A Painting is Born

I gave a 4×6 oil painting on a little board to my friend Carol. She has it in her den. Or is it a library? Maybe it is a family room. . . Anyway, it is on a lamp table in her home, and I don’t think she just put it out because I was coming over either! (Get that rude thought out of your head.)

 

It was this scene, but much smaller. Made me feel good that she likes it, and despite being a year or more old, I still like it. (Oh no, does that mean I have plateaued in my skill??) This is by Tharp’s Log, out of Crescent Meadow, in Sequoia National Park.

Carol requested another painting, a winter scene this time. (She thinks she is commissioning me, but her money is no good to me.) While I was there, she gave me the photo she’d like me to paint.

After spending 3 days cutting the boards, painting, sanding, painting, sanding, painting, and sanding, today I chose one of those little 4×6 boards. (If my retired husband is willing to use the table saw to make 1 board, might as well have several done at once. Next, I hope he is willing to paint and sand and paint and sand.)

This is how a painting is born:

First, I drew it on with a paint brush. The little building on the left is really just an informational kiosk, so it will  not be invited into the painting. Didn’t figure it out until I had it placed. Isn’t that a rough drawing? If you didn’t already know that I can draw, you’d probably have doubts.

This is the first layer. Not a bad start, but I will layer and layer and layer some more. Seems the smaller a painting is, the more care it requires. The larger it is, the sloppier I can paint, and it still looks tight and almost photographic. I don’t know if that is good or not good, but it is how I paint. And Jack White said we should all paint the way WE paint, only better.

Hunh? Well, I got it, and it made me feel more confident in my painting.

This is in Yosemite National Park. I am a California artist, so I paint California things. (Thank you, Captain Obvious!)

(Captain Obvious has to speak these things so Mr. Google will find me.)

Signed, Sealed, Delivered. . .

. . . it’s yours!

Some artists don’t like to do commission work. Maybe they don’t like to eat, either. Or maybe they aren’t very good at understanding what other people want. Maybe they are rebellious adolescents trapped in the bodies of adults.

I like commissions.

It is a fun challenge to make a visual representation from a person’s verbal description. It is very gratifying to have a happy customer at the end of a job. It is a wonderful thing to have a sale without all the will-she-won’t-she.

During the Three Rivers Artists Studio Tour Ten, several folks asked me to paint specific things for them. As a California artist, naturally I was thrilled to receive confirmation that California poppies and giant Sequoias are always a popular subject.

These poppies were unfinished, sitting on the easel, looking like little butterflies when Amy spotted them. She asked if she could buy it before it was completed. I think I said, “Um, sure!” (Hopefully I was more polished that that.) This was painted from a photograph that my very generous mailman brought to me; he’s just thoughtful like that.

Christine asked me if I thought I could get inspired to paint a Sequoia in the snow. I said, “I’m always inspired if someone wants something.” (Hopefully I was a little more polished than that.) I went through my photos, picked one, and happily dove in, well inspired and eager to do my best for Christine. She now has it and is very happy.

That’s the goal of commissions in my little business.

Committing Commissions

 

This is not a commission. It is a do-over. I painted this when I was new to oil painting, and recently I figured out how to do it better. I painted right over the top, so I didn’t have to figure out any shapes or placement.  (Three Rivers is gorgeous in the spring. I know I keep saying that. But, really, the unemployment is terribly high, the air is nasty in the fall, and we are all fat, so don’t move here, ‘kay?)

This sequoia oil painting has better detail than the previous view. Why am I painting a sequoia in the snow when it is spring? Because CS wants it! And this California artist accepts commissions in oil. Pencil too.

Committing more Commissions

I painted three pomegranates for a nice lady of impeccable taste that came to my studio during Studio Tour Ten. She asked for one, and I painted three so that she would have choices and I would have more to sell at the Redbud Festival.

I also began this sequoia in snow for someone else. This is 2 layers of paint. A third layer is coming with more detail.

And this is the beginning of a new experience for me – painting in oil from a pencil drawing! I am purposely not looking for the reference photos, because I want to stay true to the drawing. That is what the customers requested, so that is what I will deliver!

Notice the California poppies in the background. They now have another layer of brilliant color on their little butterfly-like petals.

Isn’t this California artist-like? Sequoias, pomegranates, poppies. I like it here. 😎 (But you’d probably hate it because  there is no Trader Joe’s or Whole Foods. Maybe that’s why we’re all fat.)

Peeking into the painting studio and eavesdropping on conversations

Um, would you paint something  just for me?

You betcha! I’d be happy to paint something for you! What did you have in mind?

How about a pomegranate?

How about 3 of them? Then you can decide which one you like best.

Would you ever be willing to paint a sequoia in the snow, say, 8×10″?

Would you be willing to buy it when it was finished? If yes, then yes.

What about doing an 18×24″ oil painting from your pencil drawing of  “Redwood & Dogwood“?

I’d love to do that for you! What a great idea, you brilliant patron of the arts!

If you finish that 6×18″ painting of poppies, I’ll buy it.

Really? I knew that one was a great idea. (Thanks to my mailman for bringing me the photo!)

 

If you were to commission me to paint something for you, what would you request?

Wise Up

I regularly read Michael Hyatt‘s blog. He addresses many topics, and words fail me when trying to describe his blog. Business? Publishing? Marketing? Being a better human? Life? All of the above!
Recently he wrote on the difference between a wise person and a foolish one. The definition of being wise came down to 3 things:

  1. Listens without being defensive.
  2. Accepts responsibility without blame.
  3. Changes without delay.

It occurred to me that in my quest to be a better artist, this is my method to learn and improve. I show my drawings to my students or friends and ask them to tell me honestly what they think. If they are new to the process of drawing and critiquing,  they are a bit reluctant to speak the truth. If they have known me awhile, they just let it fly without fear!

I appreciate the honesty so much. I depend on their unbiased opinions, their innate good sense, their experience, their wisdom.

Then, I usually follow their suggestions.

This is not to toot my own horn about my great wisdom. We are all wise in some areas and foolish in others. I’d be foolish to think myself capable of producing my best work without input. I just wanted to share my method of processing feedback in order to improve.

Here is a recent example of a piece that got some great feedback from my students. I listened, I accepted, I changed.

Odd Job, continued

Yesterday’s interview continues as our interviewer investigates the meaning of redwoods on redwood.

So, California Artist who has redwoods on redwood, what is the deal?

No deal. It’s a commission. It is unusual, so I’m calling it an “odd job”.

Who commissions stuff like this?

Someone who loves redwoods.

Come on!! What’s the deal?

The redwoods have been burned into the wood so they are recessed. The customer has asked me to paint in the recessed area.

How’s it going?

Not too well. The oil paint isn’t looking like much. It appears to be soaking into the wood, or maybe it is just too transparent to show on top of the charcoal. It is also too wood-grain-ish for my brushes.

What are you going to do?

I’ve put a layer of white acrylic paint as a base coat and will see how the paint shows on that. When it dries, I’ll try oil paint over that, and then you can continue the interview.

But you haven’t told us what these things are for!

Gotta keep you coming back to read the blog, don’t I?

Odd Jobs

Oh-oh, here comes that interviewer again.

Hey California Artist, what are those?

They are Giant Sequoias, aka Big Trees, or for those Rangers out there, they are Redwoods.

Yes, I can see that, but that doesn’t look like canvas to me on that easel.

Me either.

So what is it?

Redwood. Those are redwoods on redwood.

Are you kidding??

Now don’t get your knickers in a twist – it is salvaged wood, not savaged trees.

But what is it?

Keep your shirt on – more will be revealed.