
Remembering With Gratitude


Yeppers, trying to figure out how to paint big is occupying my time and mind these days. As I struggled with the Mineral King Honeymoon Cabin and got stuck again, I decided to start another big painting.
Sure. That makes sense. If something is hard, do it more. Practice makes perfect. If at first you don’t succeed, try, try again. But wait! Mrs. Kline taught us in 4th grade to “Never trouble trouble ’til trouble troubles you”.
Never mind.
Let’s try a simpler, more forgiving subject.



Painting Giant Sequoias big makes sense. One day there will be a fancy “boutique motel” in Three Rivers which will be clamoring for large paintings by local artists of local subjects, and I will be ready!
Painting big in oils is harder than painting big on a mural. Not sure why just yet, but not giving up either.



There are many hours remaining to complete this painting. I am the Central California artist, my specialty is Mineral King, and I can do this! (a little pep talk to myself.) Maybe if I think hard enough about this, I’ll figure out what is so difficult and then find a way through.
This is a longish story about a drawing student/friend.
Gina took drawing lessons from me in Exeter before I closed my studio there in December of 2001. She began a drawing, and then left lessons to return to school and become a nurse.
In about 2016, we listed some old roofing on Craig’sList (actually Cowboy Bert did it for us because we were not versed in that particular method of selling things), and someone named Gina answered the ad. We talked on the phone, and I gave her directions to our house.
When she and her husband arrived, Trail Guy went out to take care of the roofing transaction. He came into the house and said, “You need to come out here and meet these people”.
It was a happy reunion! Gina didn’t know where I had moved my studio or if I was teaching any more. She immediately said she wanted to return to lessons, because now as a nurse, her schedule is flexible.
Imagine my shock and awe when she returned to lessons and pulled out the very drawing that she had begun way back when!
Three years later, (or is it two? four? I didn’t write it down), Gina finished her drawing. It is possible that I am even more excited about this than she is!

When she began this drawing, we were both in our early 40s and could still see little things. Still, the rule is “no faces smaller than an egg” (and by now, I’m thinking ostrich egg). I discouraged her from drawing a face this small, but she is independent-minded and did an excellent job of capturing a likeness. This is her dad on a Harley.
Gina spent months researching Harleys, looking at each separate part of the motorcycle to get everything as accurate as possible. She spent weeks trying to discern what model of car that was. (It is a Kaiser, something we’d never heard of.) Together we spent years inching this drawing along, figuring out how to handle the various parts and textures.
Finally, finally, almost done, and then Gina decided to put clouds in the sky. She spent weeks looking at clouds, and each week she would announce, “I really don’t know clouds at all”, and all of us of a certain age would snicker.

But wait! There’s more! As Gina and I got to know each other, we learned that we both had been on the staff of Hume Lake Christian Camps in our late teens. I was in the mountains; she was in the foothills. I tossed or lost my staff photo decades ago, but as we have learned about Gina, she carefully preserves things. Recently, she sent me this, and WE WERE ON STAFF AT THE SAME TIME!

P.S. Michael Smith-Jenson, I got your email. Thank you. I found you in this photo. I lost your email. I’m sorry. (I’m not nearly as careful or organized as Gina!)
As an artist with a lengthy reputation of reliability and skill in the same county for several decades, I get asked to do many odd things in the name of art. It is just part of the business of art.
Some friends have a painting of Mineral King by a long-deceased relative, someone who wasn’t very familiar with Mineral King. They didn’t like something about it, and asked me if I could change it. I enjoy challenges like this, so I said yes. The back of the painting is signed with the year 1964.








Mucho Bettero. My friends reassured me that Great Aunt Whose-it won’t haunt me for messing with her painting. Someday in the future, someone may retouch my paintings, and to them I say, “Go for it!”
In the post “Eight Things I Learned in October”, #3 said, “It is time to think about painting larger.”
Doing rather than just talking is something I value, so. . .
. . .I began a larger painting, and am slowly coming to understand the reason it feels necessary. Most of my paintings are 12×16″ and smaller, with a handful of 18×24″; this is fine for the art and craft fairs, but not so fine if I ever want to get into galleries. Do I? Not sure, but it can’t hurt to be prepared. (What I’d really like is for the hoped-for boutique motel to come to Three Rivers and buy my paintings!)






I need a bit more gratification, a quicker sense of accomplishment. First, I’ll go outside and enjoy some fall colors, try to get a sense of something other than “OH NO WHAT HAVE I BEGUN?”

Tomorrow you will see my quick fix to fulfill the need to complete something.


Since 2010, the Silver City Store at the Silver City Resort, as they are now officially called, has been selling my oil paintings. 2019 was the best year ever!
6×6″ remained the most popular size (it costs the least), the Crowley cabin with Farewell Gap in the background remained the most popular scene, with the Honeymoon Cabin, my favorite Oak Grove Bridge and Sawtooth running neck and neck in second place.
Have a look at a few of the paintings that sold. I’m not showing the most popular scene because the other ones need a chance to shine too. (Except for the bridge, because you know it is my favorite subject to draw and paint.)







P.S. We also sold quite a few packages of Mineral King notecards (assortment of 4 pencil drawings) and many Mineral King Wildflowers: Common Names.
See? I have been working, despite the all the travelogue posts. (It takes more days to show and tell about a trip than the trip actually lasted).


After walking around Convict Lake, we headed toward the June Lake vacation rental. The Farmer was driving, and he suddenly said, “Are we ready to head back or should we go see the South Shore Tufa Towers at Mono Lake?”
I was sorry to have not seen that part of the lake, and after some discussion, we headed there. It was late afternoon, just about the time the light starts getting good.

There were many serious-looking photographers along the shoreline. They looked like retired school teachers, fierce and focused, with tripods, long lenses, and expensive looking outdoor gear. Being around them made me think I should whisper and tiptoe. I restrained myself from kicking off my shoes and splashing in the lake.












On Day Four we drove home. I did a drive-by shooting of Mt. Whitney.

This was a great trip to weird places on the East Side of the Sierra Nevada with great people. Thank you, Trail Guy, Hiking Buddy, and Farmer, for the best birthday weekend of my (gasp of horror) six decades!
P.S. I just watched a documentary called “The High Sierra Trail” and it states Whitney’s elevation as 14,505′!