Tag: pencil drawing

First I ate my vegetables of fuzzy faces. I saved dessert for last.

What is she talking about? I can hear you thinking.

My customer brought me three commissions to draw in pencil. The first 2 were the fuzzy photos of faces with no discernible features. The 3rd was a beautiful building, designed by Julia Morgan, the architect most known for her buildings at Asilomar and for the Hearst Castle.

Drawing architecture in pencil is my favorite part of my art business.

Remember Henry and Dora in front of their tent last week? Here, have another look:

I showed my drawing students, because it is good to learn from one another. They were kind and complimentary, but honest, as we are with one another. “What is that thing in the tent?” is something I heard a few times.

I dunno. Some of their belongings covered in a tarp, perhaps.

My curiosity got the best of me, so I returned to the photos, both the original and the photoshopped version where I removed two of the women so the customer could see a version of what he had requested–just Henry and Dora, please.

Original photo:Photoshopped version:Well, oops. That thing is the lap and legs of one of the women that I photoshopped out of the photo. The converse to “If I can’t see it, I can’t draw it” is, “If I see it, I draw it”.

That’s why we have erasers. Here is the revised Henry and Dora drawing.

I am a hypocrite. I tell my drawing students to not attempt to draw faces smaller than eggs and to never draw from photos that are too fuzzy to see, because IF YOU CAN’T SEE IT, YOU CAN’T DRAW IT! (Yes, often said in all capital letters and sometimes even with a bit of bold thrown in for extra emphasis.)

The author/customer needs drawings because his only photos are not good. A drawing is better than a poor photograph. But, if I can’t see it and the faces are smaller than an egg, what’s an artist to do? I want to help the customer – that’s my job!

The answer is I work really hard. I focus, adjust, erase, add, erase, adjust, study, think, erase, et cetera. All work is done with a giant magnifying glass with a special light bulb, and strong magnifying glasses, along with very sharp points on my pencils.

Here are Henry and Dora at their tent above Springville, living there in hopes that Dora’s tuberculosis will be cured.

For the rest of the story, you will have to buy the book. But first, it has to be written, edited, rewritten, formatted and then printed. 

It may be awhile. . .

If I can’t see it, I can’t draw it. But sometimes I try anyway, because I want to help the customer.

Besides, “If I can’t see it, I can’t draw it”, my other set-in-stone rule is, “No face smaller than an egg”. I learned this from a very accomplished colored pencil portrait artist, Ann Kulberg. She wasn’t speaking of a hummingbird egg, and I find that even a normal chicken egg size is a challenge.

Think about this: in the size of an egg, the width of one pencil point off in shading someone’s eye can make her look like her cousin. There is no forgiveness. None.

So, what did I do when a customer brought me this photograph and asked for a pencil drawing of it, minus 2 of the people?

Be merciful to me, a shameless hypocrite.

Stay tuned. . .

“If you can’t see it, you can’t draw it”, is one of the regular things I say to my drawing students.

Along came an author, writing on local history, seeking someone to illustrate some pictures in his book. He wanted drawings because several of his photos are awful, and he wisely thought it better to have a good drawing than a poor photo.

My students and I have gotten a good laugh about my accepting this job. Portraiture is my least favorite subject. There are such subtle differences between faces, and if you can’t see it, you can’t draw it.

However, there is no one left who knows what Edythe Tate Thompson looked like, and this is the only known photograph of her. So, I did my best to make her look pleasant and human, although she may have been super-human. She was responsible for bringing the tuberculosis hospital to Springville, and responsible for getting Julia Morgan to design the first building.

I don’t think I captured an exact likeness. She looks happier to me in the drawing, more approachable. Maybe her face is a touch too wide, maybe her mouth is; I think I’ve put her eyebrows farther apart If you knew Edythe and have a photo of her, let me know.