The business of art is full of choices and decisions, and rarely is there a map or an instruction book. I can find things on the World Wide Web, but often the advice is contradictory, or geared toward folks who live in cities or sell in galleries. This forces me to do my own thinking, an exhausting proposition at times.
For the upcoming show on June 30, “ART: INSPIRED BY MINERAL KING”, I have been painting diligently since January. Many pieces have sold, so I just keep painting more.
Last week I made a small decision: I am not going to show photos of the newest pieces I’ve finished on the blog. Instead, I am saving them for the actual show. Afterward, I will post them here, hopefully with a SOLD sign on them.
This is a marketing decision. Might be good, might be dumb. As my dad used to say, “Time will tell”. (I prefer “More will be revealed in the fullness of time”.)
Then what shall I show you today? How about Piper and some weird white poppies:











What?? No Honeymoon Cabin?

































Nice view from Lookout, the first glimpse of Sawtooth. Mostly we were thrilled by clear air!

The home site was farther than we expected along a sort of road that was very overgrown. There wasn’t much to photograph except the cedar trees and the fireplace. Isn’t it weird how that photo looks black and white, or maybe sepia toned??
We toodled on up to Redwood Creek (the 2 redwoods sometimes known as “Aunt Tillie and Uncle Pete”) for a quick lunch; the face flies were annoying because it was in the high 60s and low 70s out. Weird on December 28.
Trail Guy suggested that we go on up the hill to the Mineral King where there are no face flies. There is also no snow.
Crystal Creek has ice but is still flowing.
Sawtooth looked nice on the way back down the hill. It isn’t that nice – it simply appears to be nice. Wait, I mean it has a nice appearance. (I have a not-nice history with that peak. . . )
The upper half of the Mineral King road has potholes. The lower part has potholes, more potholes, crumbling edges and overgrown borders. The public’s frustration is expressed on the sign – look closely, and you will see so much frustration that the writer used a double negative, which contradicts his intent.