Tiptoeing Along on Several Oil Paintings

Why tiptoeing? Because it feels slow and careful at this stage, like I am just feeling my way along, trying to be as careful as possible.

First up, Sawtooth, the commissioned oil painting.

Second, rebuild the Kaweah Post Office, also a commissioned oil painting.

Third, plant some grasses. (Oil paint grasses, not fescue or bermuda or dichondra or Kentucky bluegrass or. . .) There was more progress made, but the phone call came that it was time to rescue Piper from the vet, where he got civilized this week. $192. No such thing as a free cat. (Samson cost $132 – he was in better shape to start with.)

Sawtooth got its front ridges painted.
Then I flipped it over to paint the bottom and begin the greenery.
This one had its skyline just too rough, with things not the right heights. So, I repainted the sky, using it to shape the mountain tops.
This was begun all wrong, wrong, wrong.
Better now. Miles to go before I sleep. . .
I mixed up 3 shades of green and began building background. While doing this, I increased the sizes of the blooms and added many more.

Starting Over Again With Sawtooth

All those paintings of Sawtooth completed over the past several months, and someone wants a different size? 

Yep. No problem. I am an artist, and artists make art. Here are the beginning steps of the commissioned oil painting of Sawtooth:

First I assign an inventory #, title the piece and attach a hanging wire.
Second step is to prime the canvas, or “tone” it as another artist names it. That was even more boring than Step #1, so this photo is showing the paint from the tubes and the colors I mixed to begin the painting.
Painting from back to front means that the blue sky strips go on first.
Then some clouds, and the realization that it would be helpful to crop the photo to a square.
More clouds and the beginning of Sawtooth’s shape.
The angle looked too steep on Sawtooth’s right side slope, so I pulled out my angle finder tool. It was a little tricky to take this photo so I am not holding the thing correctly here (vertical needs to be vertical, not tipsy). I’ll recheck the angle in the next layer.
At the end of the painting session, everything had a first coat of paint.

Wow, it is time-consuming and interruptive to photograph the steps in this much detail. But, this customer has become a friend and likes seeing the progress. I’ve heard from others that seeing the process is interesting, so here we go. . .

What’s Wrong With These Pictures??

These Mineral King oil paintings appear to be troubled. Sawtooth, the Oak Grove Bridge, and more Sawtooth, all looking topsy-turvy and scribbly.

Nothing wrong here – just letting the bottom edge dry.
Lots of things wrong – spacing, angles, proportions, curves, and can’t see what I need on the photo. Turning things upside down revealed many wrong shapes.
The red lines show how it is supposed to be. Maybe. This angle may be too hard for me. Technically speaking, mechanically speaking, everything I need to know is on that photo – all the shapes and proportions are there. BUT I CAN’T SEE THEM!! 
Nothing wrong here. Just letting that bottom edge dry. Will I add foreground trees? More will be revealed. Plus, I was working on this at the end of the day, using artificial lighting. In the daylight, it may be clear that the painting needs more layering.

Sawtooth Oil Painting in Stages

We last saw the Sawtooth oil painting looking quite rough. It has taken many hours, and the Fat Lady ain’t singing yet. (Close – she’s starting to warm up with a few scales.) And just in case you forgot, Sawtooth is the second most popular of the Mineral King oil painting subjects, tied with the Honeymoon Cabin. (Farewell Gap with the Crowley cabin is number one in popularity.)

The black thing is a shadow from the edge of the roof, because I worked on it outside in the sunshine.

When all those green grasses are dry enough, I will add wildflowers. Then I will probably revisit some of the upper parts, add a few more details, correct some more color.

Chill out, Fat Lady. Your time will come.

Sawtooth, Continued

The oil painting of Sawtooth was looking a bit rough when we last saw it.

It is only slightly less rough, because I chose to work on Farewell Gap more. It is tricky to fit in painting time around holidays, visitors from out of town, short daylight hours, colder temperatures, and year-end business to wrap up. But, I’ll keep layering, tightening up the detail, improving the color and accuracy.

More Sawtooth Paintings Completed

Sawtooth Peak is the third most popular Mineral King subject that I oil paint. (First is the classic view of Farewell Gap with the Crowley cabin and second is the Honeymoon Cabin.)

This is a 6×6″ painting, donated to Exeter’s Courthouse Gallery for their annual fund raiser art auction.
This is a wedding gift, a 10×10″ oil painting for a former drawing student who shall remain nameless until after the wedding, although I may choose to protect the identity afterward too. It is good to be careful on the World Wide Web.

And remember the previous two Sawtooth paintings? This place is just filthy with Sawtooth; no wonder I go a little rogue from time to time and paint chickens.

Oil Painting Accountability

Oil painting isn’t my favorite thing; pencil drawing architectural subjects is my favorite thing. Given the choice between oil painting and waiting tables or cleaning motel rooms, OF COURSE I’d choose oil painting. However, some days it helps to have a bit of accountability to do the thing that isn’t my favorite.

My nephew didn’t want to go to class (he is in college) and I didn’t want to paint. So I said I would if he would. We both did. Yea, Nephew! Yea, me!

Here are the results of that accountability.This:Became this:And now looks like this:

All that remains is to let it dry so I can flip it onto its top to paint the bottom edge and then sign it!

And another Mineral King Sawtooth oil painting will be finished.

Sawtooth Peak Oil Painting Continued

The layers continue to build on Sawtooth Peak, an oil painting.

As it was when you last saw it:

Another layer added to the sky:Another layer added to Sawtooth:

Another layer added to the lower ridges:

And more added to the lower ridges:Yo, Professor Layer, may I be finished with the sky and the peak and the lower ridges now? (Can you see Trail Guy’s visor in the background as he adds grommets to the Kaweah Artisans banner?)

When this dries, I’ll put in branches at the bottom edges. I think this wants greenery, or maybe it is fine as it is. . .

What do you think??

 

Layer By Layer

I learned to oil paint in layers, called “glazing” in ArtSpeak.

The oil painting of Sawtooth is acquiring layer #2. Something I didn’t learn is this: how many layers does a painting require? If it looks great after layer #2, do I really have to put on more layers?

The teacher in the 1/2 semester class I took at the local junior college had us repaint the entire painting every single time we went to class. I learned a few things from him, but not why he thought so many layers are necessary. He could have just been making us practice and learn by repetition. 

I don’t want to be like the woman who automatically cut off the end of the roast because her mom did, because her mom did. Turns out Grandma cut off the end because her pan was too short.

Here’s Sawtooth as layer #2 works its way down the canvas.

New Mineral King Paintings

Last week I was a ninja-crazy painting factory, cranking out oil paintings of Mineral King. This is high season in the high country, and it is busy. Gotta get ’em done, visible, and selling.

Sounds a bit like a mercenary, an artist of fortune.

Nah. No fortunes are being made here. Just painting Mineral King.

 

1627 Sawtooth XVI
Sawtooth XVI, oil on wrapped canvas, 8×8″, $100
1628 Sawtooth XVII
Sawtooth XVII, oil on wrapped canvas, 8×8″, $100