Private Oil Painting Lessons

Occasionally I have a chance to teach a handful of people what little I know about oil painting. I have only been painting for 12 years, so while I feel qualified to share what I know, I don’t think of myself as a qualified oil painting teacher.

There are 3 women about 2 hours away from Three Rivers who have been learning to oil paint by various methods and by painting together. They invited me to teach them what I know. One was my dear friend, The Captain, who successfully painted a pomegranate with me about a month ago.

This time we painted poppies, each person working from a different photo, but all mixing similar colors and tackling the project in the same order, but at differing individual speeds.

  1. We squeeze out our double primary palette colors and mix up three shades of the background greens.
  2. We draw the approximate shape of the poppy on the canvas, rotating the canvas and photo to view all the shapes from every angle and learn how to erase.
  3. The background gets painted first, working first with the darkest colors and moving lighter.
  4. We mix 3 shades of orange for the poppies.
  5. We paint the poppies.
  6. We let it dry overnight (only sort of dry – this is oil paint!) and then repaint the background for better coverage and more detail.
  7. We repaint the poppy for better coverage and detail.
  8. We evaluate one another’s paintings, congratulating the others on their success and belittling our own efforts (sad, but true).
  9. We exclaim over the fun, the success, and say that we need to do this again.

    At the end of day one’s painting session.

 

Oranges, Completed, Sold and Delivered

As I showed you in yesterday’s post.
Completed in pencil (graphite)
With the barest hint of colored pencil.
Photoshopped for best reproduction in the 2019 calendar.

That last step after the photoshop thing only shows a subtle difference, but I wanted you to know that the business of art includes thinking ahead toward how a piece can be used besides just selling the original.

And the original is sold and sent! That makes me happy for three reasons: it is going to someone important to me who will truly appreciate it; it won’t be languishing in a drawer while I dither about whether or not to get it framed; it produced an income (not all speculation drawings sell).

Just Another Workday

One day a week or so ago, I painted in the morning and drew in the afternoon. This is what it looked like:

Piper was needy. He is resting his little head on my arm, not biting me the way Samson did.
Felt compelled to paint this view again; 4 days later a friend/customer/collector emailed to ask if I had this view available; turns out he wants it to be 16×16″, not 6×6″. Good thing I have practiced this view many times.
This is a popular size and shape, so my last canvas of this size became Sawtooth #29.
Finished? Sawtooth definitely fits this shape of canvas nicely.

Then I moved into the studio. It was a sunny day, so I raised the blind and saw this:

Hi Mike, the carpenter (not to be confused with Michael, the Trail Guy)
Here is another drawing in progress for the 2019 calendar.
The plan is to put a little color into this drawing of oranges. Can’t be considered an authentic Tulare County artist unless I include oranges in my rotation of subjects.

And thus we conclude another workday in the life of this Central California artist.

Eight Things I Learned in March

This month’s items don’t have anything to do with art or my art business, but they are all interesting to me and I hope they will be to you too.

  1. The 5 Second Rule by Mel Robbins says we have to parent ourselves because we will NEVER feel like doing the difficult or unpleasant things. Our brains only have two speeds – auto-pilot and emergency brake. We want to do what is comfortable, and the minute we begin something not auto-pilotish, our brains pull the E-brake. Self-parenting is when we tell ourselves to do it anyway, to think about the long-term results. That’s what I do to make myself paint when I’d rather be drawing. Do you parent yourself?
  2. Crocs are coming back in style. What? They were out of style? I’ve only had mine for about 3 years, and apparently I was 7 years behind when I discovered them to be the perfect shoe for my weird little cube-like feet. Do you wear Crocs?
  3. Amy Dickinson wrote one of the best memoirs I have ever read, Strangers Tend to Tell Me Things. I rank it with my two other favorite memoirs: Mennonite in a Little Black Dress by Rhoda Janzen and The Glass Castle by Jeannette Walls. Do you have any favorite memoirs?
  4. “The Road Back To You” is the podcast (and book) from which I learned about the Enneagram. Now Ian Cron has another podcast called “Typology”, which is more about the Enneagram. Fascinating topic, and also the most relevant personality typing information I’ve encountered. Have you learned about the Enneagram yet?
  5. Nobody want a Nordic Track ski machine. A friend listed mine on the local Facebook Trading Post at $50/ OBO and we’ve had NO responses. Are you interested in this exercise machine? I will ALWAYS choose taking a walk over doing something repetitious inside.
  6. A friend told me this: all of the music we call Negro Spirituals can be played on only the black keys of the piano. (Say what? How did people without pianos know which notes were the black ones??) The slaver John Newton picked up the melody of “Amazing Grace” from the Africans in the hold of his ship, and after he repented, he put words to it. When I learned this, I went to the piano to try this theory and sure enough, if you start on D-flat, you can play the entire song on only black keys. But, The Google said the song’s lyrics were put to the music of a song called “New Britain”, so I’m not entirely sure about the origin of the melody. Still, it makes me want to find songs in this category and test the theory. Have you ever heard of this??
  7. “Dx” is the abbreviation for “diagnosis”. Does this enhance or simplify your life? (It makes me feel a teensy bit smarter about medical terms).
  8. Dreamland by Sam Quinones taught me about black tar heroin and Oxycontin. If you are interested in learning about the opioid epidemic, this book is very easy to understand, full of stories that explain the rise in popularity of both of these truly terrible drugs. The only good part is that Quinones is an excellent writer, so I might see what else he has written and learn more.
Just to make us smile, here is this sheep expressing her opinion of muddy feet.

What did you learn in March?

Shedding More Light on Those Lanterns

The lanterns languished. Finally, I reminded myself that I am the Mayor of Realville, the lanterns were too hard for me at that size (a paintbrush will never quite behave like a pencil), and it was time to make them go away.

So, I turned the painting into one of pomegranates.

Five Poms, 6×18″, oil on wrapped canvas, $160 including tax

Still, I wanted to do something with those charming little lanterns. If it was too difficult a subject in oil, then surely I could draw them!

This time I had to change the format, because my intention is to use them in the 2019 calendar. I squished them closer together, eliminated a board at the bottom, and began.

When they were in progress, I took them to my students and said, “Do to me what I do to you – evaluate this drawing honestly!”

They told me to forget all the grass and turn the entire background into boards. Being confident that I have taught my students well, I followed their directives. You can see that the grass on the left side is boards; the grass of the right side is still grass (or hair or a weird texture of something?)

I also hadn’t yet decided how much color to include, so the lantern on the far right needs more blue. The shadows aren’t dark enough, and the drawing isn’t finished yet in the top picture.

Now it is finished, photoshopped for best reproduction, and I really really like it!!

P.S. The 2019 calendar will be called “A Touch of Color” and will be pencil drawings with a little bit of color in them, probably all Tulare County subject matter.

Shedding Light on Some Lanterns

While participating at a boutique on a quaint little farm in Three Rivers in December of 2016, I photographed these lanterns:

Everything the farm couple touches is quaint, beautiful, pretty, attractive, and every other complimentary term I can think of. My intention was to paint the lanterns on a 6×18″ canvas.
I started the painting with high hopes. First layers are never anything to feel good about.

The second and third layers provided a little more confidence.

Then I got to refresh a mural in Exeter, prepare for and participate in a pencil show with 3 of my students, paint some Mineral King to sell in the summer, draw lots of water, do 2 more murals in some vacation rentals, teach a couple of drawing workshops, work, and more work, all of it challenging in a great way.

Meanwhile, the lantern oil painting just hung in the workshop, getting dusty. I took almost the entire month of July off work, and hiked, sought out new wildflowers, visited Hume Lake.

More Mineral King oil paintings were necessary on short notice, then I drew morempictures of water in pencil, some pencil drawing commissions came in, and suddenly it was time to prepare for the fall shows.

Still the lanterns waited for some attention.

What was this Central California artist going to do with those lanterns?

Come back tomorrow and I’ll show you.

Birds Old and Sold

I got curious about how many hens and roosters I have painted, so here is a recap for us all to enjoy. I wonder how long this will be a popular subject. A friend had her kitchen decorated in hens and roosters in the ’70s, I think. She gave them away in the ’90s. And, here they are again. . . “We’re back. . .!”

M’s Hen – the first domestic fowl that I painted, a 6×6″.

This one is titled simply: “Fowl” and he appears to be in a foul mood..
Cleverly titled “Flock”, this one was cobbled together from multiple photos.
This is Dinnerbone, the first time I painted him.
Ethan’s Chickens, and I don’t remember the size. Probably 8×8″ in order to get the detail on both the birds.

Ethan’s Rooster – I wonder if it was Gumball or if it was Dinnerbone? I might have called him Top Dog. This one was 8×10″.

Birds, Birds, Birds

The domestic bird paintings are all 6×6″, oil on wrapped canvas as usual, $60 plus tax as usual (unless you live outside California, in which case you can skip the 8% sales tax).

The wild birds are on 4×6″ wrapped canvas, oil as usual, $50 plus tax (unless you live in another state.)

Ethan named this rooster “Cloudwing”, so I am naming this painting “Cloudwing”. (I’m clever that way sometimes.)
Ethan named this rooster “Dinnerbone”. He is clever; I am an imitator. So, this painting is named. . . can you guess??
This is a hen named Blondie. Originally I named the painting “A’s Buddy” (“A” is Ethan’s sister); now the painting is simply called “Blondie”.
Would you believe “Gumball”? Yeppers, this is Gumball!
This is the third time I’ve painted a California Quail, but calling it Quail III. . . meh. So, it is simply “California Quail”. SOLD
Heron – Great Gray? Great Blue? Nope, just “Heron”.

Finished Mineral King Oil Paintings

These are the oil paintings that were dry enough to scan so I can list them on my website. This size doesn’t normally sell through the website but does sell very well in Mineral King in the summer, and I am now ready. Maybe.

They never scan as bright or colorful or pretty as they look in real life.  There are two more, but I showed you yesterday and don’t want to bore you.

Mineral King VIII, 6×6″, oil on wrapped canvas, $60 plus tax for Californians
Sawtooth #27,6×6″, oil on wrapped canvas, $60 plus tax for Californians
From Timber Gap, 6×6″, same, same
Upper End of Nature Trail, SOLD
Mineral King IX, all other info the same

More Mineral King Painting Factory 5

This one sold!
I like this one so much that if I saw it in a gallery, I’d probably buy it.
This is an 11×14 of White Chief.
When this is drier, I can add the flowers.
Piper is easier to paint with than Samson was. He is calmer.
This is Timber Gap, as seen from the trail nearing Crystal Creek, and that is Piper asleep under the easel.
This is the trail leaving Monarch Lake.
Those rocks along the sides of the trail are a time-consuming challenge. They don’t have to be exact, but they have to be believable, and there are so many. . .

At the end of last week, I had 4 more finished Mineral King oil paintings, a 6×18″ was sold, and the 2 paintings on hold were still just waiting their turns. Now it is time to count up again, evaluate by subject and size, and decide if I need to keep the factory producing more Mineral King oil paintings.

Really, truly, I just want to draw. I love to draw. Have I told you this?

P.S. Look out the window at the shingle siding on the studio!