Last week we took in the 2 best canyons, White Chief and Farewell, with a friend on one long mostly off-trail day. The flowers were spectacular.





Last week we took in the 2 best canyons, White Chief and Farewell, with a friend on one long mostly off-trail day. The flowers were spectacular.





There will be several chapters in this series about my favorite bridge, the Oak Grove Bridge on the Mineral King Road in Tulare County, California. (All those specifics are just in case you are new to the blog; if so, welcome!)
Yesterday we looked at three pencil drawings of the bridge. Today I will show you some of my earliest oil paintings of this wonderful subject.



Keep your seat belts on – it is a long and winding road with about 20 more oil paintings of this beautiful Tulare County landmark to go!
My favorite bridge is the Oak Grove Bridge, 6.5 miles up the Mineral King Road. It is also my favorite subject to draw and paint. There are three reasons for this (maybe even more, but we’ll go with 3 for now):
I used to only draw in pencil. This is the first time I drew the bridge, from a view upstream of the bridge. I didn’t draw very well back then, but people were polite and encouraging.

I drew it at least once more, but was very casual about keeping records of my work.
After learning to oil paint using only the primary colors, I decided to see if it was possible to do a full-color pencil drawing using a box of only 12 colors. It sold. (I think I could do a better job now.)

The most recent pencil drawing of the bridge also sold. This one is a popular design on notecard packages that I continue to reprint.

I would draw it again, but pencil drawings don’t sell very fast. People prefer oil paintings, or color, or both.
Come back tomorrow and you can see some of my paintings of this beautiful bridge in Tulare County.
In July and August, I don’t teach regular drawing lessons. My students often say “enjoy your vacation” or “have a nice summer” as they are leaving (and several cannot resist the urge to sing “See You In September”).
Although I do spend much more time in Mineral King in those 2 months, I am still working. Sort of. There was the show Art: Inspired by Mineral King on June 30. I deliver paintings to the Silver City Resort (AKA “The Store”), work on commissions (both pencil and oil), blog, keep track of what is selling, work on my new website design, work on the upcoming calendar, plan for any upcoming shows. That’s sort of working, isn’t it?






The oil painting commission of Homer’s Nose With the Oak Grove Bridge felt too hard. Was I low on sleep? (That was both my parents’ question and/or conclusion any time there was a problem both growing up and as an adult.) Distraction was present in the form of some cats, a friend or two stopping by, the heat, lots of unfinished projects. . . but the main problem might have been fear.
So, I listened to the song “Fear is a Liar” by Zach Williams on repeat for an hour or so, and then I started a new painting of the same bridge from the same angle.
When I don’t know how to do the next step on a project, I often begin a new project. This may be the first time I’ve started a second painting of the same subject, the very one that has me handcuffed.

During this time of unfocused indecision, all my Mineral King paintings were crated up, ready to go to Silver City for the Art: Inspired by Mineral King show. This gave me a sense (albeit a false one) of not having enough paintings to sell. On top of that ridiculousness, I began the magical thinking of “What If Everything Sells and Then I Have Nothing of Mineral King?”
My response to that was to begin another 6×6″ painting of Sawtooth. Here they are on the drying wall in their sloppy scribble stage, along with the completed river painting.
Yep. Good decision. When you can’t get your work finished, just begin more work.
Aren’t you glad you stopped by for this uplifting, realistic, encouraging piece of artistic wisdom?
My recent time in Mineral King was varied. Have a look:











I find most painting subjects to be just a little bit too hard for me. Is this because I am mostly self-taught? Maybe. Is it because I have only been painting for 12 years? Maybe. Is it because I don’t know when a painting is “good”, or “finished” or “overworked” or “incomplete”? Yeppers. That’s it.
After struggling through figuring out how to blend Snozz Rock Homer’s Nose with the Oak Grove Bridge, how to work from 2 photos with different light, how to just make stuff up, all on a GIANT 18×24″ canvas (well, it IS giant compared to my normal 6×6, 8×8, 6×18 and 11×14 sizes!), I decided to work on the “teensy” forgiving 8×8″ oil painting of the South Fork of the Kaweah (“kuh-WEE-uh”) River.









And thus we conclude the teensy forgiving oil painting of a common well-loved Three Rivers Kaweah River view. (Hey Uncle Google, how did I do on all those key words??)

I worked for awhile on the oil painting commission of Homer’s Nose With The Oak Grove Bridge (WHAT shall this one be titled?? Snozz Rock? Sue’s View? The Nose And The Bridge? The Bridge and the Nose? Don’t Blow Your Nose On My Bridge?)


And thus, we have successfully covered the great desert of a scary semi-empty canvas with another layer of oil paint.

pilfered picked from the lower end of the Mineral King Road in early June.