Odd Job, Chapter Four

Finally, I got to the actual painting stage of my odd job.

The Blue Moon Nursery got a 4’x8′ piece of very thick plywood, built a frame around it and painted it with multiple coats of white paint. This was a result of walking out to the road and measuring the existing signs. A medium sign looks like an unnoticeable postage stamp when you pass it in a car. A big sign might get noticed. A huge sign is too much for this Central California artist, so we just went with big.

I traced our final design onto a clear piece of plastic and using an overhead projector in three stages of measuring and adjusting. I used a Sharpie marker to transfer the image, along with a square, a yardstick, and a long tape measure. It took a very long time.

Then, I traced it from Side One onto 2 18″ x 8′ pieces of tracing paper, retraced it with a very black pencil on the back side, taped the 2 sheets to Side Two of the sign, and retraced it over the top with a pencil to transfer the design to the sign. Then I retraced the faint pencil transfer with the Sharpie. This took a very very long time.

Do you need a nap yet? Hang on, color is coming!

After a very fun color mixing session with the owner of Blue Moon, I began painting.

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First, a small brush to reach into the pointy places.

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Then, 2 coats of the dark blue. Next the green. Hmmm, we really like the color of the masking tape with the dark blue.

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I can mix that color! (This is actually side 2, after we chose a different blue for the moon and the spirals). The new blue called for a new green.

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Check out Side Two, with masking tape blue and light spring green!

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This is Side One, with a darker green and a lighter blue.

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Isn’t this cool? The owner of Blue Moon and I both are slightly offbeat, marching to the beat of a different drummer, enjoying variety. (After being friends for 4-5 years, we discovered that we were in the same class in the same high school!)

So, we decided to let the 2 sides remain in different (but very close) colors, and then we’ll listen to people’s comments. It is my guess that very few people will even notice the difference.

Thus, I conclude my story of yet another odd job for this Central California artist. It is a pleasure to beautify Three Rivers!

Do you have a preference on the colors on Side One and Side Two? I’d love to hear your opinion!

Odd Job, Chapter Three

My odd job of painting a sign for the Blue Moon Nursery in Three Rivers progressed through the decision making progress.

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This combination of type was our first choice. The style of Blue Moon is a little hippy-dippy, loosey-goosey, whimsical (sorry, can’t think of a rhyme for that word). “Nursery” looks solid, professional, steadfast, here to stay.

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It needs some decoration, but this wasn’t the right one.

The owner and I decided on the best combination of type and decorations, and then got to the part we both love (both avowed color junkies).

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We both love the dark purply-blue, the high contrast with the white lettering, and it is a given that the growy needs to be green and the moon needs to be blue. Color is sooooo fun.

Now what? How will I get this colored sketch onto a 4′ x 8′ board??

Stay tuned!

Is white a color or an absence of color?

In December and January, I was struck by the number of white things in my yard. Is white a color or the absence of color? If I am drawing, white is paper color, and I draw around the white things. In painting, I use more white than any other tube of paint.

Notice I said “tube” rather than “color”. This is because my question remains, “Is white a color or an absence of color?”

Forget it. Let’s look at pictures of white things. 

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White must be a color. If it wasn’t, these things would be clear, transparent, see-through.

There. Glad that got settled!

P.S. Yes, this is how December and January look in Three Rivers. Payback time is in July, August and September when other parts of the country are green and we are crunchy brown, gray, a bit of yellow, and just plain dusty.