Inching Along the Commissions

Reminder: “commission” is Art Speak for a custom piece of art. Here are two in progress:

No matter how often I paint the Oak Grove Bridge, it challenges my ability to draw with a paintbrush. Drawing with a paintbrush is something that is sneered at in the Art World, but I am hard-pressed to imagine how one of those loosey-goosey painters would handle this subject.

I sent this photo to my customer, and he declared me to be finished. He was actually nicer than that – he said, “As I said before, you are the best!” Aw shucks, thank you, DB. You are a dream customer.

The giant circle continues to develop. The surface of smooth plywood with several base coats of paint is different than canvas and will take multiple layers to cover. That’s fine, because I can get tighter and better with each layer. This is my preferred method of painting, fix, fix, fix some more, and fix again, called “glazing” in Art Speak. That is how I painted the bridge commission.

My customer the citrus grower asked if the trees would be darker, because I sent a photo taken earlier than this one. Then I took this photo, and because the paint is wet here, it is reflective so it still looks pale. I kept painting, and then sent this photo:

I love this subject matter just as much as the Oak Grove Bridge and am quite happy about getting to spend many hours making it look as good as possible.

Irresistible Subject

Ever painted a circle? I have. It was a heavy saw blade with sharp teeth. Sawteeth? Yeppers, Sawtooth with sawteeth.

This one is much kinder to work with. It isn’t heavy, the surface is very smooth, the top is clearly marked, and it fits on an easel.

The paper photograph hadn’t arrived, but I couldn’t wait a moment longer to begin. A scene with citrus and mountains, a true source of inspiration, is just irresistible to this Central California artist!

Good thing my customers have faith in my ability, because as always, things start out looking rough.

HURRY UP, PRINTED PHOTO!!

 

New Commissioned Oil Painting

I stopped by the Silver City Store to check my paintings and encountered an old friend on the deck. He said how much he liked my bridge painting in the store. I went inside to do inventory and couldn’t find the bridge, so came back out and asked, “Did you say you ‘like’ the bridge or that you ‘bought’ it?”

He said that he “liked” it, and I told him it had sold. He was disappointed, so I offered to paint it again for him, and he said yes.

Wow. If only every sale was that easy. I went home and immediately began painting, because the Oak Grove Bridge is my favorite subject. (If you have been following this blog for awhile, then you already knew that. If you would like to see more, put “Oak Grove Bridge” in the search bar of the blog and it will give you a stack of old posts to read or to just look at photos, paintings and drawings of the bridge.)

Ooh. As soon as I saw the bottom photo here, I saw some things to correct on the painting.

 

 

More Green Tunnel

I’ve been painting the Green Tunnel from looking at the photo on my laptop. The progress left me unsure of my abilities and of the results. Sometimes commissions cause this sort of insecurity. (But I’d rather paint than go to counseling).

When the print finally arrived, I was surprised by how helpful it was, in a different way than painting from the screen. I can enlarge details on the screen, but there is something more tangible (duh!) about ink on paper.

The difference here is a photo taken with a phone (above) and a photo taken with a camera (lower). Neither one does the real painting any justice.

Now, let’s see what happened when I had the printed photo to work from.

The goal is not to match the photo exactly but to make the painting be as appealing or more so. I don’t think it is finished yet, but I already like it better.

Resting Coat of Arms

Whole lotta resting going on ’round here.

We chose silver gray for the customer’s name to match Helmet Dude. Now the coat of arms oil painting commission is drying. Sometimes when a painting is drying, I keep thinking of ways to improve it.

With this one, I am just trying not to look any more.

When it is dry, I’ll scan it for a better look. That’s for you to have a better look. I am FINISHED. (Please, please, may I be excused?)

Resting in the Green Tunnel

You last saw the commissioned Mineral King oil painting when it looked this way.

I spent a few more hours on it, and can’t decide if it is finished or not. So, it is resting.

The color is better in real life. 

I think the grasses need to be messier in order to be more believable.

Not sure. 

Keep resting, Green Tunnel.

Coat of Arms, Again

The saga continues. You last saw Revisions #1-4, and I speculated that the customer and I would continue on to Revision #5 or #6.

We met at her cabin in Mineral King for a pleasant time of friendship and revision. There are two things I like to do best with friends: take a walk, or work on a project. 

A wet painting on the very rough Mineral King road? Yeppers. Transported it without incident in the trunk of Fernando.

In the interest of privacy, I didn’t photograph the process or our time at her cabin. I did photograph the wet revision with a first layer only in the trunk of my car. You can see that we agreed on dark green, and together we rearranged ribbons. This was a great exercise for a crocheter (my friend) and a Knitter (me). (Yes, I am a Knitter, instead of one who knits, or even a knitter).

I brought it home and began the relayering process.

Neither one of us was satisfied with this solution to keep her name visible.
Rotating the painting allowed me to see the exact tip of the brush because I did NOT want to mess up the parts that we saved.
The 2nd layer of dark green needs to dry. Next, the blue and yellow ribbons will get a second coat.

But what about her name?

Stay tuned.

Second New Commission (or The Green Tunnel)

There is a section of trail in the Mineral King valley that I think of as the Yellow Tunnel in the fall. It is also the Green Tunnel in the summer, and I showed a photo of it on my blog last month. Here, have another look:

A faithful blog reader asked if I would be willing to paint that for her, and of course I said yes. We chose 11×14″, and then while I was waiting for a printed version of the photo (and a deposit on the painting because I have learned the hard way that if a customer doesn’t make a monetary commitment, it is only a conversation, not a commission), where was I, oh yeah, while I was waiting, I looked at the Green Tunnel from another perspective.

Doesn’t really say Green Tunnel from this view, eh? But fun to consider, if you are a fairly simple person with plain tastes in what constitutes fun.

The check came, and I couldn’t wait for the printed photo but began painting from my laptop. This has benefits and disadvantages, but when one is eager to begin a job, one does what is necessary.

This is not my normal way of painting, but when something feels right and is working, I just go with it. I turned off the voices of all my previous instructors and said to my self, “Self,” I said, “I’ll be me and they can be them and it will all work out just fine.”

Tucker and Pippin were also fine with that, and I had to be very careful of where I stepped when standing back to view my progress. (Jackson was out working or something.)

Call me “Butter” – I’m on a roll!

Now it needs to dry before I continue or the sky will turn green.

 

Back to Work With Oranges and Lemons

Incoming work ceased. While drawing lessons resumed, I waited for several conversations to become custom art jobs. 

They have. There are more of these unfinished conversations, but for now this one is enough.

These are now on hold.

Did I show you this painting? It is in Lemon Cove, and was a thank you gift to the farmer who graciously let us glean in his orchards this spring.

While I was working on this, someone sent me this, wanting it painted on a 3′ diameter circle, but substituting lemons for the mandarins. These folks are in Orange Cove.

So, let’s think about this: I painted oranges for Lemon Cove, and next I will be painting lemons for Orange Cove.

Only in Central California, and I am happy to be your Central California artist, making art that people can understand about things and places they love at prices that won’t scare them.

Now, excuse me while I keep priming and sanding this giant circle.

 

Mulling it Over

That coat of arms requires much mulling, both by me and the customer. I have done 4 revisions using Photoshop Junior. (The current wonkiness of the blog is only allowing photos to appear as squares, so these pictures aren’t showing you the entire image on new photos.)

The original coat of arms
Revision #1 – Narrower and fewer ribbons, slightly enlarged shield.
Revision #2 – Some of the yellow ribbons converted to blue.
Revision #3 – Replaced the line drawing of Mineral King with a painting.
Revision #4 – removed the painting of Mineral King and removed the outlines around the ribbons.

We will continue to revise and discuss this. I have asked my customer if she has an idea to replace one of the fleur de lis (those silver symbols in the red sections) so there is more variety. She is probably still mulling that over. She is considering #2 and #4; I think when we get together, we will find a satisfactory solution in a #5 or #6.

This is one of the most unusual and difficult commissions I have ever tackled. Any ideas? input? advice? I will take it all “under advisement”, which means I reserve the rights to adapt, adopt, or ignore.