South Fork

Maybe March is my favorite month instead of February. It is so green and the redbud are in bloom, along with lupine, poppies and a great variety of other wildflowers. Michael and I drove up South Fork Road, which follows the South Fork of the Kaweah River (hence, the name). Something that always just twists my sense of geography is the clear view of Homer’s Nose from the upper end of that road.

We stopped 4 miles from the end of the road and unloaded our bicycles. It was a long slow pull to the campground, but oh so very pretty.

There were lots of choices.

We stashed our bikes and headed toward the water.

Clough’s Cave is on the other side of the river and used to be open to the public. I had never seen it, and Michael had described its location to me at some time in the past. We followed our noses (and a trail of litter), which led to getting sort of bluffed-up and no cave. We slid back down, thought it out, and found the abandoned trail to the cave. It is slippery with oak leaves and acorns, and several places made me question the wisdom of following it to a closed-off cave. A few cave-wreckers have caused the Park to seal the cave off from the public.

If you climb some rocks and then lie on the ground, this is what is visible. If you turn around, this is what you see:

Lots of textures, snow on the peaks, the canyon winding its way upward, and even a belt of black oaks still without leaves. Tulare County is so large in acreage, so vast in its variety of terrains, with far more to explore than I have days off!

Forgive Us Our Trespasses

This is 16×12″ oil on wrapped canvas. It represents 2 days of exploring Yokohl Valley last March at the height of wildflower season. I spent an inordinate amount of time on it, and almost had to break out my blow dryer to have it dry in time for the show! “Yokohl Valley Revisited” at the Tulare Historical Museum opened last night.

The title of this paintings has 2 meanings: a fair amount of trespassing was involved in gathering my photos. Number two: in the Bible “trespasses” means sin; I think it would be a sin to turn this gorgeous place into a city. I can just hear my Very Wise Dad saying in his overly calm voice meant to soothe but also a bit infuriating, “Everybody has to live somewhere.”

Why Artists Choose Three Rivers

First in a series called “Thoughtful Thursdays”

When my art studio was in Exeter and I lived in Lemon Cove, people assumed I lived in Three Rivers. I’m guessing this was because of my occupation of pencil artist. (Given the choices of of towns in Tulare County, this is a reasonable assumption.) Now that I actually do live here and have become a painter, I recognize a multitude of reasons that any artist would want to reside in Three Rivers.

We are surrounded by beauty that takes no effort to see. There are incomparable views from my yard, studio, mailbox, and even from in my neighbor’s pool. The beauty continues as we go to the post office, the Memorial Building, the golf course, or maybe even from the dentist’s office!

Then there is the beauty that might require a little more effort to take in: the North Fork, the South Fork, Kaweah River Drive, and the Salt Creek area of BLM land come to mind. If you are able to walk, there is so much more that becomes visible.  In fact, I wrote a series on my weblog called “Peculiar Sights in Three Rivers” documenting odd items that appear to the pedestrian in our town.

Another great enticement to living in Three Rivers is the shorter drive to Sequoia and to Mineral King. In less than an hour you can be among the big trees and in a little longer than an hour, you can be in a valley that I have heard resembles the Swiss Alps.

Everywhere I look there are subjects to paint. The wildflowers could keep my brush flying for several seasons. The gates alone could occupy my pencils for a year. I could produce an entire series of drawings and paintings simply of loading chutes. Curves in the road, bends in the river, the autumn leaves, light on the rocks, Moro Rock from every possible angle, Alta Peak from every attainable viewpoint, sycamores all around town, the grand oak trees of every variety, the assortment of fence styles – every one of these subjects could be depicted in pencil or paint.

It is true that there is beauty in almost any location if one learns to recognize it. I certainly had plenty of subjects available in my former locations.  Now, the accessibility of paintable scenes is almost overwhelming!