wonderful wife, with whom I have been acquainted since 1973. Really! She began taking drawing lessons from me last fall, and was just sure she would be the exception to my assertion that I can teach anyone to draw. Bob was also sure she would prove me wrong.

Mrs. Bob worked her way through the beginning exercises. She did well. She likes to get an A on her work, so in spite of the fact that drawing lessons come with no homework, no grades, no tests and no deadlines, I happily gave her As. She earned them, too!

When it was time to start, she chose a hairy dog. It scared her a bit. (No, it didn’t bite her!) All my reassurances that it was only paper and we could erase didn’t help.

I realized that she needed a subject that meant less to her. Many of my beginning students have found it easier to draw old wood than anything else, so I found a photo of a window on an old shed wall.

Bob My Favorite Customer occasionally asked Mrs. Bob about her progress. He wasn’t encouraging. He is still My Favorite Customer. They are still married.

Mrs. Bob was very determined, and we slowly worked through many of the techniques that a good pencil drawing requires. She stopped showing Bob her progress, and he stopped asking.

Bob’s birthday was a week ago. Mrs. Bob presented him with this:

Want to know what Bob said?

“Who drew this??”

Isn’t that just the best ever drawing lessons story?? 😎

Here is a closer version, and it really looks better than it photographed while under glass.

Texture, depth, contrast, detail, and precision – WOW! Congratulations, Mrs. Bob!

Wise Up

I regularly read Michael Hyatt‘s blog. He addresses many topics, and words fail me when trying to describe his blog. Business? Publishing? Marketing? Being a better human? Life? All of the above!
Recently he wrote on the difference between a wise person and a foolish one. The definition of being wise came down to 3 things:

  1. Listens without being defensive.
  2. Accepts responsibility without blame.
  3. Changes without delay.

It occurred to me that in my quest to be a better artist, this is my method to learn and improve. I show my drawings to my students or friends and ask them to tell me honestly what they think. If they are new to the process of drawing and critiquing,  they are a bit reluctant to speak the truth. If they have known me awhile, they just let it fly without fear!

I appreciate the honesty so much. I depend on their unbiased opinions, their innate good sense, their experience, their wisdom.

Then, I usually follow their suggestions.

This is not to toot my own horn about my great wisdom. We are all wise in some areas and foolish in others. I’d be foolish to think myself capable of producing my best work without input. I just wanted to share my method of processing feedback in order to improve.

Here is a recent example of a piece that got some great feedback from my students. I listened, I accepted, I changed.

Self-Interviewing again

pencil drawing of Wilsonia cabin for the book The Cabins of Wilsonia

Hey California Artist, are you still working on that book, that cabin book of drawings?

So glad you asked that question! Yes I am, and the completed drawings are stacking up.

How many have you finished now?

48 at last count.

How many are left?

Umm, I’m not all that good at math and I’ve added a few to the original plan. (Translation: Can’t deal with reality)

Did you learn to use Adobe Indesign yet?

I practiced with the trial version until I had a long list of questions. My friend Carol will help me work out the answers when I visit her in April. (Right, Carol??)

What’s the name of the book again?

Great question! It will be called The Cabins of Wilsonia. Don’t you think that is a clever title?

What typestyles will you use in your design?

Do you really think anyone gives a rodent’s hiney about that?

Why do so many interviewees answer questions with “I’m glad you asked” or “great question”?

Monkey hear, monkey say.

Seems that the quality of this interview is deteriorating. Would you like to get back to your pencils now?

Great question – I’m glad you asked that one!

Jana-of-all-trades or Master of One?

This piece is called “Less Traveled”. I believe in taking the less traveled road, which is one of the reasons I am not on Facebook.

I read blogs – art blogs, business blogs, marketing blogs, inspirational blogs, knitting blogs, humor blogs, travel blogs, writing blogs and art marketing blogs. The writers of these blogs are my teachers, guides, mentors and some have become my friends.

One of the most helpful is called Fine Art Views. Informative articles, insightful comments by professional artists and interaction with the writers all keep me returning to this site.

A recent series of articles by Brian Kliewer really struck a chord with me. He is writing about the myth of social media as a viable marketing avenue for all artists. It caused me to write this overly long post, which began as a comment on one of his posts.

About 1000 years ago I decided to become a professional artist. Pencil drawing was my favorite (only) style. I chose to be a master of pencil rather than a Jana-of-all-trades.

I learned from Jack White that in art sales oil painting sells the best and pencil the least. It crushed me. So, I learned to oil paint, moved into murals, and now have much more to offer customers. Because my subject matter and my audience are mostly Tulare County, having more to offer is a good business practice.

Still, those who have followed my art for years and new friends continually tell me they LOVE my pencil work. (Perhaps this is because I don’t paint very well, and they are too polite to say that.)

Almost four years ago I started this blog. I LOVE to post, love to show photos, talk about Three Rivers, Mineral King and Sequoia, my drawings, drawing lessons, my sources of inspiration, the processes, the shows and events, and be a smart aleck any time inspiration strikes.

Just like becoming a master at pencil, I’ve chosen to be a master at blogging. (Nope, not there yet but putting in my hours faithfully.) That is where the bulk of my computer efforts are spent. I’ve dabbled in LinkedIn, eBay, Etsy, and Google+. What a waste of time! (Notice I have continued to resist Facebook)

Has it paid off? I’ve read that it takes 5-7 years for a blog to really reap results. Not sure what the writer meant by “results” – probably a Big Fat Following. The pay-off  thus far to me is in personal satisfaction, steady growth in the number of readers, the discipline of 5 posts per week, the relationships built, the credibility established.

Thank you for your loyalty, comments, email, encouragement and honesty as I fumble my way along in the world of art, art business, art marketing and blogging.

The Business of Art in Tulare County

This began as a plum orchard, then I added pink and renamed it Peach Orchard. February is so beautiful here in Tulare County!

The drawing is sold, but I can always do another one for you.

Today you can find me at the Farm Equipment Show, also known as The World Ag Expo.

I’ll be hanging out with my cousins who will be demonstrating a wood splitter. (I still prefer an ax.)

UPDATE – that was the best splitter I’ve ever seen. EVER!

It might seem like a waste of time, but I can assure you (and my Very Mean Boss) that I will have my camera so I can take photos while in transit. (Might even pull over and stop to do so.) And I will have a pocketful of my business cards. An artist has to interact with the real folks from time-to-time. This is all about the business of art. Really! The business of art in Tulare County means going where the people are, and they are at the World Ag Expo in great numbers.


Goodbye, Unc

This post is only related to my art in that it shows a portrait of my uncle that I drew in 2001. Please forgive me for indulging in a bit of personal talk today. I’ll bring my professional self back tomorrow. Here is the obituary as written by his sister-in-law with a few additions by me.

Allan Marshburn, originally of Orange County, CA, (born January 13, 1928) and most recently of Kaweah, CA, passed into the presence of his Savior on February 6, 2012.  He is survived by his sister, Margaret Estes, of Mount Vernon, WA, his brother Neil and wife Elaine Marshburn of Escondido, CA, his sister-in-law Martha Marshburn of Visalia, CA, numerous nieces and nephews, foster son Patrick Short of Rockwall, TX, and his daughter in the Lord, Virpi Takala.

Allan’s love for the Lord was greatly reflected in his interest and participation in many outreaches proclaiming the gospel of Jesus Christ. He sought to encourage many in their walks with Christ.

In addition, Al had a lifetime of interesting adventures in the Merchant Marines, as an outdoorsman, a game warden in Alaska, Saskwatch hunter in northern California,  and a commercial fisherman.  Many were spellbound by his great (and true!) stories.  Early in his adulthood, he was an active participant in the citrus industry in Orange and San Diego counties and as a cowhand at his cousin’s ranch in San Luis Obispo County. Prior to moving to Kaweah, he spent many years in northern Idaho where he enjoyed hunting and logging on his property. It was said of Al that he could squeeze a nickel until it coughed up a penny. He was a highly unique individual who had a great impact on many peoples’ lives.

Winery? Mountain? Vineyard?

Remember seeing this sketch a few weeks ago? It was the preliminary step to beginning the commissioned pencil drawing of a winery.

After drawing for awhile, it is helpful to stick it to the wall and study it at a distance further than 8″. You can see the size in comparison to the 10″ square barn painting above it.

Is it a winery drawing? It looks like a mountain picture to me. Wait, I thought it was supposed to be a vineyard. It is all fitting for a California artist, doncha think?

More will be revealed. Stay tuned!