






Tomorrow we will take a final look at the Farewell Gap paintings.







Tomorrow we will take a final look at the Farewell Gap paintings.
Not really oil painting in Mineral King – oil paintings of Mineral King, painted in Three Rivers.
As a studio artist, I work from my photos. The variations are based on size and shape of painting (square, rectangular, really rectangular – and never horizontal for this scene, although that is an interesting idea). The variations also happen with time of day and time of year and type of snowfall and flow of water AND where I stood to take the photo. Plus, sometimes I juice up the colors a little more than natural. Sometimes I work at tight realism, and other times I try to loosen up. That isn’t natural to me, but is certainly faster.




These all look sort of dark, but I think it was the way I photographed them, not the paintings themselves. 2014 wasn’t a dark year. 2015 was a dark year, but we’ll have to see if that sadness was reflected in my paintings tomorrow.
One time I painted the Mineral King scene of Farewell Gap with the Crowley family cabin plein air. That was very difficult – the light and colors kept changing, people kept asking what I was doing (umm, skateboarding?), and I had to keep scooting out of the way of cars.

I don’t remember which one it was or how it turned out. I had only been painting a few months and thought that plein air painting was necessary to learning. It may have been, but mostly what I learned was how grateful I was to be a studio painter, working in a controlled and quiet environment from my photos.




That’s a new twist on an old theme.
Since I have about 32 oil paintings of Farewell Gap with the Crowley family cabin in Mineral King, let’s keep going. You can evaluate my progress (or lack thereof).


I painted it often in 2012.






The Roman numeral numbering system isn’t consistent here. Sometimes I called a small version simply “Mineral King”, sometimes I included it in the consecutive numbering.
Come back on Monday to see how I painted the scene in 2013.
Why do we think that Labor Day is the last weekend in summer? Doesn’t summer go until around the 21st of September? Tell the weather that – it ALWAYS is cooler on Labor day weekend in Mineral King.
It was a difficult weekend (see Tuesday’s post). It was also full of friendship and a tiny bit of getting out and about.
Not much to say, so have a look. The first 4 photos are Trail Guy’s from the days leading up to Labor Day weekend.








I paint the same Mineral King scenes over and over. One in particular sells very well. It is the classic Mineral King scene, the view from the bridge at the end of the road. Farewell Gap, the East Fork of the Kaweah River and the Crowley family cabin.
Let’s look at these in order of painting. There are variations in time of year, color of light, amount of snow on the peaks, amount of water in the stream, size of the fir tree on the left, arrangement on the canvas, and skill level of the artist. (Don’t mention this to my boss – she’ll get worried that I might ask for a raise.)
There are 32 of these in my iPhoto, but I don’t think that corresponds with the way I’ve titled them. Sometimes I can’t count very well. (Oh great, there goes my raise.)
And no, I won’t put all 32 in this post. They also might not be in order of getting painted. (There goes my raise for sure.)


Now there is a gap in time. Either I numbered the paintings wrong, or I took a big break from painting Farewell Gap. I think I spent a few years painting nothing but oranges, trying to get more comfortable with oil painting.




This might have been a repaint to the 2nd one above. Oh man, don’t tell my boss. She would be shocked, dismayed and disappointed at my shoddy record keeping.
Stop by again tomorrow for more Farewell Gap Mineral King oil paintings.
That’s how I paint – layer after layer after layer. The Artspeak word for that is “glazing”, but I prefer English.
Layer one – Should have begun with the sky, but I asked my boss and she said, “Do whatever you want, if you think you’re so smart!” I didn’t want to mix up sky color – lazy or unmotivated or just rebellious that day, and my boss wasn’t paying attention anyway.

I’ve painted this Mineral King scene a few times before, so sometimes I just want to experiment because it gets a little boring. Maybe I ought to try painting it without looking at photos – that would be a challenge.

But I digress. Layers, we were talking about layers on Mineral King oil paintings. Or layers of Mineral King oil paintings. I could fill a room. . . I wonder if you could arrange them in order of experience. . . I wonder if I could.
Whoops. There were a lot of unphotographed layers in between the first picture and this one. Guess I got into it and forgot to show you the steps.
Now you can see the baby steps, incremental changes as the photos move along.


It is time to dry, and then I will put in all the tiny improvements and details that you need to see in person to properly appreciate. It might even require reading glasses, cheaters, middle-aged-magnifiers to see those details.
I’m not sure I like the willows that are not yet leafed out. . . they do pull your eye to the cabin, but the cabin pulls your eye to the cabin.
(Hey! Stop pulling my eye – you are going to pop out my contact lens that way!)
Next. . . a new ugly beginning, waiting for layers.

This post is entirely personal. If you are only here for art or Mineral King, please return tomorrow.
Perkins was part of our lives for 17 years. In his time with us, he saw 14 other cats come and go. He survived tomcat attacks, rattlesnake bites and countless coyote and bobcat visits to the yard. He was a master gopher-getter, very accepting of all new cats into his territory, a chirper who didn’t meow much or make a fuss, content with his place on the front porch in summer or by the woodstove in winter, and a couch-destroyer.
We are now catless for the first time since March of 1987. We aren’t interested in getting more cats – we need time to adjust to the emptiness and to figure out the right situation for our 2 household lifestyle. And we need time to replace or recover the couch.









It is an interesting phenomenon of a seasonal community like Mineral King that friendships can be formed on the basis of a few days a year over the course of many years.
A prime example is our relationship with the Sawtooth Six, our neighbors for 4 days a year over the last 30-something years.
It took me quite a few years to learn their names. We used to find out when they were visiting and plan to be gone that weekend. Now everyone has grown up, and we anticipate the Sawtooth Six’s visit with pleasure.







This will be an entirely personal post. Skip it if you came here for Mineral King or art. Return tomorrow for Mineral King.
“The Captain” is how I refer to this fabulous birthday girl. She is my closest friend (one of several that I consider my BFFs, although how can there be more than one “best”?), who knows almost everything about me and loves me anyway, and is a blessing to everyone she encounters.








